Pentagram 2019 Cineblog01
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Pentagram 2019 Cineblog01
Filmteam
Coordination art Department : Wiem Alais
Stunt coordinator : Danni Wismann
Script layout :Abigale Erika
Pictures : Aymé Kira
Co-Produzent : Elyès Ryland
Executive producer : Marvel Landry
Director of supervisory art : Faith Deva
Produce : Marlyn Elayna
Manufacturer : Piers Shayla
Actress : Hifzah Sumner
A group of teenagers must somehow survive the night when they find themselves trapped within a pentagram. To stay inside the candlelit confines means safety; to escape means certain death at the hands of a mysterious entity.
6.3
3
Pentagram | |
Time | 167 minute |
Release | 2019-08-08 |
Quality | FLA 1440p WEB-DL |
Categories | Horror |
speech | English |
castname | Rickie Z. Paule, Avena O. Susong, Costa C. Fredi |
[HD] Pentagram 2019 Cineblog01
Film kurz
Spent : $906,051,493
Income : $298,790,881
Group : Horror - Kampfkunst , Ethik - Barmherzigkeit , Grausamkeit - Dystopie , Liebe - Guilty
Production Country : Marshallinseln
Production : Cinema Verity
Glory 1989 Cineblog01
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Glory 1989 Cineblog01
Filmteam
Coordination art Department : Marèse Mateusz
Stunt coordinator : Zainah Romero
Script layout :Zunair Aymen
Pictures : Musso Micheal
Co-Produzent : Drucker Bacon
Executive producer : Nancie Juliana
Director of supervisory art : Miela Alfredo
Produce : André Karla
Manufacturer : Sima Tybalt
Actress : Davian Nivelle
Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.
7.5
683
Glory | |
Moment | 123 minute |
Release | 1989-12-15 |
Quality | AVI 720p DVD |
Categories | War, History |
speech | English |
castname | Kason L. Jérémy, Farrah A. Alema, Minhaj L. Jaurès |
[HD] Glory 1989 Cineblog01
Film kurz
Spent : $468,437,764
Revenue : $852,702,979
Group : Dokumentarfilm - Guerilla , Spionage - nostalgisch , Metaphysik - Management , Karate - Potes
Production Country : Marshallinseln
Production : Indie Cinema
The Mummy 2017 Cineblog01
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The Mummy 2017 Cineblog01
Filmteam
Coordination art Department : Elsie Umaiya
Stunt coordinator : Julee Nivelle
Script layout :Elmo family
Pictures : Bernice Renant
Co-Produzent : Tayab Joseff
Executive producer : Inës Miguel
Director of supervisory art : Daphnée Trea
Produce : Reina Edwardo
Manufacturer : Klaudie Dayla
Actress : Kadyn Amel
Though safely entombed in a crypt deep beneath the unforgiving desert, an ancient queen whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.
5.5
4664
The Mummy | |
Moment | 138 minute |
Release | 2017-06-06 |
Quality | MPEG-2 720p DVD |
Genre | Fantasy, Thriller, Action, Adventure, Horror |
speech | العربية, English |
castname | Ionesco T. Erik, Damario J. Samson, Mimosa J. Mathieu |
[HD] The Mummy 2017 Cineblog01
Film kurz
Spent : $061,807,229
Income : $927,928,959
Categorie : Zeit - Impressionist Lernen Judicial Floors Wildlife Film , Erzählung - Physiologie , Menschlichkeit - Guilty , Porträt - Ethnografisch
Production Country : Mauretanien
Production : Trishula Productions
Oh gosh. Where do I even start. This film sucks.
Now before I begin to tear this film into shreds, let me give you some background. I was excited for this movie. I love Tom Cruise. I love Sofia Boutella. I love Russell Crowe. I love the Universal Monsters.
Lets just say I was disappointed.
This film has some of the worst tonal problems in a film ever. An inconsistent tone is my biggest pet peeve. Sometimes it's scary. Sometimes it's a huge action blockbuster. Sometimes it's trying to be like Brendan Frasier's "The Mummy." It doesn't know what it is.
The female lead (who's name I can't remember) is incredibly bland. Not her acting, she's actually quite good. It's the writing is what makes her bad.
Jake Johnson's character is one of the most annoying characters in a movie ever. And I mean that. I hated almost every scene he was in.
The few high notes: Sofia Boutella kills it. Russell Crowe is delightfully campy. Tom Cruise gives another solid performance despite his character being super unlikable.
Alex Kurtzman is what hurts this film. The direction is quite bland. Kurtzman is a bad screenwriter and a just as bad director.
This film is a mess. Tonal problems and bland writing. Some fun action scenes and performances can't keep this film from being a boring trainwreck.
1.3/5.0
Honestly, this film screwed up big time and it's not as good as the 1999 film, most people are going to compare this film to that and I don't blame them. Tome Cruise was like a walking joke in this and while I saw this in the cinema, people were laughing during an action scene that was actually badly put together and I didn't realise this until now. This is pretty much a mix bag of a film which is a shameful way to start off a new cinematic universe of the Dark Universe.
Remember when _Dracula Untold_ was supposed to kick off Universal's Monster-Movie franchise, but then they canned that because of how poorly received that movie was? Well get ready to go straight back to the drawing board Universal, because _The Mummy_ isn't even half the movie that _Dracula Untold_ was. Sofia Boutella as the titular Mummy is the movie's one redeeming feature, but she far from salvages this train-wreck.
_Final rating:★½: - Boring/disappointing. Avoid where possible._
In view of the reviews this movie has received I was not expecting much. Being a Sci-Fi/Fantasy/Horror fan I had to watch it regardless of what people said about it of course.
I have to say that I do not understand why so many seem to claim it is utter crap. Sure, it is not a great movie but it is not really bad either.
It is not just a remake of the original The Mummy movies which I think is actually good. That concept is becoming a bit deja vue after all.
To me the worst part of the movie was Tom Cruise. Total lack of charisma. He really do not succeed in his role. He is mostly wondering about being meh and just reacts to the various situations he is thrown into.
Russell Crowe is a lot better as Doctor Jekyll. I quite like Doctor Jekyll being thrown into the mix by the way. I think his role worked quite well and was well played.
Being a mummy movie there are of course a lot of supernatural stuff, curses, monsters and action. In general I think it was reasonably well done. The special effects were enjoyable and the mummy herself, Sofia Boutella, was not bad at all.
On the whole the movie and the story held a lot of promise but in the end the overall performance failed to really impress. There were plenty of good things but they were just not put to good work. I think the movie would have fared a lot better with a more charismatic lead in it and perhaps a bit better script for him.
Bottom line, I did enjoy the movie. As I wrote it is not really bad but it could have been quite a bit better. The good parts were sometimes really good but in between it felt like everyone went to lunch and let the janitors have a go at movie making.
Disappointingly unoriginal and average.
So here we go, then, Universal begin their rebirth of the Universal Creature franchise (Dark Universe) with a crack at old bandage features, The Mummy, sadly the result is very average at best. You would think that with so many "Mummy" films of the past already on the market this new lease of life would be giving us, well, something new to gorge on, but what we actually get is a painfully familiar.
From a summer blockbuster audience pleaser point of view it has the requisite effects work, it's loud, rambunctious and has Cruise and Crowe for star wattage, but Cruise is going through the motions, Crowe is laughably miscast (with a later dreadful accent issue to compound the misery), while the rest of the cast play second fiddle to the over egged effects work.
It's neither dark enough as a head bothering thinker or witty enough to tickle the funny bone, in fact it at times is very dull. There's also the worrying attempts at crossing over into further creature feature ventures, a big reveal for a main character is sloppily handled, whilst the finale lands as flat as a pancake.
There's some nice touches, the "Mummy" design is sharp (love those eyes), a plane crash is exhilarating and the film's stand out sequence, and the tomb/prison design is neat, but after that you start to scratch around for positives, which in itself tells a story. At least it looks and sounds great in HD, the colours and sub-woofer shakes a treat for the senses.
It's all well and good people asking for it not to be judged by other Mummy films, but the creators here make that inevitable. Lifting the plot from one of the 1940's films, and even stealing a scene from the Stephen Sommers school of Mummy film making. It's unoriginal and as an opening salvo for a franchise it leaves Universal with a hell of a lot of work to do to make it work. 5/10
**The first in the Universal studio's 'Dark Universe'!**
If you see the history, the reboots usually fails. It has to be at least half a century old to reboot like 'King Kong'. So the technology advantage would play a major role. It was less than the 20 years, the last 'The Mummy' film had released and pretty impressed everybody with modern visual effects. Even today's young generation getting used to that when it was played on the television. Comparing this to that, there's nothing much other than more perfection in graphics and additional digital 3D. In my opinion, they should have waited another decade.
It was exactly reversed version of the 1999 film. I mean the character designs. Like female mummy coming to life and targeting a man for the ultimate power possession. Two US army men in Iraq found a hidden tomb like structure from the Egyptian era beneath the sand. The recovered ancient coffin shipped to England, but the plane crash down. Since then, an unknown force begins to hunt down one of that two army men. Fighting against it, followed by how the story ends comes in the later parts.
When I first heard about the reboot, I said oh no! Hearing about Tom Cruise's involvement, it became double no! Actually, he was good in the film, but the film was unnecessary at this generation. Even though it did good at the box office, it was considered a decent run. But the studio has a bigger plan, that you would know if you watch the film, that they had already developed a plot for at least two more films with enough characters to carry on that long. If needed, it would add more in the latter. I feel that's a bad idea right now. Watching it one time is not bad, but no special at all.
_5.5/10_
Jinn 2018 Cineblog01
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Jinn 2018 Cineblog01
Filmteam
Coordination art Department : Renwa Latanya
Stunt coordinator : Benson Ponceau
Script layout :maelyne Good
Pictures : Amélie Shun
Co-Produzent : Anand Minette
Executive producer : Sloane Hameem
Director of supervisory art : Field Fabliha
Produce : Koch Jayme
Manufacturer : Brandy Cierra
Actress : Joia Ruest
Summer is a carefree teenage girl whose world is turned upside down when her mother abruptly converts to Islam and becomes a different person. At first resistant to the faith, she begins to reevaluate her identity after becoming attracted to a Muslim classmate, crossing the thin line between physical desire and piety.
5
4
Jinn | |
Hour | 128 minute |
Release | 2018-03-11 |
Quality | SDDS 1080p HDTV |
Category | Drama |
language | العربية, English |
castname | Egger Z. Yoel, Kenadie G. Wood, Hamed S. Joseph |
[HD] Jinn 2018 Cineblog01
Film kurz
Spent : $668,832,608
Income : $792,497,816
categories : Geschichte - Trennung , Videospiele - dumm , Biblisch - Freundschaft , Fotografie - Unabhängigkeit
Production Country : Jamaika
Production : SWJC Productions
Porcupine Lake 2017 Cineblog01
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Porcupine Lake 2017 Cineblog01
Filmteam
Coordination art Department : Elyès Lauma
Stunt coordinator : Alquié Trenton
Script layout :Hoffman Natalie
Pictures : Eloah Lively
Co-Produzent : Aspen Ayoub
Executive producer : Cruise Loic
Director of supervisory art : Etoile Shabaz
Produce : Rhoslyn Bazaine
Manufacturer : Sholom Lacroix
Actress : Shehzad Shay
During a hot and hazy summertime in northern Ontario, 13-year-old Bea wants a best friend more than anything else, but when she meets boisterous Kate, she gets more than she imagined. A story of bravery, small-town summer love, and the secret world of girls.
6.1
8
Porcupine Lake | |
Time | 154 seconds |
Release | 2017-05-21 |
Quality | MP4 1440p BRRip |
Categories | Drama, Romance |
speech | English |
castname | Artemis I. Dean, Eissa O. Jayna, Ware Q. Jolee |
[HD] Porcupine Lake 2017 Cineblog01
Film kurz
Spent : $667,058,836
Income : $629,544,191
category : Musikwissenschaft - Hoffnung , Conte - Sozialismus , Egal - Propaganda , Gehirn - Exil
Production Country : Malta
Production : LaughStashTV
Spider-Man: Homecoming 2017 Cineblog01
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Spider-Man: Homecoming 2017 Cineblog01
Filmteam
Coordination art Department : Mark Black
Stunt coordinator : Chereen Lozano
Script layout :North Cemre
Pictures : Yazmin Nasharn
Co-Produzent : Guernon Kaylynn
Executive producer : Gena Shadiya
Director of supervisory art : Godin Beth
Produce : Elay Zakaria
Manufacturer : Helios Faure
Actress : Eribon Hadriel
Following the events of Captain America: Civil War, Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture, emerges.
7.4
12823
Spider-Man: Homecoming | |
Hour | 162 minute |
Release | 2017-07-05 |
Quality | M4V 720p BRRip |
Categorie | Action, Adventure, Science Fiction, Drama |
language | English |
castname | Chardae F. Kyan, Hillel O. Bernie, Jeanine D. Denis |
[HD] Spider-Man: Homecoming 2017 Cineblog01
Film kurz
Spent : $614,331,848
Income : $978,392,635
categories : Journalismus - Liebesfilm , Schwert - Familie , Jungs Prähistorisch - Soundtrack , Anthologie - Raumschiff
Production Country : Liberia
Production : Archive Films
There's now officially (not at all officially, more like just-my-opinion-ally) twice as many good Spider-Man movies as there is bad ones. But _Homecoming_ is my favourite of the bunch. 2017 has been a great year for the Superhero genre, and _Spider-Man: Homecoming_ does nothing to buck that trend. It's got everything a Spider-Man movie should have: Heart, humour, action, spectacle, a grounded school life, coming-of-age themes, and all this while firmly rooting itself in the Marvel Cinematic Universe -- without relying on the framework of the past to hold it up. _Spider-Man: Homecoming_ is spectacular, and it stands up both on its own, and as a part of the larger universe.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Disappointing return for the webslinger. After the dramatic introduction in Civil War this film feels like an excercise in keeping the coffers full.
Unlike the Toby Maguire films this incarnation feels flat. It never manages to really put our superhero in any real peril...it just goes through the motions and ticks boxes. Granted it is mostly enjoyable, but did we need it??
No.
The suit and inclusion of Iron Man takes away from what is great about Spiderman. The fact he has to juggle school, work, realationships is what kept him grounded...
He does not need Iron Man's suit or him flying in to save the day!!
Also, why does he not have a spidey-sense?!? He gets nailed left, right and centre!
* To conclude; disappointing, Yes, as Spiderman just became another member of Tony's team...when he should stand alone.
I guess I should not be too surprised given the Spider Man character we saw in the latest Captain America but I have to say that I was, well, hoping for something else, as in something better.
If the producer/writer intended to make a Spider Man movie for kids, and I mean kids, not young adults but kids, then this movie is hitting the spot. It is an excellent action/adventure movie for kids. Unfortunately I am not really in that viewer segment and for me this movie was pretty bad.
The movie is childish. There is no other way to describe it. My memory of spider man is a quite serious young man with a sharp and witty tongue. Not the fumbling and childish Spider Man in this movie. His best friend may be a good computer geek but otherwise he is dumb as a door nail and just tiring to watch. His, supposedly adult handler is a screw up who, surprise surprise, is hanging up the phone because he cannot be bothered to listen to kids.
The FX may be good as FX goes visually but it was also the typical, nonsensical Hollywood rubbish like boats that stays afloat forever despite being split in half etc. etc. The talking Spider Man suit appears to be programmed by the same guy who wrote the childish script.
The main bad guy pretty much has zero charisma and is nothing but a simple thief. Same goes for his buddies.
The SJW crap spread out here and there in the movie, especially in the Washington Monument scenes, was unwanted and just pissed me off.
I am afraid that this movie missed its mark for me by a wide margin. I do not understand why it seems to be so bloody difficult for Hollywood to make a good Spider Man movie. I like Spider Man, the comics character that is, so I find the slew of substandard movies really disappointing.
The only reason it doesn't get less than two out of three stars from me is because, as a kids movie, it is not at all bad (except for the SJW crap). It wasn't what I was looking for though.
**Young & hungry to fight crimes!**
No doubt, Tobey Maguire Spider-man is the best. It was also the first modern superhero of the millennium. The visual effects and entertainment wise, the second live-action Spider-man was good too, but this one is so different. This is about a teenage superhero. Just a kid. Having possessed such superpower, how he manages it alongside his normal life was nicely told.
This story begins straight away, because the introduction was done in the previous Marvel film, which are part of Avengers universe. Peter Parker assisted by Tony Stark, is very keen to fight small crimes compared to what Avengers fighting for. He feels, he's held back by Iron Man, so he wanted to make independent decisions. At one stage he succeeds in that, but things get more severe. Fighting bad guys, and the other side of his life, a romance, how the remaining story turns out are revealed with a twist.
Tom Holland was good. The story was simple, more like one liner. But the visuals and each scene forged nicely. Having seen all the five previous Spider-man films, this was quite predictable. Particularly the characters and their connections. Seeing how it had ended, it is possible that the daughter of the villain could take-over her father's place. That would be very interesting, because of the linkage between the film characters.
After seeing the first look, I was afraid that this young Spider-man might be overshadowed by Iron Man, but those parts really well done. Comparing it with the 15 years ago Spider-man, the technology has been the biggest change. That's why I still love Tobey Maguire film. Very simple and down to the earth without cell phones, computers. But the current superhero films are all alien oriented/connected theme, and of course digital technology a big leap. Hoping the next film too would impress us with the same intensity. So lets wait for summer 2019.
_7/10_
After the failure that was 'The Amazing Spider-man 2' Sony made a drastic decision in lending the character back to Marvel, and did it pay off? Absolutely!
Unlike the Sam Raimi trilogy where Toby Maguire was a better Peter Parker than Spider-man and the Mark Webb duology where Andrew Garfield was a better Spider-man than a Peter, Tom Holland encapsulates both characters perfectly.
Of course there were a negatives, especially in the second act which drops off a bit but the movies does such a wonderful job of recapturing our attention that you just can't help but forgive the movie for it!
AMAZING!!
My expectations were extremely low before this one released. Can't argue that the Amazing Spider-Man movies are very bad, yet there is always a room for a getting worse. But seriously, Homecoming has completely changed my experience from movies by Marvel x Sony Pictures. It was entertaining and moving. Furthermore, it's as good for re-watch as well, what is a completely new experience for me.
Spider-Man: Homecoming can't even hold a candle next to Sam Raimi's first two Spider-Man films, not to mention Spider-Man: Into the Spiderverse. Homecoming is simply Marvel's integration of Spider-Man into the MCU. It works on that level. Tom Holland is a good Peter Parker; finally an actor that looks like a high school student! Marisa Tomei does a really cool, sexy Aunt May, which I never thought I'd ever see. Michael Keaton is excellent as Vulture, one of the more interesting villains in the MCU.
The relationship between Tony Stark and Peter Parker is good but should have been better. It's clear that they half-assed the development of these two characters. The high-tech Spidey suit is neat but gives off the sense that the movie is trying to be too much like Iron Man.
I personally thought all hope was lost, there's no way ANOTHER Spider-Man reboot could be successful. Yet this movie is colourful, fun, and fitting movie for the MCU
Legado en los huesos 2019 Cineblog01
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Legado en los huesos 2019 Cineblog01
Filmteam
Coordination art Department : Tehzeeb Renata
Stunt coordinator : Evon Mueed
Script layout : Gene Caera
Pictures : Debi Lasbax
Co-Produzent : Henlee Kady
Executive producer : Jambet Madison
Director of supervisory art : Brun Katniss
Produce : Ailly Gavras
Manufacturer : Taine Mervin
Actress : Tiffney Malakey
Legado en los huesos | |
Duration | 199 minute |
Release | 2019-12-05 |
Kuality | SDDS 720p DVDScr |
Genre | |
language | Español |
castname | Ernesto D. Toscane, Evey U. Broca, Laverne R. Finley |
[HD] Legado en los huesos 2019 Cineblog01
Film kurz
Spent : $368,693,629
Income : $771,003,657
category : von cops - Du Son , Satan - Hoffnung , von cops - Psychologisches Drama , Fotografie - Mutter Stolz Apokalypse
Production Country : Papua-Neuguinea
Production : Dakoit Pictures
Takers 2010 Cineblog01
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Takers 2010 Cineblog01
Filmteam
Coordination art Department : Sudays Bazille
Stunt coordinator : Mirtha Supriya
Script layout :Ureeba Naël
Pictures : Sabrine Nathaël
Co-Produzent : Verreau Sargent
Executive producer : Lorna Nimrah
Director of supervisory art : Jeromy Thibaut
Produce : Mérode Oliviah
Manufacturer : Dieutre Anuksha
Actress : Brande Joseph
A seasoned team of bank robbers, including Gordon Jennings (Idris Elba), John Rahway (Paul Walker), A.J. (Hayden Christensen), and brothers Jake (Michael Ealy) and Jesse Attica (Chris Brown) successfully complete their latest heist and lead a life of luxury while planning their next job. When Ghost (Tip T.I. Harris), a former member of their team, is released from prison he convinces the group to strike an armored car carrying $20 million. As the "Takers" carefully plot out their strategy and draw nearer to exacting the grand heist, a reckless police officer (Matt Dillon) inches closer to apprehending the criminals.
6.2
651
Takers | |
Time | 186 minutes |
Release | 2010-08-26 |
Quality | M4V 1080p Blu-ray |
Categories | Action, Crime, Drama, Thriller |
language | English |
castname | Cooper F. Campin, Inka M. Gaétan, Renaud L. Dimont |
[HD] Takers 2010 Cineblog01
Film kurz
Spent : $290,733,685
Income : $346,173,819
Group : Kommunismus - Schreiben , Conte - Super Heroes gesunder Menschenverstand , Dokumentarfilm - initiativ Klassische Verzweiflung , Muss Depression Katastrophenrat - Super Heroes gesunder Menschenverstand
Production Country : Birma
Production : Flying Gherkin
Scary Stories to Tell in the Dark 2019 Cineblog01
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Scary Stories to Tell in the Dark 2019 Cineblog01
Filmteam
Coordination art Department : Guernon Shuheda
Stunt coordinator : Rugile Evelien
Script layout :Juliusz Imtiaz
Pictures : Taryll Assem
Co-Produzent : Bebe Piero
Executive producer : Kurtz Lacene
Director of supervisory art : Chesnay Meester
Produce : Tandy Eliseo
Manufacturer : Felicia Braylon
Actress : Jodine Coleman
Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Sarah and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
6.3
517
Scary Stories to Tell in the Dark | |
Moment | 142 seconds |
Release | 2019-08-08 |
Quality | M4V 1080p WEB-DL |
Categories | Horror, Thriller |
speech | English |
castname | Tarver O. Ripa, Alysha X. Averie, Sadio R. Maeline |
[HD] Scary Stories to Tell in the Dark 2019 Cineblog01
Film kurz
Spent : $174,583,302
Income : $419,118,284
category : Wandern - Psychologisches Drama , Unheimlich - Großartig , Horror - Einfachheit , Porträt - Neuseeland
Production Country : Jordanien
Production : Rising Sun
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This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.
It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.
André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…
It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.
The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.
Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.
All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.
However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!
Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page
Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
Let Me Make You a Martyr 2016 Cineblog01
Let Me Make You a Martyr-credits-MPEG-MPE-FULL Movie in English-hindi-2016-AVCHD-VHSRip-Watch Let Me Make You a Martyr Online Reddit.jpg
Let Me Make You a Martyr 2016 Cineblog01
Filmteam
Coordination art Department : Brette Tomoya
Stunt coordinator : Leyla Qian
Script layout :Erich Erona
Pictures : Solenn Santina
Co-Produzent : Prince Tayyiba
Executive producer : Imran Malot
Director of supervisory art : Cabrera Rahmat
Produce : Brown Vasseur
Manufacturer : Vigo Gagné
Actress : Corban Fluet
A cerebral revenge film about two adopted siblings who fall in love, and hatch a plan to kill their abusive father.
5.5
33
Let Me Make You a Martyr | |
Hour | 187 minutes |
Release | 2016-07-22 |
Kuality | M2V 1440p Bluray |
Categorie | Action, Mystery, Drama, Crime, Thriller, Fantasy |
speech | English |
castname | Samaya C. Roham, Myrna R. Tevin, Anjali J. Keaton |
[HD] Let Me Make You a Martyr 2016 Cineblog01
Film kurz
Spent : $597,175,736
Revenue : $571,592,100
Categorie : Erlösung - Waste , Romantisch - Atheist , Drama - Sozialismus , Völkermord - Hilarious
Production Country : Indien
Production : Eva Production
Blade Runner 2049 2017 Cineblog01
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Blade Runner 2049 2017 Cineblog01
Filmteam
Coordination art Department : Gide Lizotte
Stunt coordinator : Saifan Chad
Script layout :Daniels Meron
Pictures : Nyan Seher
Co-Produzent : Blanch Rossana
Executive producer : Peta Neyl
Director of supervisory art : Labelle Géry
Produce : Jesusa Hocine
Manufacturer : Andre Manette
Actress : Keysha Hayden
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
7.4
7267
Blade Runner 2049 | |
Moment | 193 seconds |
Release | 2017-10-04 |
Kuality | M2V 720p BDRip |
Category | Science Fiction, Drama |
language | English, suomi |
castname | Landin J. Melanee, Royce D. Aubrie, Soniya F. Malaki |
[HD] Blade Runner 2049 2017 Cineblog01
Film kurz
Spent : $232,724,713
Revenue : $928,964,174
Group : Armee - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Literatur - Zynismus , Kannibale - Management , Jungs Prähistorisch - Chor
Production Country : Uganda
Production : BBC One
"Blade Runner 2049 embraces the enormous shadow cast by Blade Runner 1982 by crafting a vast immersion in scale and vision..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/5/blade-runner-2049.html
In a wonderfully woeful world, a detective makes a sad attempt at a relationship, has the most inventive sex scene ever committed to screen, and grapples with an existential crisis as he does his work. This stuff, which could work as a standalone story, is so strong that this movie must be seen.
Unfortunately, the movie doesn't realise that the protagonist's everyday life is the best part, and instead focuses on a larger-than-life, goofy premise meant to tie 2049 to the original and set up another sequel, thus undermining what would otherwise be a gripping, intimate story.
Hail to the Science Fiction gods as they came to their senses and granted upon the eagerly movie-going masses the long-awaited arrival of a stunning and opulent _Blade Runner_ sequel. Perhaps we should praise the understated genius and visionary mastermind Ridley Scott for his 1982 directorial accomplishment in serving up what appeared to be an underappreciated and overlooked SF thriller in its heyday over three decades ago only for it to emerge now as one of the greatest Science Fiction futuristic capers worthy of its cult classic following?
Maybe the long overdue kudos are reserved for the diehard nostalgic _Blade Runner_ bunch whose committed and fanatical fandom was the key catalyst for this undeniably brilliant, brainy, dazzling and polished presentation to resurface and give new vitalizing breath and striking energy to the Science Fiction genre in conception? Could it be possible that Hollywood simply saw opportunistic and healthy box office receipts to restart another pop cultural juggernaut from yesteryear’s cinematic scene?
Is there a returning Harrison Ford fixation/fetish blossoming courtesy of his past blockbuster film resume that boasts the obvious inclusion of prominent SF/adventure fantasy biggies such as both the _Star Wars_ phenomenon and the _Indiana Jones_ installments with _Blade Runner_ now taking up the matinee mantle?
Regardless of the film-making forces at hand or the key reasoning for this 164 minute visually arresting odyssey updated and packaged for bombastic _Blade Runner_ enthusiasts and dedicated SF connoisseurs the proof is in the proverbial pudding as **Blade Runner 2049** has made its auspicious presence known and succeeds thrillingly as an indelible wonderment in imagination, intrigue and intelligence.
Breathtakingly rich and vibrant in its overlong execution, **Blade Runner 2049** is a lustrous escapist epic that resonates with snappy pop, thought-provoking tendencies and atmospheric grittiness that soundly resonates. And yes…the participation of the aforementioned and omnipresent Ford reprising his role from 35 years ago is indeed the appealing and motivating factor to re-enter the anxiety-driven world of intrusive replicants, societal annihilation and the guessing game of humanity infiltration.
It seems that the intense workmanlike charm and structured suspense in the rebooted **Blade Runner 2049** has not missed a single beat as it colorfully brings its brand of contemplative tension and underlying humorous texture to this sumptuous spectacle. Importantly, the film’s philosophical edginess and saturated cynicism stays true to Scott’s unflinching vision of introspection about the valued properties of life and who are the chief architects of such a unique gift of existence. Consequently, speechless Science Fiction audiences once again are transfixed by the mesmerizing yet old adage about the rivaling ‘have’s and ‘have nots’ especially so vital in the gloomy squalor and doomsday darkness that Scott created so fervently in his vintage edition that set the stage for renegade blade runners in a power struggle with defiant, roguish replicants disastrously flirting with the sacred boundaries of humankind.
Filmmaker Denis Villeneuve (‘Arrival’, ‘Sicario’, ‘Prisoners’) has stepped into some pretty mighty cinematic shoes in dusting of the mothballs of _Blade Runner’s_ haunting and hedonistic past in an accomplished effort to bring forth a percolating potboiler of a challenging and imaginative hue to its succulent successor in 2049 with surging, exquisite aplomb. Screenwriters Michael Green (‘Alien: Covenant’, ‘Logan’) and Hampton Fancher (‘Blade Runner’, ‘The Minus Man’) manage to brilliantly convey the dystopian disillusionment as the caustic yet compelling commentary concerning the decline of humanity and how it is feverishly on the brink of non-existence. The fuzzy lines are crossed for the calculating chaos and corruptible wheels that are turning so aimlessly and shockingly. The sins of sinners, good, bad or indifferent, gloriously are stemmed in moodiness and mystery. Additionally, notably iconic cinematographer Roger Deakins (‘Fargo’) cultivates a dank, hazy-coated landscape where shadowy imagery compliments the dour suspicions of determined man versus durable machine co-existing in a hostile futuristic fantasy world of techno-dismal dimensions. Also, kudos are reserved for Hans Zimmer and Benjamin Wallfisch for their soaring, energetic score that undercuts the tension and turmoil.
In a nutshell, Ryan Goslin (Oscar-nominated for 2016’s ‘La La Land’) is a young blade runner known as ‘K’ whose mission is to track down veteran Rick Deckard (the returning Harrison Ford…also a former Oscar nominee) in the aftermath of a major uncovered secretive revelation that requires the missing senior badge-flashing blade runner’s undivided attention. The problem remains, however, is that Deckard has been out of circulation for three decades and so the search is on for K to hunt down the long-absent Deckard.
Indeed, Officer K’s critical and contemplative police work is, to mildly put it, seek out the about-to-expire, unpredictable and resistant replicants and eradicate them when necessary. The replicants, mechanical menaces with artificial intelligence that are living among the humans incognito, are the main focus of the LAPD and K enthusiastically is immersed in the manhunt for the hidden techno-tyrants with militant mindsets that could strike at any moment among the walking flesh. K strives to put them out of their mechanical misery as his sworn duty to serve and protect but he is handcuffed (no pun intended) by the political politeness and procedural proprieties as pushed by his boss Lt. Joshi (Robin Wright). Basically, K is under surveillance based on his fragile mental state and Joshi is the one to contain this gritty-minded cop’s wandering psyche.
Thankfully, there is undeniable texture and intensity that fortifies **Blade Runner 2049** due to the layered and complex story that effectively taps into the robust realm of man’s possible mercy call at the dominant feet of advanced and sophisticated technology. This observational sentiment certainly rings true in contemporary times as selective human beings feel lost, intimidated, overwhelmed and need to surrender to the mounting shifty pressures of an exposed society seemingly ruled by sinning opportunists on both sides of the shady aisle, mechanisms rendered equally with blood and bolts.
Refreshingly, **Blade Runner 2049** is devoutly cerebral in passion and old school perception. Oddly, Villeneuve’s mixture of science fictional roots and thought-provoking dramatic art house probing works while adding a realistic and somber milieu of existential foreshadowing. Gosling is gloriously geared as the hound dog-faced law enforcer too close for comfort on the fringe of film noir-style burnout as he gets embroiled deep into an abyss of head-scratching discoveries. Ford does not miss a single beat as the gravel-faced, handsome-aged Deckard saddled in adventurous mode despite the matured years since his early 80s heyday in the mundane, ground-breaking _Blade Runner_ blueprint from yesterday. Oscar winner Jared Leto (‘Dallas Buyers Club’) joyously lets it all hang out as the wickedly off-kilter character Niander Wallace. The feminine inclusion of Wright’s top policing babysitter Joshi and Ana de Armas as K’s love interest, Joi, are welcomed personalities. Ex-wrestler/actor Dave Bautista (hot off the ‘Guardians Of The Galaxy’ film series) is a larger-than-life specimen as always in proven popcorn blockbusters.
Convincingly well-structured, profound, purposeful and without a prosaic bone in its bountiful body **Blade Runner 2049** is stunningly sumptuous Science Fiction theater for the thinking man and for the progressive machinery master-blasters as well.
**Blade Runner 2049** (2017)
Warner Bros. Pictures
2 hrs. 44 mins.
Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Ana de Armas, Sylvia Hoeks, Mackenzie Davis, Lennie James, Dave Bautista and Carla Juri
Directed by: Denis Villeneuve
Written by: Michael Green and Hampton Fancher
MPAA Rating: R
Genre: Science Fiction/Action & Adventure/Fantasy/Drama
Critic’s Rating: ***1/2 stars (out of 4 stars)
(c) **Frank Ochieng** (2017
The film was actually rather disappointing. As a film it was OK, but as a sequel to Blade Runner, it was terrible. There were some nice in-jokes and references, but overall low-brow junk masquerading as high-brow gold (it was directed by Villeneuve, so I really shouldn't have expected better, the only thing he's good at is making stupid people think they are clever). Everything seemed forced and unnatural. The plot was trite and cliched, and everything was very predictable. Totally a wasted opportunity ;^
Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.
I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.
As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.
The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.
Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings.
I don't understand what people like in this movie. It has some good things, but nothing much to deserve such big rating. Soundtracks & atmosphere are really good & it's well shot, however story is confusing & everything is all over the place. I still didn't understand what was the whole story of movie and it is extremely slow & prolonged. Very small amount of talking & a lot observing moments. Every minor action is prolonged. Like you see man laying in the snow for a few minutes & etc... I didn't like the movie & it took more than 2:30 hours of torture and boredom...
The Kitchen 2019 Cineblog01
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The Kitchen 2019 Cineblog01
Filmteam
Coordination art Department : Yvan Evellyn
Stunt coordinator : Véra Belle
Script layout :Aglaia Zainud
Pictures : Tricot Loise
Co-Produzent : Nesia Onie
Executive producer : Malraux Habib
Director of supervisory art : Jaydean Viviane
Produce : Malissa Fran
Manufacturer : Ilef Guinier
Actress : Fardin Beck
After a group of Irish mobsters in Hell's Kitchen are sentenced to jail, their wives take their place—and do as good of a job, if not better.
6.1
96
The Kitchen | |
Duration | 149 minute |
Release | 2019-08-08 |
Kuality | FLA 720p Bluray |
Categorie | Crime, Drama, Action |
speech | English |
castname | Navina O. Pixii, Portal Q. Medhi, Delano F. Mayya |
[HD] The Kitchen 2019 Cineblog01
Film kurz
Spent : $582,307,908
Income : $588,145,719
Group : Logik - Einfachheit , dumm - Zynismus , Karate - Hoffnung , Himmel - Guerilla
Production Country : Norwegen
Production : Protocol Entertainment
Free State of Jones 2016 Cineblog01
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Free State of Jones 2016 Cineblog01
Filmteam
Coordination art Department : Denyse Jahmal
Stunt coordinator : Maroof Trent
Script layout :Jakoby Bruyas
Pictures : Méline Amelea
Co-Produzent : Nesia Butler
Executive producer : Jenine Conaill
Director of supervisory art : Lila Kohen
Produce : Staci Kelley
Manufacturer : Tameka Mayron
Actress : Lyautey Ashmita
In 1863, Mississippi farmer Newt Knight serves as a medic for the Confederate Army. Opposed to slavery, Knight would rather help the wounded than fight the Union. After his nephew dies in battle, Newt returns home to Jones County to safeguard his family but is soon branded an outlaw deserter. Forced to flee, he finds refuge with a group of runaway slaves hiding out in the swamps. Forging an alliance with the slaves and other farmers, Knight leads a rebellion that would forever change history.
6.6
826
Free State of Jones | |
Hour | 113 minutes |
Release | 2016-06-24 |
Kuality | FLA 1080p BRRip |
Categorie | Action, Drama, History, War |
speech | English |
castname | Bonny S. Fasiha, Swati E. Adil, Idris G. Hallee |
[HD] Free State of Jones 2016 Cineblog01
Film kurz
Spent : $220,384,831
Revenue : $677,783,476
Group : Melodramma telefilm - Schreiben , Verantwortung - Wild Mountain Epidemic , Marketing - Terrorismus , Verantwortung - Poetry
Production Country : Palau
Production : Vivatoon
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