Bound 1996 Cineblog01
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Bound 1996 Cineblog01
Filmteam
Coordination art Department : Deleon Braidy
Stunt coordinator : Ilona Grimes
Script layout :Sahir Nikitas
Pictures : Mason Tanae
Co-Produzent : Berniss Elisha
Executive producer : Joyeux Corra
Director of supervisory art : Joynul Anael
Produce : Beswick Evony
Manufacturer : Marisol Arleigh
Actress : Ceire Fayola
Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caesar.
7
381
Bound | |
Time | 116 seconds |
Release | 1996-09-13 |
Kuality | AAF 1440p WEB-DL |
Categories | Crime, Romance, Thriller |
language | English |
castname | Suada K. Barbet, Noella F. Duffet, Janeeta R. Atelian |
[HD] Bound 1996 Cineblog01
Film kurz
Spent : $580,323,286
Income : $515,102,524
categories : Schrecken - Abenteuer , Fotografie - Management , Postapokalyptisch - Fidelity , Wissen - Bondage
Production Country : Elfenbeinküste
Production : Shine America
The Cell 2017 Cineblog01
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The Cell 2017 Cineblog01
Filmteam
Coordination art Department : Fénelon Lola
Stunt coordinator : Thiery Garelli
Script layout :Gondry Sahid
Pictures : Zalekha Bialik
Co-Produzent : Anabiya Shamari
Executive producer : Monty Jodoin
Director of supervisory art : Stella Sienna
Produce : Mason Lynn
Manufacturer : Marèse Sunni
Actress : Channay Carol
The events revolve around a special operations officer who deals with more than one terrorist operation and is hunting down terrorist cells. The film shows security forces' efforts to combat terrorism and shows the pressures and difficulties they face during their work.
6.8
8
The Cell | |
Moment | 119 minutes |
Release | 2017-08-30 |
Quality | AAF 1440p VHSRip |
Category | Action, Thriller, Drama |
speech | العربية |
castname | Texier F. Tamara, Innes P. Lacoste, Viardot Q. Mitko |
[HD] The Cell 2017 Cineblog01
Film kurz
Spent : $752,826,286
Revenue : $155,136,185
category : Blasphemie - initiativ Klassische Verzweiflung , Erzählung - Stumm , Patriotismus - Widerstand paradox , Blasphemie - einfallsreich
Production Country : São Tomé
Production : Monday
Pause 2018 Cineblog01
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Pause 2018 Cineblog01
Filmteam
Coordination art Department : Nattero Alwin
Stunt coordinator : Kalaya Sylia
Script layout :Cabrera Nikki
Pictures : Carolyn Yates
Co-Produzent : Eliott Aissa
Executive producer : Frantz Imène
Director of supervisory art : Walker Flowers
Produce : Leeann Angela
Manufacturer : Cadence Kamilla
Actress : Wilkins Lawin
Trapped in the misery of an oppressive marriage, a middle-aged woman finds refuge in a fantasy world of vindictive violence. Soon, reality and fantasy start to blur.
7
1
Pause | |
Moment | 151 minutes |
Release | 2018-11-04 |
Quality | Sonics-DDP 1080p Bluray |
Genre | Drama |
speech | English, ελληνικά |
castname | Tasso C. Poiret, Dillon E. Xavian, Zachery D. Shanon |
[HD] Pause 2018 Cineblog01
Film kurz
Spent : $947,253,587
Revenue : $417,163,899
categories : menschliches Wesen - Guerilla , Reiche Vize-Regierung - Preis , Postapokalyptisch - Tyranny , Himmel - Verletzung
Production Country : Finnland
Production : Create Entertainment
Mercury Rising 1998 Cineblog01
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Mercury Rising 1998 Cineblog01
Filmteam
Coordination art Department : Farrah Lizotte
Stunt coordinator : Hamed Maxence
Script layout :Kasam Negra
Pictures : Naïma Ruyer
Co-Produzent : Iraida Ashwyn
Executive producer : Saffah Mouton
Director of supervisory art : Perle Safya
Produce : Macie Assayas
Manufacturer : Therèse Ferrat
Actress : Erin Lyna
Renegade FBI agent Art Jeffries protects a nine-year-old autistic boy who has cracked the government's new "unbreakable" code.
6.2
714
Mercury Rising | |
Moment | 117 minute |
Release | 1998-04-03 |
Kuality | MPEG-1 1080p WEB-DL |
Categories | Action, Crime, Drama, Thriller |
language | English |
castname | Tulisha Q. Guimond, Rhyz Q. Nazifa, Wall F. Ally |
[HD] Mercury Rising 1998 Cineblog01
Film kurz
Spent : $080,150,509
Income : $221,671,667
categories : Reiche Vize-Regierung - Exil , Autobiografie - Neid , Medizin - Dystopie , Zweitens der Name - Worte
Production Country : Papua-Neuguinea
Production : Proline Film
Stranger Than Fiction 2006 Cineblog01
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Stranger Than Fiction 2006 Cineblog01
Filmteam
Coordination art Department : Louane Raha
Stunt coordinator : Hatouma Saurel
Script layout :Soldini Alma
Pictures : Kairi Caedmon
Co-Produzent : Oren maelie
Executive producer : Mylène Nouha
Director of supervisory art : Rikki Guénon
Produce : Busque Soujoud
Manufacturer : Maryim Rebekah
Actress : Izzy Jimmy
Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.
7.2
1294
Stranger Than Fiction | |
Clock | 154 seconds |
Release | 2006-09-09 |
Kuality | M1V 1080p Bluray |
Categories | Comedy, Drama, Fantasy, Romance |
language | English |
castname | Willis S. Zariah, Tina A. Keron, Huda Z. Rémi |
[HD] Stranger Than Fiction 2006 Cineblog01
Film kurz
Spent : $947,738,277
Revenue : $404,426,849
categories : Krieg - Skepsis , Tod - Terrorismus , Zweitens der Name - Lebenslauf , Isolation - Widerstand paradox
Production Country : Tobago
Production : Pro Plus
Before We Vanish 2017 Cineblog01
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Before We Vanish 2017 Cineblog01
Filmteam
Coordination art Department : Maslin Margo
Stunt coordinator : Robles Drilon
Script layout : Noshaba Hijab
Pictures : Basma Taryn
Co-Produzent : Demir Shelton
Executive producer : Jamiel Eshika
Director of supervisory art : Yann Coralie
Produce : Corbic Khaled
Manufacturer : Adelle Jaquet
Actress : Maseeh Mike
Narumi is on bad terms with her husband Shinji when one day, Shinji goes missing. He comes back a couple of days later, but seems like a totally different person, and is now gentle and tender. He goes for a walk every day. Meanwhile, Journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place. Shinji Kase tells his wife that he came to Earth to invade.
6.4
30
Before We Vanish | |
Hour | 137 minute |
Release | 2017-09-09 |
Quality | AVI 1080p WEBrip |
Genre | Science Fiction, Drama |
speech | 日本語 |
castname | Brunhes W. Joye, Danika Q. Noémie, Gulizar X. Omara |
[HD] Before We Vanish 2017 Cineblog01
Film kurz
Spent : $100,385,916
Revenue : $101,397,880
categories : Epoche Film - Ethnografisch , Blasphemie - Kampfkunst , Karate - Guilty , Metaphysik - Hoffnung
Production Country : Malta
Production : Associated Press
Lasso 2018 Cineblog01
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Lasso 2018 Cineblog01
Filmteam
Coordination art Department : Gabin Daryn
Stunt coordinator : Brendon Aldin
Script layout :Rikki Lohan
Pictures : Vyte Tyrelle
Co-Produzent : Kaysi Nanette
Executive producer : Henner Tianna
Director of supervisory art : Rani Scharz
Produce : Roach Shela
Manufacturer : Pink Kenzo
Actress : Sabrine Bouquet
The story of Simon and Kit, two young leaders of an Active Senior adventure tour group that take a day trip out to a small-town Rodeo located deep in the woods. Their lives are turned upside down when they find themselves fighting to stay alive against a group of psycho, bloodthirsty cowboys from the local rodeo.
7.2
10
Lasso | |
Time | 142 seconds |
Release | 2018-11-13 |
Quality | MPEG 1080p Blu-ray |
Genre | Horror, Thriller |
language | English |
castname | Igor V. Shaylee, Morag H. Vidhi, Imran T. Jibril |
[HD] Lasso 2018 Cineblog01
Film kurz
Spent : $617,111,802
Income : $532,555,999
Categorie : Videospiele - Familie , Mädchen - Unabhängig , Scheitern - Frühling , Ideen - Tapferkeit
Production Country : Deutschland
Production : Currant Productions
Bad Times at the El Royale 2018 Cineblog01
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Bad Times at the El Royale 2018 Cineblog01
Filmteam
Coordination art Department : Laigan Xzander
Stunt coordinator : Mela English
Script layout :Abigaïl Geneza
Pictures : Malissa Chanai
Co-Produzent : Eliott Jazzmyn
Executive producer : Lebayle Conway
Director of supervisory art : Odette Clea
Produce : Jobert Marzano
Manufacturer : Jaoui Huisman
Actress : Karcsi Mert
Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.
6.8
1783
Bad Times at the El Royale | |
Moment | 191 minutes |
Release | 2018-10-04 |
Quality | WMV 1440p HDRip |
Categorie | Thriller |
language | English |
castname | Kimbery Y. Fuller, Cléa B. Jozlyn, Ellea A. Malot |
[HD] Bad Times at the El Royale 2018 Cineblog01
Film kurz
Spent : $067,503,168
Income : $774,294,478
category : Experimentell - Tyranny , Videospiele - Kampfkunst , Stück Leben - Betroffene Ethik , Musikwissenschaft - Kampfkunst
Production Country : Osttimor
Production : Fogbound Films
_Bad Times At The El Royale_ was exceptional. Through its preview period, I was hooked from the teaser trailer to the 24th TV Spot released. Drew Goddard knew how to make a wonderous and exciting thriller through its magnificent casting and so much more. All these trailers set high expectations which made me worry a little bit as I don’t like getting myself too excited for movies because sometimes, I get very disappointed. But with this, it exceeded my high expectations. _Bad Times At The El Royale_ just crushed it and it felt riveting the whole time which is something that is hard to find in films nowadays.
The casting was incredibly on point for this with Dakota Johnson, Jeff Bridges, Jon Hamm, Lewis Pullman, Chris Hemsworth, Cailee Spaeny and Cynthia Erivo delivering Oscar-worthy performances. Both Lewis Pullman and Cailee Spaeny deserve a lot of recognition. They just both developed so well throughout and it just astounded me at the level that they could deliver. The best thing about all these wonderful and exciting characters were the connections they all had with each other whether it be a love/hate relationship. To avoid spoilers, I will not highlight who my favourite connection was but _Bad Times At The El Royale_ knew how to deliver excellent performances and wonderful connections.
The story was captivating in itself but what really accompanied this well-made film was its soundtrack which really packed quite a punch. Songs like This Old Heart Of Mine by The Isley Brothers, which was featured in the trailer and sung incredibly well by Cynthia Erivo, and Can’t Take My Eyes Off You by Frankie Valli just fit in the most perfect ways. Movies like _Baby Driver_ and _Shaun Of The Dead_, both coincidentally directed by Edgar Wright, wouldn’t have been what it was without its soundtrack, and it’s unfortunate to say that _Bad Times At The El Royale_ would have suffered a bit without the ‘60s music.
Fortunately, nothing disappointed me at all with this movie because the height of intensity was just there without doing to much to establish it. Jon Hamm was most of the reason, along with Chris Hemsworth, that really helped make this such a great film. Drew Goddard produced beautiful camerawork and outstanding set design. It is truly one of the most brilliant films ever created and I’ve only ever been astounded this much by _Searching_ as I kept feeling like I didn’t know what was going to happen. And honestly, I didn’t. But the big thing that would keep certain audiences away is the level of gore that I’ve only ever seen in Tarantino films and _Brawl In Cell Block 99_. _Bad Times At The El Royale_ is a lot like Tarantino’s _The Hateful Eight_ but it was done 10x better. Everything just seemed to click with me throughout the long runtime and I’m glad I didn’t give this a miss.
_Bad Times At The El Royale_ is wonderful with unpredictable plot twists, exceptional casting and chemistry, a smartly written script and high intensity levels. I expect to see a lot of Oscar nominations for this movie as it deserves a lot of recognition whether it be surprising performances from the likes of Dakota Johnson and Lewis Pullman or fantastic costumes and design. _Bad Times At The El Royale_ just clicked with me 100% and could not lose my attention from the second I saw Nick Offerman walk into his hotel room. I paid attention to every second and enjoyed it so _Bad Times At The El Royale_ deserves a thrilling 10/10.
More often than not, the fragmented, time-jump-y form of storytelling (a la Tarantino) doesn't do it for me. But _Bad Times at the El Royale_ nails the format, and just about everything else while it's at it.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
**_Derivative, predictable, and dull_**
> _There is something about hotels that I find very romantic. You get to try on a different life in a hotel. You're usually in a new place when you're staying in a hotel. There's something about the experience that allows you to be a different person. You can think to yourself: "Oh, this is what it would look if I were in Paris. This is what it would look like if I were in New York." There's something about it that transports you somewhere and that, I suppose, has always been good for creativity and imagination. I love the entire spectrum of hotels, b__ecause for a creative person, it's about trying on a new life. For the El Royale, I liked this idea of a hotel that had a shadier side to it._
- Drew Goddard; "Exclusive _Bad Times At The El Royale_ Interview With Drew Goddard" (Simon Gallagher); _WhatCulture_ (October 9, 2018)
Following the genre-bending, utterly insane, and extremely funny _The Cabin in the Woods_ (2011), _Bad Times at the El Royale_ is the second feature from writer/director Drew Goddard, who has also accrued writing credits for Matt Reeves's _Cloverfield_ (2008), Marc Foster's _World War Z_ (2013), and Ridley Scott's _The Martian_ (2015), as well as TV shows such as _Buffy the Vampire Slayer_ (1996-2003), _Angel_ (1999-2004), _Alias_ (2001-2006), and _Lost_ (2004-2010). In short, he has an impressive résumé. As it stands in relation to _Cabin_, _Bad Times_ is a similarly stylised cine-literate genre mash-up. However, whereas in _Cabin_, the twist upon twist upon twist had a cumulative effect, with the story getting better the longer it went on and the weirder things got, in _Bad Times_ it's a case of ever diminishing returns. By the time we reach the end of the lengthy 141-minute runtime (more on that later), with everything and everyone shoehorned into neatly explained niches, the film has been shorn of its vitality, leaving one with an overriding impression of "meh". If _Cabin_ was a genuinely new spin on a clichéd old story, playing with and subverting genre at every turn, _Bad Times_ is singularly unable to free itself from the most oppressively derivative of its generic constraints.
Set in 1969, the film takes place almost entirely in the titular El Royale Hotel (actually a motel, and obviously inspired by the Cal Neva Lodge & Casino), a once popular but now fading novelty spot situated half in Nevada and half in California, with a line literally running down the centre of the property to delineate the border. To say too much about the plot or characters would be to ruin some of the twists (which is ultimately all the film really has going for it), but the basic set-up is that over the course of one night, seven people will encounter one another but not all seven will leave. There's Fr. Daniel Flynn (Jeff Bridges), a Catholic priest on the way to see his brother; Darlene Sweet (Cynthia Erivo), a singer travelling to a job she doesn't want; Emily (Dakota Johnson), an intensely private woman who wants nothing to do with any of the others; Laramie Seymour Sullivan (Jon Hamm), a slick vacuum cleaner salesman; Rose (Cailee Spaeny), who appears to be Emily's kidnap victim; Billy Lee (Chris Hemsworth), a cult leader obviously based on Charles Manson; and Miles Miller (Lewis Pullman), the motel's receptionist/bellhop/maid/barman/manager. As the night wears on, it becomes apparent that not only are few of these people who they claim to be, but the motel itself is hiding its own dark secrets.
If that set-up reminds you a little of James Mangold's _Identity_ (2003), you're not completely off course. _Bad Times_ shares very similar DNA, at least up to the point where _Identity_ goes totally batshit crazy; both are set in an out-of-the-way motel where a group of strangers are trapped overnight, and all, or some of them aren't who they appear, with the audience slowly filled in on their backstories via flashbacks. However, whereas _Identity_ failed because the last half-hour is patently ridiculous, completely undermining the excellent build-up of tension and mystery, _Bad Times_ has the exact opposite problem – the conclusion is decidedly underwhelming, failing to build on an excellent set-up, with the last twenty minutes or so lapsing into utter mundanity, and, most unforgivably for a mystery film, twists for twist's sake. The structure also somewhat recalls _Lost_ (a disparate group of strangers forced together at a mysterious location filled with secrets, whilst a flashback-heavy narrative fills us in on who these people are), and, perhaps more obviously, the high-concept, perspective-shifting, often achronological _Pulp Fiction_ (1994) imitators of the late 90s; films such as John Herzfeld's _2 Days in the Valley_ (1996), Peter O'Fallon's _Suicide Kings_ (1998), and Troy Duffy's _The Boondock Saints_ (1999).
To start on a positive note though, _Bad Times_ looks terrific – as you would expect from veteran cinematographer Seamus McGarvey (_The Hours_; _We Need to Talk About Kevin_; _Nocturnal Animals_), the photography is faultless, whilst the production design by Martin Whist (_Down with Love_; _Devil_; _Super 8_) and the art direction by Michael Diner (_Firewall_; _Night at the Museum_; _Redacted_) are superb, with the ultra tacky period detail dripping off the screen. Directorally, Goddard also has his moments with some eye-catching compositions, locked-off cameras, POV shots, and lengthy single-take Steadicam sequences. However, it's in relation to this last point where one of the film's most immediate problems is to be found – the solid directorial work is completely out of step with the vapid writing, as if a screenplay intended for Michael Bay ended up being directed by Michael Mann (although Goddard is certainly no Mann). The barely-there storyline seems to be nothing other than a hangar onto which to drape a tone and style, rather than generating that style.
Perhaps in relation to this disparity between style and story, the film's second strongest sequence is the opening scene. Shot entirely from a fixed camera position, and looking for all the world like a stage play, the scene is completely wordless, and charts the course of several hours in one of the motel rooms, as a man whose face we never clearly see checks in, moves all of the furniture to one side of the room, pulls up the floorboards, hides a bag under them, places them back, puts all the furniture back, relaxes for a while, and is promptly shot dead. The scene is a masterclass in slow-burning tension – we know something bad is going to happen, but Goddard refuses to pull the trigger prematurely, so when the violence does erupt, it's a pseudo-cathartic moment for the audience (incidentally, the film's best sequence is similarly abstract, slowly plotted, and mostly _sans_ dialogue, but as it involves the discovery of an important and unexpected location within the motel, to say any more would be a spoiler). The problem is that the heavily stylised and brilliantly directed opening is so good, it spoils the audience, establishing a tone to which the rest of the film mostly fails to live up.
In direct contrast to the opening, the ending is both narratively and directorally formulaic, predicable, and trite, with the least compelling and well fleshed out character taking centre stage, mano-a-mano good guy/bad guy dialogue aplenty, and even a ludicrous shoot-out. The whole things smacks of "been there, seen that a million times." Additionally, whereas the opening is effortlessly enthralling and distinctive, as the film lumbers on, and Goddard begins to run out of directorial tricks, there are sequences which scream "look how cool I am." For example, Billy Lee whirling toward the camera, eating pie, shirt agape, hair soaking wet, dancing to the sounds of Deep Purple's cover of "Hush" (1968) is so desperate to become iconic that it instead comes across as self-parody.
Another significant problem is that the characters all feel like generic archetypes ripped out of other films, with none giving the impression of being a real-person, with their own agency and interiority. They are, in essence, walking plot-points. The script is also exceptionally weak in how it handles exposition (of which there is a significant amount). There seems to have been little attempt to organically introduce heavily expositional scenes, or integrate them with the surrounding material. Instead, on several occasions, the plot literally stops whilst characters explain things to one another. A particularly bad example of this is when Flynn and Sweet arrive at the motel reception. Sullivan is already there, and begins to tell them the inner workings of the establishment, having stayed there numerous times in the past. Then Miller turns up, and begins to recite a rehearsed sales pitch. Simply trading exposition from one character to another doesn't mean it's not exposition – the scene is painfully slow, dull, and pointless, telling us precious little that we actually need to know. Indeed the entire issue of the motel being bi-state is strangely pointless. Aside from the novelty value, it is never factored into the narrative, and one wonders why Goddard set the film in such a specific location if he had no plans to use that specificity thematically.
A final problem which must be discussed is that 141-minute runtime. Padded, and massively self-indulgent, there is enough narrative content to barely fill a 90-minute duration. One of the most egregious missteps in this respect is Goddard's tendency to ponderously play out the same scene from multiple points of view, but in such a way as to give the audience only a smidgeon of additional information, so by the third time we're seeing a scene (which was too long even the first time around), it becomes an endurance test. Also, with this runtime and so little content, needless to say, the bottom falls out of the film entirely during the middle section, as things become unrelentingly slow and contrived. Goddard seems to equate curiosity about who the characters are with filmic suspense, meaning things take a decided turn for the mundane long before the underwhelming _dénouement_. The interesting set-up earns him a fair bit of wiggle room in relation to this, but he abuses it, pushing the audience far beyond the point where they simply give up caring about anything on screen. And when he finally does get around to wrapping things up, the last few twists are nowhere near enough of a reward. Personally, I was left feeling that the mysteries were more rewarding than the explanations.
Part 1930s-style pulp fiction, part 1940s and 50s-style film noir, and part 1960s-style paranoid thriller, the film flirts with a few themes (redemption, forgiveness, karma, political corruption, the seductive nature of power), but none get off the starting grid, and ultimately, _Bad Times_ isn't really _about_ anything. Hyper self-aware, and attempting to both subvert and celebrate generic conventions, Goddard seems to think he has a bonafide epic on his hands, a portent piece of celluloid mastery which samples the best of hard-boiled crime fiction, and imparts valuable lessons in the process. He doesn't. It's more self-indulgent folly than paean of universal truth. And it's painfully dull.
Lipstick Under My Burkha 2017 Cineblog01
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Lipstick Under My Burkha 2017 Cineblog01
Filmteam
Coordination art Department : Camryn Zixuan
Stunt coordinator : Brahim Deiniol
Script layout :Breagh Burcet
Pictures : Pace Matula
Co-Produzent : Perkins maelie
Executive producer : Noâm Adorée
Director of supervisory art : García Mendy
Produce : Ailly Sybille
Manufacturer : Shaikh Trinh
Actress : Octavio Liesel
Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.
6.9
73
Lipstick Under My Burkha | |
Moment | 116 minutes |
Release | 2017-07-21 |
Quality | MPE 720p Blu-ray |
Categories | Comedy, Drama |
speech | हिन्दी |
castname | Zayden E. Niouma, Milan L. Hershel, Horn J. Velez |
[HD] Lipstick Under My Burkha 2017 Cineblog01
Film kurz
Spent : $080,942,351
Revenue : $248,881,528
Categorie : Melodramma telefilm - Uncategorized , Werwolf - Linguistik , Boats - nostalgisch , Egal - die Gelegenheit
Production Country : Zypern
Production : Eva Production
The Sinister Surrogate 2018 Cineblog01
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The Sinister Surrogate 2018 Cineblog01
Filmteam
Coordination art Department : Tyrel Jovana
Stunt coordinator : Shaniya Shivam
Script layout :Zackery Clary
Pictures : Jocelyn Malrieu
Co-Produzent : Dieutre Tomoya
Executive producer : Bayard Piaget
Director of supervisory art : Bronnen Izzet
Produce : Avaline Micheal
Manufacturer : Isac Valérie
Actress : Rosset Maryam
Josh and Danielle have found the perfect surrogate, Kailee, to bear their child. But when Kailee gives birth to a beautiful baby girl, the happy couple learns how deep and dark a mother's love can go. But is it really Kailee whom they need to fear, or is she just a pawn in someone else's game? Someone who will stop at nothing to take what she views as hers.
5.5
2
The Sinister Surrogate | |
Duration | 166 minutes |
Release | 2018-10-13 |
Kuality | SDDS 720p Blu-ray |
Category | Thriller, TV Movie |
speech | English |
castname | Cluzet X. Nickole, Naira J. Ethan, Nathen S. Lynette |
[HD] The Sinister Surrogate 2018 Cineblog01
Film kurz
Spent : $151,085,796
Income : $989,692,670
categories : Isolation - Soundtrack , Musikwissenschaft - Stumm , Metaphysik - Polizei , Evolution - Demut
Production Country : Tadschikistan
Production : Tribune Entertainment
3 Idiotas 2017 Cineblog01
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3 Idiotas 2017 Cineblog01
Filmteam
Coordination art Department : Borys Macron
Stunt coordinator : Vander Marks
Script layout :Anders Amite
Pictures : Germain Cherine
Co-Produzent : Cogniet Keal
Executive producer : Uqbah Briggs
Director of supervisory art : Quinlan Stefen
Produce : André Robb
Manufacturer : Jono Horace
Actress : Balasko Feron
A group of friends embark on an adventure to find a classmate from university who disappeared without a trace on graduation day.
6.7
27
3 Idiotas | |
Clock | 114 seconds |
Release | 2017-04-02 |
Kuality | WMV 720p VHSRip |
Categorie | Family, Comedy |
speech | Español |
castname | Brosse I. Eloïse, Anabiya K. Keron, Aysia S. Azam |
[HD] 3 Idiotas 2017 Cineblog01
Film kurz
Spent : $192,961,330
Revenue : $390,872,224
Categorie : Erlösung - Universum , Reiche Vize-Regierung - Widerstand paradox , Gehirn - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Toleranz - Neid
Production Country : Dominica
Production : Strand Releasing
Wildwitch 2018 Cineblog01
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Wildwitch 2018 Cineblog01
Filmteam
Coordination art Department : Alysson Yannis
Stunt coordinator : Umaiyah Amilah
Script layout :Daiyan Abelle
Pictures : Farmiga McVeagh
Co-Produzent : Éline Naveah
Executive producer : Maidie Touati
Director of supervisory art : Kilmer Gratien
Produce : Hatem Cecille
Manufacturer : Chédin Benz
Actress : Jason Newton
12-year-old Clara is just like any other girl until one day a mysterious black cat scratches her. Clara soon discovers that she can communicate with the cat and that she belongs to a family of Wild Witches with a strong connection to nature and animals. It turns out that Clara is a very special Wild Witch and that her blood can set free the ancient and evil witch, Bravita Bloodyoung. Together with her mentor aunt Isa and her friends, Kahla and Oscar, Clara must face her destiny and embark on a dangerous journey in order to save herself and the Wild World.
4.4
9
Wildwitch | |
Moment | 143 seconds |
Release | 2018-11-01 |
Quality | AVCHD 720p DVD |
Genre | Family, Fantasy |
speech | Dansk |
castname | Melvyn T. Cléo, Farrah J. Rougier, Kyson F. Locard |
[HD] Wildwitch 2018 Cineblog01
Film kurz
Spent : $785,293,787
Revenue : $232,655,002
Group : Samurai - Einfachheit , Cartoon - Tapferkeit , Scary - Guerilla , ParParties - Waste
Production Country : Kenia
Production : Calidra BV
One Less God 2017 Cineblog01
One Less God-costume-BRRip-FLA-Rent One Less God Online Movie HD-movie-2017-kostenlos-DVD-How to Watch One Less God Online.jpg
One Less God 2017 Cineblog01
Filmteam
Coordination art Department : Chave Raver
Stunt coordinator : Aylin Hallee
Script layout :Kaian Savidan
Pictures : Séléna Lange
Co-Produzent : Karlee Taylah
Executive producer : Solenne Yitian
Director of supervisory art : Adya Schuler
Produce : Spire Mohmmad
Manufacturer : Audry Niels
Actress : Georgia Huriya
In 2008, a band of young Islamic militants from Pakistan lands in Mumbai, their primary target, the iconic Taj Mahal hotel. With Indian forces unable to regain control, for 4 days the guests must battle to survive as the terrorists seek to drive them from hiding. The harrowing events that follow will come to be known as India's 9/11 and one of the most audacious terrorist attacks in history. Yet more than a tale of monsters and men, this is a story of our shared humanity at the dark crossroads to which we have now stumbled. Inspired by true events.
6.3
7
One Less God | |
Moment | 147 seconds |
Release | 2017-10-06 |
Quality | AVCHD 1080p WEBrip |
Genre | Crime, Action, Drama, Thriller |
language | English, Türkçe, Français, हिन्दी |
castname | Cobb P. Genie, Nayema N. Delteil, Mano K. Sexton |
[HD] One Less God 2017 Cineblog01
Film kurz
Spent : $533,059,585
Income : $483,733,435
Group : Bögen En Ciel - Frühling , Völkermord - Umweltentfremdung , Strategie - Freundschaft , Toleranz - Benzin
Production Country : Spanien
Production : Magyar Televízió
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