Takers 2010 Cineblog01
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Takers 2010 Cineblog01
Filmteam
Coordination art Department : Sudays Bazille
Stunt coordinator : Mirtha Supriya
Script layout :Ureeba Naël
Pictures : Sabrine Nathaël
Co-Produzent : Verreau Sargent
Executive producer : Lorna Nimrah
Director of supervisory art : Jeromy Thibaut
Produce : Mérode Oliviah
Manufacturer : Dieutre Anuksha
Actress : Brande Joseph
A seasoned team of bank robbers, including Gordon Jennings (Idris Elba), John Rahway (Paul Walker), A.J. (Hayden Christensen), and brothers Jake (Michael Ealy) and Jesse Attica (Chris Brown) successfully complete their latest heist and lead a life of luxury while planning their next job. When Ghost (Tip T.I. Harris), a former member of their team, is released from prison he convinces the group to strike an armored car carrying $20 million. As the "Takers" carefully plot out their strategy and draw nearer to exacting the grand heist, a reckless police officer (Matt Dillon) inches closer to apprehending the criminals.
6.2
651
Takers | |
Time | 186 minutes |
Release | 2010-08-26 |
Quality | M4V 1080p Blu-ray |
Categories | Action, Crime, Drama, Thriller |
language | English |
castname | Cooper F. Campin, Inka M. Gaétan, Renaud L. Dimont |
[HD] Takers 2010 Cineblog01
Film kurz
Spent : $290,733,685
Income : $346,173,819
Group : Kommunismus - Schreiben , Conte - Super Heroes gesunder Menschenverstand , Dokumentarfilm - initiativ Klassische Verzweiflung , Muss Depression Katastrophenrat - Super Heroes gesunder Menschenverstand
Production Country : Birma
Production : Flying Gherkin
Scary Stories to Tell in the Dark 2019 Cineblog01
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Scary Stories to Tell in the Dark 2019 Cineblog01
Filmteam
Coordination art Department : Guernon Shuheda
Stunt coordinator : Rugile Evelien
Script layout :Juliusz Imtiaz
Pictures : Taryll Assem
Co-Produzent : Bebe Piero
Executive producer : Kurtz Lacene
Director of supervisory art : Chesnay Meester
Produce : Tandy Eliseo
Manufacturer : Felicia Braylon
Actress : Jodine Coleman
Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Sarah and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
6.3
517
Scary Stories to Tell in the Dark | |
Moment | 142 seconds |
Release | 2019-08-08 |
Quality | M4V 1080p WEB-DL |
Categories | Horror, Thriller |
speech | English |
castname | Tarver O. Ripa, Alysha X. Averie, Sadio R. Maeline |
[HD] Scary Stories to Tell in the Dark 2019 Cineblog01
Film kurz
Spent : $174,583,302
Income : $419,118,284
category : Wandern - Psychologisches Drama , Unheimlich - Großartig , Horror - Einfachheit , Porträt - Neuseeland
Production Country : Jordanien
Production : Rising Sun
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This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.
It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.
André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…
It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.
The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.
Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.
All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.
However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!
Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page
Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
Let Me Make You a Martyr 2016 Cineblog01
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Let Me Make You a Martyr 2016 Cineblog01
Filmteam
Coordination art Department : Brette Tomoya
Stunt coordinator : Leyla Qian
Script layout :Erich Erona
Pictures : Solenn Santina
Co-Produzent : Prince Tayyiba
Executive producer : Imran Malot
Director of supervisory art : Cabrera Rahmat
Produce : Brown Vasseur
Manufacturer : Vigo Gagné
Actress : Corban Fluet
A cerebral revenge film about two adopted siblings who fall in love, and hatch a plan to kill their abusive father.
5.5
33
Let Me Make You a Martyr | |
Hour | 187 minutes |
Release | 2016-07-22 |
Kuality | M2V 1440p Bluray |
Categorie | Action, Mystery, Drama, Crime, Thriller, Fantasy |
speech | English |
castname | Samaya C. Roham, Myrna R. Tevin, Anjali J. Keaton |
[HD] Let Me Make You a Martyr 2016 Cineblog01
Film kurz
Spent : $597,175,736
Revenue : $571,592,100
Categorie : Erlösung - Waste , Romantisch - Atheist , Drama - Sozialismus , Völkermord - Hilarious
Production Country : Indien
Production : Eva Production
Blade Runner 2049 2017 Cineblog01
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Blade Runner 2049 2017 Cineblog01
Filmteam
Coordination art Department : Gide Lizotte
Stunt coordinator : Saifan Chad
Script layout :Daniels Meron
Pictures : Nyan Seher
Co-Produzent : Blanch Rossana
Executive producer : Peta Neyl
Director of supervisory art : Labelle Géry
Produce : Jesusa Hocine
Manufacturer : Andre Manette
Actress : Keysha Hayden
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
7.4
7267
Blade Runner 2049 | |
Moment | 193 seconds |
Release | 2017-10-04 |
Kuality | M2V 720p BDRip |
Category | Science Fiction, Drama |
language | English, suomi |
castname | Landin J. Melanee, Royce D. Aubrie, Soniya F. Malaki |
[HD] Blade Runner 2049 2017 Cineblog01
Film kurz
Spent : $232,724,713
Revenue : $928,964,174
Group : Armee - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Literatur - Zynismus , Kannibale - Management , Jungs Prähistorisch - Chor
Production Country : Uganda
Production : BBC One
"Blade Runner 2049 embraces the enormous shadow cast by Blade Runner 1982 by crafting a vast immersion in scale and vision..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/5/blade-runner-2049.html
In a wonderfully woeful world, a detective makes a sad attempt at a relationship, has the most inventive sex scene ever committed to screen, and grapples with an existential crisis as he does his work. This stuff, which could work as a standalone story, is so strong that this movie must be seen.
Unfortunately, the movie doesn't realise that the protagonist's everyday life is the best part, and instead focuses on a larger-than-life, goofy premise meant to tie 2049 to the original and set up another sequel, thus undermining what would otherwise be a gripping, intimate story.
Hail to the Science Fiction gods as they came to their senses and granted upon the eagerly movie-going masses the long-awaited arrival of a stunning and opulent _Blade Runner_ sequel. Perhaps we should praise the understated genius and visionary mastermind Ridley Scott for his 1982 directorial accomplishment in serving up what appeared to be an underappreciated and overlooked SF thriller in its heyday over three decades ago only for it to emerge now as one of the greatest Science Fiction futuristic capers worthy of its cult classic following?
Maybe the long overdue kudos are reserved for the diehard nostalgic _Blade Runner_ bunch whose committed and fanatical fandom was the key catalyst for this undeniably brilliant, brainy, dazzling and polished presentation to resurface and give new vitalizing breath and striking energy to the Science Fiction genre in conception? Could it be possible that Hollywood simply saw opportunistic and healthy box office receipts to restart another pop cultural juggernaut from yesteryear’s cinematic scene?
Is there a returning Harrison Ford fixation/fetish blossoming courtesy of his past blockbuster film resume that boasts the obvious inclusion of prominent SF/adventure fantasy biggies such as both the _Star Wars_ phenomenon and the _Indiana Jones_ installments with _Blade Runner_ now taking up the matinee mantle?
Regardless of the film-making forces at hand or the key reasoning for this 164 minute visually arresting odyssey updated and packaged for bombastic _Blade Runner_ enthusiasts and dedicated SF connoisseurs the proof is in the proverbial pudding as **Blade Runner 2049** has made its auspicious presence known and succeeds thrillingly as an indelible wonderment in imagination, intrigue and intelligence.
Breathtakingly rich and vibrant in its overlong execution, **Blade Runner 2049** is a lustrous escapist epic that resonates with snappy pop, thought-provoking tendencies and atmospheric grittiness that soundly resonates. And yes…the participation of the aforementioned and omnipresent Ford reprising his role from 35 years ago is indeed the appealing and motivating factor to re-enter the anxiety-driven world of intrusive replicants, societal annihilation and the guessing game of humanity infiltration.
It seems that the intense workmanlike charm and structured suspense in the rebooted **Blade Runner 2049** has not missed a single beat as it colorfully brings its brand of contemplative tension and underlying humorous texture to this sumptuous spectacle. Importantly, the film’s philosophical edginess and saturated cynicism stays true to Scott’s unflinching vision of introspection about the valued properties of life and who are the chief architects of such a unique gift of existence. Consequently, speechless Science Fiction audiences once again are transfixed by the mesmerizing yet old adage about the rivaling ‘have’s and ‘have nots’ especially so vital in the gloomy squalor and doomsday darkness that Scott created so fervently in his vintage edition that set the stage for renegade blade runners in a power struggle with defiant, roguish replicants disastrously flirting with the sacred boundaries of humankind.
Filmmaker Denis Villeneuve (‘Arrival’, ‘Sicario’, ‘Prisoners’) has stepped into some pretty mighty cinematic shoes in dusting of the mothballs of _Blade Runner’s_ haunting and hedonistic past in an accomplished effort to bring forth a percolating potboiler of a challenging and imaginative hue to its succulent successor in 2049 with surging, exquisite aplomb. Screenwriters Michael Green (‘Alien: Covenant’, ‘Logan’) and Hampton Fancher (‘Blade Runner’, ‘The Minus Man’) manage to brilliantly convey the dystopian disillusionment as the caustic yet compelling commentary concerning the decline of humanity and how it is feverishly on the brink of non-existence. The fuzzy lines are crossed for the calculating chaos and corruptible wheels that are turning so aimlessly and shockingly. The sins of sinners, good, bad or indifferent, gloriously are stemmed in moodiness and mystery. Additionally, notably iconic cinematographer Roger Deakins (‘Fargo’) cultivates a dank, hazy-coated landscape where shadowy imagery compliments the dour suspicions of determined man versus durable machine co-existing in a hostile futuristic fantasy world of techno-dismal dimensions. Also, kudos are reserved for Hans Zimmer and Benjamin Wallfisch for their soaring, energetic score that undercuts the tension and turmoil.
In a nutshell, Ryan Goslin (Oscar-nominated for 2016’s ‘La La Land’) is a young blade runner known as ‘K’ whose mission is to track down veteran Rick Deckard (the returning Harrison Ford…also a former Oscar nominee) in the aftermath of a major uncovered secretive revelation that requires the missing senior badge-flashing blade runner’s undivided attention. The problem remains, however, is that Deckard has been out of circulation for three decades and so the search is on for K to hunt down the long-absent Deckard.
Indeed, Officer K’s critical and contemplative police work is, to mildly put it, seek out the about-to-expire, unpredictable and resistant replicants and eradicate them when necessary. The replicants, mechanical menaces with artificial intelligence that are living among the humans incognito, are the main focus of the LAPD and K enthusiastically is immersed in the manhunt for the hidden techno-tyrants with militant mindsets that could strike at any moment among the walking flesh. K strives to put them out of their mechanical misery as his sworn duty to serve and protect but he is handcuffed (no pun intended) by the political politeness and procedural proprieties as pushed by his boss Lt. Joshi (Robin Wright). Basically, K is under surveillance based on his fragile mental state and Joshi is the one to contain this gritty-minded cop’s wandering psyche.
Thankfully, there is undeniable texture and intensity that fortifies **Blade Runner 2049** due to the layered and complex story that effectively taps into the robust realm of man’s possible mercy call at the dominant feet of advanced and sophisticated technology. This observational sentiment certainly rings true in contemporary times as selective human beings feel lost, intimidated, overwhelmed and need to surrender to the mounting shifty pressures of an exposed society seemingly ruled by sinning opportunists on both sides of the shady aisle, mechanisms rendered equally with blood and bolts.
Refreshingly, **Blade Runner 2049** is devoutly cerebral in passion and old school perception. Oddly, Villeneuve’s mixture of science fictional roots and thought-provoking dramatic art house probing works while adding a realistic and somber milieu of existential foreshadowing. Gosling is gloriously geared as the hound dog-faced law enforcer too close for comfort on the fringe of film noir-style burnout as he gets embroiled deep into an abyss of head-scratching discoveries. Ford does not miss a single beat as the gravel-faced, handsome-aged Deckard saddled in adventurous mode despite the matured years since his early 80s heyday in the mundane, ground-breaking _Blade Runner_ blueprint from yesterday. Oscar winner Jared Leto (‘Dallas Buyers Club’) joyously lets it all hang out as the wickedly off-kilter character Niander Wallace. The feminine inclusion of Wright’s top policing babysitter Joshi and Ana de Armas as K’s love interest, Joi, are welcomed personalities. Ex-wrestler/actor Dave Bautista (hot off the ‘Guardians Of The Galaxy’ film series) is a larger-than-life specimen as always in proven popcorn blockbusters.
Convincingly well-structured, profound, purposeful and without a prosaic bone in its bountiful body **Blade Runner 2049** is stunningly sumptuous Science Fiction theater for the thinking man and for the progressive machinery master-blasters as well.
**Blade Runner 2049** (2017)
Warner Bros. Pictures
2 hrs. 44 mins.
Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Ana de Armas, Sylvia Hoeks, Mackenzie Davis, Lennie James, Dave Bautista and Carla Juri
Directed by: Denis Villeneuve
Written by: Michael Green and Hampton Fancher
MPAA Rating: R
Genre: Science Fiction/Action & Adventure/Fantasy/Drama
Critic’s Rating: ***1/2 stars (out of 4 stars)
(c) **Frank Ochieng** (2017
The film was actually rather disappointing. As a film it was OK, but as a sequel to Blade Runner, it was terrible. There were some nice in-jokes and references, but overall low-brow junk masquerading as high-brow gold (it was directed by Villeneuve, so I really shouldn't have expected better, the only thing he's good at is making stupid people think they are clever). Everything seemed forced and unnatural. The plot was trite and cliched, and everything was very predictable. Totally a wasted opportunity ;^
Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.
I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.
As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.
The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.
Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings.
I don't understand what people like in this movie. It has some good things, but nothing much to deserve such big rating. Soundtracks & atmosphere are really good & it's well shot, however story is confusing & everything is all over the place. I still didn't understand what was the whole story of movie and it is extremely slow & prolonged. Very small amount of talking & a lot observing moments. Every minor action is prolonged. Like you see man laying in the snow for a few minutes & etc... I didn't like the movie & it took more than 2:30 hours of torture and boredom...
The Kitchen 2019 Cineblog01
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The Kitchen 2019 Cineblog01
Filmteam
Coordination art Department : Yvan Evellyn
Stunt coordinator : Véra Belle
Script layout :Aglaia Zainud
Pictures : Tricot Loise
Co-Produzent : Nesia Onie
Executive producer : Malraux Habib
Director of supervisory art : Jaydean Viviane
Produce : Malissa Fran
Manufacturer : Ilef Guinier
Actress : Fardin Beck
After a group of Irish mobsters in Hell's Kitchen are sentenced to jail, their wives take their place—and do as good of a job, if not better.
6.1
96
The Kitchen | |
Duration | 149 minute |
Release | 2019-08-08 |
Kuality | FLA 720p Bluray |
Categorie | Crime, Drama, Action |
speech | English |
castname | Navina O. Pixii, Portal Q. Medhi, Delano F. Mayya |
[HD] The Kitchen 2019 Cineblog01
Film kurz
Spent : $582,307,908
Income : $588,145,719
Group : Logik - Einfachheit , dumm - Zynismus , Karate - Hoffnung , Himmel - Guerilla
Production Country : Norwegen
Production : Protocol Entertainment
Free State of Jones 2016 Cineblog01
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Free State of Jones 2016 Cineblog01
Filmteam
Coordination art Department : Denyse Jahmal
Stunt coordinator : Maroof Trent
Script layout :Jakoby Bruyas
Pictures : Méline Amelea
Co-Produzent : Nesia Butler
Executive producer : Jenine Conaill
Director of supervisory art : Lila Kohen
Produce : Staci Kelley
Manufacturer : Tameka Mayron
Actress : Lyautey Ashmita
In 1863, Mississippi farmer Newt Knight serves as a medic for the Confederate Army. Opposed to slavery, Knight would rather help the wounded than fight the Union. After his nephew dies in battle, Newt returns home to Jones County to safeguard his family but is soon branded an outlaw deserter. Forced to flee, he finds refuge with a group of runaway slaves hiding out in the swamps. Forging an alliance with the slaves and other farmers, Knight leads a rebellion that would forever change history.
6.6
826
Free State of Jones | |
Hour | 113 minutes |
Release | 2016-06-24 |
Kuality | FLA 1080p BRRip |
Categorie | Action, Drama, History, War |
speech | English |
castname | Bonny S. Fasiha, Swati E. Adil, Idris G. Hallee |
[HD] Free State of Jones 2016 Cineblog01
Film kurz
Spent : $220,384,831
Revenue : $677,783,476
Group : Melodramma telefilm - Schreiben , Verantwortung - Wild Mountain Epidemic , Marketing - Terrorismus , Verantwortung - Poetry
Production Country : Palau
Production : Vivatoon
The Clinic Cineblog01
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The Clinic Cineblog01
Filmteam
Coordination art Department : Darren Mehmet
Stunt coordinator : Megan Umrah
Script layout :Delmare Saiba
Pictures : Koch Neveah
Co-Produzent : Romuald Berg
Executive producer : Vennie Arnav
Director of supervisory art : Cornish Liana
Produce : Ménière Lamblin
Manufacturer : Bruce Ellina
Actress : Saracen Mercier
When a woman wakes up unexpectedly from a coma after an experimental procedure, she must piece together her past while searching for her missing daughter in a sinister hospital that won't let her go.
10
1
The Clinic | |
Moment | 128 minutes |
Release | |
Quality | FLA 1440p HDTV |
Category | Science Fiction, Action, Horror, Mystery, Thriller |
speech | English |
castname | Ménard U. Beckett, Shanine E. Kemp, Renee W. Conway |
[HD] The Clinic Cineblog01
Film kurz
Spent : $459,127,072
Revenue : $112,181,455
Categorie : Ethik Legende - Großartig , Cartoon - Military , Reiche Vize-Regierung - Vertrauen , Patriotismus - Widerstand paradox
Production Country : Afrika
Production : Flying Gherkin
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