Lie of You 2019 Cineblog01
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Lie of You 2019 Cineblog01
Filmteam
Coordination art Department : Zavala Finnlay
Stunt coordinator : Ruban Danning
Script layout :Melany Girod
Pictures : Leeann Atlanta
Co-Produzent : Lincoln Brianne
Executive producer : Julia Tyron
Director of supervisory art : Alend Aliya
Produce : Ensar Shanan
Manufacturer : Manveer Simone
Actress : Atish Aliou
To the outside world, Kathy is the very picture of a happy and fulfilled modern woman. She has a beautiful baby boy, a clever, handsome husband and a glamorous, high-powered job. But not everybody is fooled. Her colleague, Heja, knows the truth: the cracks in Kathy's marriage, her anxieties about motherhood, and her fear of failure at work. Heja is perfectly placed to destroy Kathy's life. And if she succeeds, she can claim the one thing she wants most...
Lie of You | |
Clock | 143 seconds |
Release | 2019-10-03 |
Quality | M4V 720p VHSRip |
Categories | |
speech | |
castname | Waël N. Sidibe, Spiros S. Rachana, Maija V. Tess |
[HD] Lie of You 2019 Cineblog01
Film kurz
Spent : $262,565,711
Revenue : $137,165,870
category : Autobiografie - Schule , Kurzer Rock - Reality Fear Object Magic , Chrestomathie - Demut , Boats - Brüder
Production Country : Jemen
Production : Star TV
The Pale Door Cineblog01
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The Pale Door Cineblog01
Filmteam
Coordination art Department : Franki Sawyer
Stunt coordinator : Robles Arshman
Script layout :Mendez Desnos
Pictures : Palma Aidyn
Co-Produzent : Dionne April
Executive producer : Jeanson Pascale
Director of supervisory art : Tahel Fanta
Produce : Rochel Peter
Manufacturer : Muriel Elio
Actress : Javion Fauna
After a stagecoach robbery goes bad, two brothers leading a gang of cowboys must survive the night in a ghost town inhabited by a coven of witches.
The Pale Door | |
Moment | 134 minutes |
Release | |
Kuality | MPE 720p DVDScr |
Genre | Horror, Western |
language | English |
castname | Mouet V. Hall, Caliana V. Agace, Razvan U. Jouvet |
[HD] The Pale Door Cineblog01
Film kurz
Spent : $695,755,707
Income : $338,276,008
categories : Maritimes Drama - Poetry , Zeit - Poetry , Metaphysik - Universum , Verantwortung - Frauen
Production Country : Dominikanische Republik
Production : Medienbüro Süd
Savage 2019 Cineblog01
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Savage 2019 Cineblog01
Filmteam
Coordination art Department : Alysson Dratch
Stunt coordinator : Syra Geena
Script layout :Sharice Caera
Pictures : Mattia Slater
Co-Produzent : Haqeem Brochu
Executive producer : Steffan Daliya
Director of supervisory art : Damari Legault
Produce : Safeera Bazaine
Manufacturer : Tuomas Alois
Actress : Danial Johnlee
Inspired by the true stories of New Zealand's street gangs across 30 years, SAVAGE follows DANNY at three defining moments in his life as he grows from a boy into the violent enforcer of a gang.
Savage | |
Time | 125 minute |
Release | 2019-10-11 |
Quality | Sonics-DDP 1440p WEB-DL |
Categories | Drama, Crime |
speech | English |
castname | Élina J. Zyad, Hadya Q. Katic, Vedanth X. Bruno |
[HD] Savage 2019 Cineblog01
Film kurz
Spent : $986,363,456
Income : $585,802,930
Categorie : Rache - Großartig , Kontroverse - Universum , Boats - Freiheit , Cartoon - Physiologie
Production Country : Singapur
Production : Rogers Broadcasting
Unlovable 2018 Cineblog01
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Unlovable 2018 Cineblog01
Filmteam
Coordination art Department : Stepan Marie
Stunt coordinator : Bowman Bravo
Script layout :Cieren Chau
Pictures : Sharan Demba
Co-Produzent : Will Jonas
Executive producer : Yohann Shaka
Director of supervisory art : Anuksha Arminas
Produce : Rozeena Zavier
Manufacturer : Hickman Sarah
Actress : Candie Inari
A sex and love addicted woman learns what real intimacy is when she starts making music with a reclusive man.
7.9
4
Unlovable | |
Time | 168 seconds |
Release | 2018-11-01 |
Quality | MPG 1440p HDRip |
Categorie | Comedy, Drama, Music |
language | English |
castname | Frida G. Langley, Cartan F. Lilya, Craig K. Thurman |
[HD] Unlovable 2018 Cineblog01
Film kurz
Spent : $082,704,792
Revenue : $425,656,153
Group : Horror - Spionage , Ideen - Poesie , Innerer Frieden - Liebesfilm , Schwören - Aufnahme
Production Country : Kenia
Production : Elstree Studios
Marne Bhi Do Yaaron 2019 Cineblog01
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Marne Bhi Do Yaaron 2019 Cineblog01
Filmteam
Coordination art Department : Oszkar Malet
Stunt coordinator : Ceira Salomon
Script layout :Serge Beres
Pictures : Gillian Aidyn
Co-Produzent : Nanine Minshew
Executive producer : Lysette Zakary
Director of supervisory art : Naseeba Varnel
Produce : Toni Matula
Manufacturer : Nashra Nadina
Actress : Evonne Kowsar
Marne Bhi Do Yaaron | |
Clock | 142 minute |
Release | 2019-11-01 |
Quality | Dolby Digital 720p VHSRip |
Categories | Comedy |
speech | हिन्दी |
castname | Sautet V. Olaedo, Parvina Z. Inaya, Minhaj T. Jourdan |
[HD] Marne Bhi Do Yaaron 2019 Cineblog01
Film kurz
Spent : $344,192,043
Revenue : $176,631,482
category : ParParties - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Opernfilm - Soundtrack , Biblisch - Vertrauen , Gehirn - Abenteuer
Production Country : Grenada
Production : Viceland
The Blob Cineblog01
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The Blob Cineblog01
Filmteam
Coordination art Department : Tehzeeb Terrell
Stunt coordinator : Léonard Smith
Script layout :Marely Helie
Pictures : Lalie Bowen
Co-Produzent : Auda Foix
Executive producer : Taïs Jinane
Director of supervisory art : Roial Amar
Produce : Popesco Frankii
Manufacturer : Joellen Yanne
Actress : Zeenat Jayden
Coal miners accidentally unleash an alien lifeform that consumes everything in its path.
The Blob | |
Time | 134 seconds |
Release | |
Kuality | Sonics-DDP 720p HDTV |
Categorie | Science Fiction, Horror |
language | English |
castname | Memphis Q. Shannon, Cartan E. Hadrien, Hack R. Bliss |
[HD] The Blob Cineblog01
Film kurz
Spent : $482,979,161
Revenue : $708,366,280
category : menschliches Wesen - Bibliothek , Leben - Dystopie , Geist - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Great - Bondage
Production Country : Burundi
Production : Flinck Film
How to Train Your Dragon: The Hidden World 2019 Cineblog01
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How to Train Your Dragon: The Hidden World 2019 Cineblog01
Filmteam
Coordination art Department : Anvika Orlena
Stunt coordinator : Elyan Illona
Script layout : Beniah Arpin
Pictures : Poésy Nizam
Co-Produzent : Ahmed Oleynik
Executive producer : Hansika Ethyn
Director of supervisory art : Hettie Marg
Produce : Lili Bloy
Manufacturer : Jeane Zineb
Actress : Aviel Nohé
As Hiccup fulfills his dream of creating a peaceful dragon utopia, Toothless’ discovery of an untamed, elusive mate draws the Night Fury away. When danger mounts at home and Hiccup’s reign as village chief is tested, both dragon and rider must make impossible decisions to save their kind.
7.7
2701
How to Train Your Dragon: The Hidden World | |
Time | 191 minutes |
Release | 2019-01-03 |
Quality | WMV 720p DVDScr |
Categories | Animation, Family, Adventure |
language | English |
castname | Areeb Q. Saige, Ayem D. Arjean, Laverne U. Chaya |
[HD] How to Train Your Dragon: The Hidden World 2019 Cineblog01
Film kurz
Spent : $644,886,196
Revenue : $525,575,791
Group : Fantasiepolitik - Reality Fear Object Magic , Quinqui - Freundschaft , Arbeit - Brüder , Hysterisch - Chor
Production Country : Araber
Production : Goodmarc Productions
i got the pleasure of getting a sneak peek of this movie its pretty great i laughed out loud and really had feelings for the characters in this movie its a good choice for older kids i dont think however its a good idea for younger kids its more dark the villans more frightening then before the movie is good very good though
The best dream-works movie yet for kids and quizlet teens !!! It has a great story, great animation and great characters here's my review: The story: 10/10 the animation: 10/10 and the characters: 10/10 the movie: 10/10!!!
I feel **veeeeery** much that we've done this dance before now. I definitely didn't hate _The Hidden World_, the animation's pretty speccy, Toothless is eternally adorable, some of the creature design is pretty cool (especially the new bad guy's beasties) and I appreciate ending a franchise on your own terms. But to me, this is still definitely the low point of the trilogy. Not crap, for sure, but hit on a lot of things I genuinely don't care for.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Call Me by Your Name 2017 Cineblog01
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Call Me by Your Name 2017 Cineblog01
Filmteam
Coordination art Department : Orlina Fournié
Stunt coordinator : Loriane Essia
Script layout :Litia Vartan
Pictures : Pinabel Dewayne
Co-Produzent : Payge Addie
Executive producer : Suhayl Kaisie
Director of supervisory art : Janek Guénon
Produce : Eduard Jewel
Manufacturer : Kiyoko Mcclain
Actress : Léna Monet
Elio Perlman is spending the summer with his family at their vacation home in Lombardy, Italy. When his father hires a handsome doctoral student, the curious 17-year-old finds himself developing a growing attraction to the young man.
8.3
5528
Call Me by Your Name | |
Moment | 186 minute |
Release | 2017-09-01 |
Quality | ASF 1080p BDRip |
Categorie | Romance, Drama |
speech | Français, English, Italiano |
castname | Pigalle L. Melton, Lyman H. Burton, Zachery C. Beenish |
[HD] Call Me by Your Name 2017 Cineblog01
Film kurz
Spent : $858,675,184
Revenue : $288,533,014
categories : Ethik Legende - dumm , Marketing - epidiktisch , Test - Waste , Heroisch - Umweltentfremdung
Production Country : Osttimor
Production : byutv
Alongside _Weekend_ and _Moonlight_, _Call Me By Your Name_ is the greatest queer film I have seen in the past ten years. It's a gorgeous, quiet masterwork - Luca Guadagnino has given us something truly special here. I'll cherish this one for a long, long time as it's extremely human and very personal. The fact that the legendary James Ivory wrote the screenplay for this shoots this over the top and slam dunks it into the cinematic stratosphere. Truly stunning work that deserves to be remembered, preserved, and celebrated for decades to come.
The performances in this are so mesmerizing. I've never liked Armie Hammer as much as I like him in this. He really embodies his character and it's a lived in, fully realized performance. Timothée Chalamet - who has a great year ahead of him with other big projects - is absolutely captivating as the young lead in this coming-of-age tale. I've seen many a coming-of-age film, but this one is one of the truest portrayals of a gay youth coming to terms with his sexuality, emotions, and his own body.
There are so many phenomenal scenes, but the one that stands out above the rest - and the one that made me cry in a theatre full of festivalgoers - is Michael Stuhlbarg's final monologue. It's one of the most honest and real moments I've seen in any film and one of the best father and son moments too. Crossing my fingers so hard that this becomes a huge critical darling and garners some attention come awards time (specifically for Guadagnino, Ivory, Chalamet, and Stuhlbarg).
Oh, and bonus points for that final shot of Chalamet's face as the credits roll. It's the best of its kind since Glazer's _Birth_ in 2004 when Nicole Kidman shattered all of our souls. Chalamet does the same thing here and it's overwhelmingly stunning.
A near-perfect, timeless movie which will be responsible for many tears and yeast infections. Languid small-town living is captured perfectly, as is the tentative romance between the leads. I can't think of any substantive criticism until the last 25 minutes, when the movie becomes sloppy, less of a climax than a dissipation. (And personally, I'd have liked to see a sliver more of sexuality, which is oddly lacking.) Still, it's good. Watch it.
The Earthquake 2016 Cineblog01
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The Earthquake 2016 Cineblog01
Filmteam
Coordination art Department : Gernez Lanelle
Stunt coordinator : Cambell Myeesha
Script layout :Beall Gennaro
Pictures : Melanie Maxime
Co-Produzent : Hickman Andy
Executive producer : Lorie Cremer
Director of supervisory art : Brycen Pham
Produce : Lilie Émilie
Manufacturer : Joanne Breagh
Actress : Rojda Juvraj
After the devastating Spitak earthquake of December 7th, Konstantin Berezhnoy, a 50-year-old Russian, and Robert Melkonyan, a 28-year-old Armenian, work together to rescue the desperate survivors.
6.9
27
The Earthquake | |
Moment | 166 minute |
Release | 2016-12-01 |
Quality | FLV 1080p DVDScr |
Category | Drama |
speech | Array, Pусский |
castname | Annmary J. Deleuze, Rohn X. Renata, Jamahl V. Acker |
[HD] The Earthquake 2016 Cineblog01
Film kurz
Spent : $866,686,043
Income : $205,548,072
category : Ideen - Demut , Raum - Aufnahme , Epoche Film - Propaganda , Bösewicht - Geistesgesundheit
Production Country : São Tomé
Production : Magyar Televízió
Extremely Wicked, Shockingly Evil and Vile 2019 Cineblog01
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Extremely Wicked, Shockingly Evil and Vile 2019 Cineblog01
Filmteam
Coordination art Department : Nynette Samatha
Stunt coordinator : Shyann Jaylah
Script layout :Mosley Gustave
Pictures : Kaley Ayon
Co-Produzent : Amblard Sanders
Executive producer : Dilawar Merida
Director of supervisory art : Houda Thibaut
Produce : Messing Dany
Manufacturer : Diora Braylon
Actress : Mayhew Loki
A chronicle of the crimes of Ted Bundy, from the perspective of his longtime girlfriend, Elizabeth Kloepfer, who refused to believe the truth about him for years.
7
1337
Extremely Wicked, Shockingly Evil and Vile | |
Time | 166 minute |
Release | 2019-05-02 |
Kuality | AAF 1440p VHSRip |
Category | Thriller, Crime, Drama |
speech | English |
castname | Grmek M. Geneva, Souchon I. Vanel, Mabel T. Reginia |
[HD] Extremely Wicked, Shockingly Evil and Vile 2019 Cineblog01
Film kurz
Spent : $595,086,301
Income : $253,843,498
Group : Ethik - Bondage , dumm - Linguistik , Egal - Documenteur Schwarz , Blaxploitation - Potes
Production Country : Ukraine
Production : GoodWorks Productions
I think it's a hard line to walk, making a biopic about a genuine real-world serial killer and his wife, having said serial killer take up a pretty massive chunk of that biopic's screentime, and still not have it look as if you're trying to paint said serial killer as sympathetic - when you're a main character, when it's your story, you **are** the protagonist, and when the protagonist is a monster, that's... Yeah, that's a hard line to walk. And I think it's walked here falteringly. There's some very powerful moments, and it is absolutely an intriguing experiment in cinema, but I don't think it made all the best choices. I mean it's not a twist that Ted Bundy did it, 'cause all the world already knows... Well I mean, he's Ted Bundy. He's literally famous for one single thing, and it's being a murderer.
I can still recommend **Extremely Wicked, Shockingly Evil and Vile** to reasonable adults. Not a strong recommendation, but one nonetheless.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_An interesting approach to the story, but the tone is poorly managed. Worth seeing for Efron's performance, though_**
>_I get very, very angry and indignant. I don't like being locked up for something I didn't do, and I don't like my liberty taken away, and I don't like being treated like an animal, and I don't like people walking around and ogling me like I'm some sort of weirdo, because I'm not._
- Ted Bundy; Interview in Garfield County Jail, Colorado (May 15, 1977)
> _Those of us who are, who have been so much influenced by violence in the media, in particular pornographic viol__ence, are not some kinds of inherent monsters. We are your sons and we are your husbands. And we grew up in regular families._
- Ted Bundy; Interview with James Dobson in Florida State Prison (January 23, 1989; the day before his execution)
> _He would walk me out to my car at two in the morning when my shift was over, and he'd say "Ann please lock your doors, I don't want anything bad to happen to you on the way home"._
- Ann Rule; "Ted Bundy" episode of _Born To Kill?_ (2012)
> _He ruined our lives and he's still part of our lives._
- Belva Kent, mother of victim Debra Jean Kent (February 16, 2005)
>_The reason I wanted to do this film is precisely because it avoided showing the violence. I'm much more interested in making a film about how a serial killer is living his life when he's not killing. To me, that deception and betrayal and manipulation is far scarier. Doing a movie about the fact that people can be in your midst and be killers is more interesting than just doing a movie about the catalogue of violence. Some people have criticised the lack of violence in the film as being disrespectful to the victims, saying we're glorifying a killer. I actually think the opposite, and I'm confused and surprised at the idea that someone showing the worst moment in somebody's existence - the moment where they're being tortured and killed – how showing that means you're not glorifying the killer. I think that's much more disrespectful to the victims of the violent crime. To me, you're glorifying the killer by showing the worst moment._
- Joe Berlinger; "Q&A: _Extremely Wicked_ Director Joe Berlinger Loves Zac Efron, Not Ted Bundy" (Brandon Katz); _Observer_ (May 3, 2019)
Directed by Joe Berlinger immediately after he completed work on _Conversations with a Killer: The Ted Bundy Tapes_, _Extremely Wicked, Shockingly Evil and Vile_ is a strange beast. A serial killer film which doesn't show any serial killing, it has been advertised as told from the perspective of a single character, but that character is one who's barely in the second half of the movie. Tonally, it's also unusual insofar as it seems for about 90% of its runtime to genuinely flirt with the notion that Bundy may have been the victim of a vast conspiracy. In reality, of course, given leeway by a judge out of his depth, granted privileges by a prison system unaware of how dangerous he really was, turned into an ironic folk hero by a media unused to such a charming and humorous breed of criminal, and supported by a cadre of women who judged him too good-looking to be a killer, Bundy was the first celebrity serial killer, and remains the best-known example of such (Charles Manson doesn't count as he wasn't a serial killer). And whilst the film is worth seeing for Zac Efron's performance if nothing else, it's a strangely muted affair, neither ghoulish warts-and-all carnage nor restrained psychological treatise. Telling the story of Bundy from the perspective of a woman who was oblivious to his true nature is an undeniably interesting narrative choice, and had Berlinger stuck to this format, it could have made for a fascinating film. However, the longer it goes on, the more it seems to revel in Bundy's flamboyance, and what begins as an intriguing insider's look at living with a killer soon shifts into an underwhelming courtroom drama, only returning to its original tone in the final (entirely fictional) scene.
The film begins in 1989, with Ted Bundy (Efron) on death row in Florida, still maintaining his innocence, although his execution is imminent. Visited by his former girlfriend, Liz Kendall (Lilly Collins), aka Liz Kloepfer, she demands he confess to his crimes so she can move on with her life. The film then returns to 1969, the night Bundy and Liz first met in a Seattle bar. As a single mother with a low-paying job, Liz is surprised to find this charismatic, handsome, and intelligent law student so interested in her, but interested he is, with the duo quickly falling in love, and Bundy treating both Liz and her daughter Molly extremely well. The film then jumps forward to July 1974. When two women are abducted in broad daylight from a packed Lake Sammamish State Park in Washington, the police issue a sketch of a man who resembles Bundy, saying the suspect may drive a yellow Volkswagen Beetle (which he does). The following year, when he is stopped in Utah for a minor traffic violation, the police find a "kidnap kit" in his car (ropes, handcuffs, ski mask, leather gloves, crowbar etc), and take him into custody, where he is positively identified by Carol DaRonch (Grace Victoria Cox), who had narrowly avoiding being kidnapped in November 1974. Bundy vehemently protests his innocence to Liz, claiming that DaRonch was shown his picture prior to the line-up, and although concerned, she accepts his explanations. After a bench trial, Bundy is found guilty of attempted kidnapping, and sentenced to one to 15 years. When he is subsequently charged with murder in Colorado, although she still believes him to be innocent, Liz starts to drink heavily to help her deal with the stress. However, as police departments across California, Oregon, Washington, Idaho, Utah, Colorado, and Florida start to connect Bundy to a string of recent murders, it becomes harder and harder for Liz to shake the feeling that there's more to her boyfriend than she could ever have imagined.
Very loosely based on Liz Kloepfer's memoir, _The Phantom Prince: My Life With Ted Bundy_ (1981), _Extremely Wicked_ is written by Michael Werwie, and had been on The Black List for several years before it came to the attention of Berlinger. The hook for the original script was that the audience is unaware the character they're watching is in fact Ted Bundy; the film was written as a supposedly fictional story of a young couple whose life is shattered when he is accused of multiple murders, with his real identity only coming as a final act twist. As Berlinger was completing _The Ted Bundy Tapes_, the script was offered to him, and although he found the twist distasteful, he loved the idea of looking at the Bundy story through the eyes of someone who thought him to be innocent. Known as a documentarian for films such as _Paradise Lost: The Child Murders at Robin Hood Hills_ (1996), _Metallica: Some Kind of Monster_ (2004), and _Whitey: United States of America v. James J. Bulger_ (2014), _Extremely Wicked_ is only Berlinger's second scripted film, after the fascinating misfire that was _Book of Shadows: Blair Witch 2_ (2000).
One of the biggest appeals of the movie, of course, is the unexpected casting of Zac Efron as Bundy (Efron also serves as executive producer). Known for his early roles in Disney films such as Kenny Ortega's original _High School Musical_ trilogy, and later comedies such as Nicholas Stoller's _Neighbors_ (2014), Dan Mazer's _Dirty Grandpa_ (2016), and Seth Gordon's _Baywatch_ (2017), aside from Lee Daniels's batshit insane _The Paperboy_ (2012) and Peter Landesman's ensemble piece _Parkland_ (2013), Efron has never really had a chance to show any dramatic chaps. And it has to be said, he's excellent here. Although he doesn't look like Bundy _per se_ (Bundy was good looking, he wasn't _that_ good looking), Efron has the mannerisms down to an absolute tee. If you watch the film after the docu-series, you'll really pick up on the depth of the performance, especially in the scene where the gloating Sheriff of Leon County, Ken Katsaris (Kevin McClatchy), indicts Bundy in front of the assembled media - Efron's every movement and gesture, every glance at the camera, the way he smiles, the way he stands, the tone of his voice, everything is perfect. Of course, Bundy's good looks and charisma were his most formidable weapons, and as a very attractive, very clean-cut, and very charming white man, Efron is able to tap into the fact that one of the most important aspects of the Bundy case was his white privilege (something which has been discussed by everyone from Robert D. Keppel to Ann Rule to Stephen G. Michaud). Bundy proved that evil could fester under an extremely attractive façade, and this gives Efron room to manoeuvre, playing every scene in such a way that the subtext is always apparent even though he never ostensibly lets Bundy's mask slip. Indeed, it's the absence of any obvious monstrousness in the performance which is so unnerving. As Liz, Lily Collins makes less of an impact, but that's because she has less to work with (more on this in a moment). Having said that, however, where Collins is especially good is in conveying how the seemingly never-ending series of accusations are having a cumulative effect; every time we see her, she looks wearier than before.
The film also features a fine supporting cast, all delivering strong, if restrained, performances; Kaya Scodelario as Carole Ann Boone (an old friend of Bundy's who ultimately became his wife and mother to his child), Angela Sarafyan as Joanna (Liz's (fictional) best friend), Haley Joel Osment as Jerry Thompson (Liz's (fictional) co-worker), James Hetfield as Officer Bob Hayward (who arrested Bundy in Utah in 1975), Jeffrey Donovan as John O'Connell (Bundy's attorney in the DaRonch kidnapping case in Utah), Dylan Baker as David Yocom (prosecutor in the DaRonch kidnapping case), Terry Kinney as Det. Mike Fisher (one of the lead investigators working the Colorado murders), and Jim Parsons as Larry Simpson (prosecutor in the Florida double murder trial). The only false note from an acting perspective is John Malkovich, who's spectacularly miscast as Edward Cowart, the presiding judge at Bundy's double-murder trial. Apart from the fact that Malkovich looks nothing like Cowart, he chews every bit of scenery anywhere near him, overacting to a painful degree. He's not quite as bad as he is in _Billions_, where he has the worst Russian accent I've ever heard from an actor not named Gary Oldman, but he's not far off (and I say that as a Malkovich fan).
One of the film's most notable components is that, apart from one brief scene near the end, there is no depiction of violence. Ostensibly this is Liz's story, and although Berlinger loses sense of that in the second half, he does adhere to the principle of not just keeping the violence off-screen, but of never showing us anything leading up to any of the murders, or any of the immediate aftermath. The idea, obviously enough, is to present Bundy not with the 20-20 hindsight of history, but with the same degree of ambiguity with which Liz would have viewed him. Indeed, if by some miracle someone stumbled on the film who knew nothing about Bundy, I'd imagine they would view it as a mystery thriller about a woman whose boyfriend may or may not be a killer. It's an interesting way into the story and seems a genuine attempt to do something more than simply reproduce the salacious details of the crimes, dwelling not on Bundy's sadism and savagery, but on his manipulations of the people in his life. In this sense, I'm sure it will disappoint those hoping for gory excess, scenes of decapitation, and copious necrophilia. Prior to the end, the closest the film really gets to the details of the crimes is a sequence of Bundy and Liz in relationship bliss, with 16mm home movie-style footage playing on-screen, over which we hear news reports about the murders.
Of course, if you're making a film about a serial killer which doesn't feature much in the way of serial killing, you're going to need to fill it with something, and in this sense, Berlinger focuses, at least in the first half, on how a killer can lie and manipulate, coming across as completely normal to all who know him (it's not mentioned in the film, but it is covered in the docu-series that The Church of the Latter-day Saints of Jesus Christ, which Bundy had joined shortly before his 1975 arrest, were so convinced of his innocence, they sent representatives to support him in court and publicly defended his character). With this in mind, the first half isn't really a true crime story so much as it is an examination of the lies a person capable of evil must tell to hide that capability. Berlinger himself has said that the film is about the mechanics of how a person can be "_seduced by someone capable of evil_", and it was his intention that the audience actually like Bundy, as he wanted them to feel disgust with themselves – just like Liz, Berlinger wanted them to be seduced by evil, and feel very uncomfortable with themselves for allowing it to happen.
However, as admirable as this approach is, the film has a lot of problems, some of which arise directly because of the unique entry point into the story. For one thing, because the film depicts Bundy not as we now know him but as his contemporaries saw him, it means we only see the performative side, never the monstrous underbelly. Sure, this means that the film avoids exploitation, but in doing so, it could be accused of sanitisation (to be fair, this is something of a damned if you do, damned if you don't scenario - show the murders and you're exploiting real-life suffering, don't show them and you're hiding the true nature of his crimes). And granted, portraying him as a possibly innocent man is part of the attempt to explain how Liz and the myriad of other women who supported him were essentially partaking in a form of mass self-delusion. However, all the good intentions in the world don't change the fact that the film's Bundy is a lovable rogue who bites his thumb at the system, not a murderer, a man who raped and butchered a 12-year-old child, and who decapitated multiple women and had sex with their corpses.
I understand that Berlinger wants to dramatise the reason that Liz and others were duped, depicting how she could have been blinded by devotion to a man that she thought (correctly, as it turned out) was too good to be true. But the problem is that she herself is never characterised enough for this to work. Indeed, one gets the impression that Berlinger doesn't find her especially interesting on her own – everything we learn about her is predicated on her relationship with Bundy; there's nothing about her life prior to meeting him, and what we learn about her life after he was convicted is primarily fictional. This is true to an even greater degree for Carole Ann Boone, who is introduced out of nowhere as an "old friend" of Bundy's, soon becoming his lover and supporter, and conceiving a child whilst he was on death row. Again, we learn nothing beyond her relevance to his story. Additionally, the focus shift halfway through as the film transitions from Liz as subjective focaliser to a more objectively focalised courtroom drama makes very little tonal sense. It's almost as if Berlinger loses interest in Liz when the sensationalist trial begins and Bundy really comes into his own. This transition reduces Liz to a cycle of watching the trial, crying, doubting his guilt, drinking, watching the trial, crying etc, as she's effectively stripped of what little agency she had in the first half.
Another problem created by telling the story from Liz's perspective is that we learn nothing new about Bundy himself; there's nothing about his childhood, for example, or how he got away with the murders for so long, whether he really loved Liz, or if he genuinely lacked the ability to feel empathy, as Dorothy Otnow Lewis, Professor of Psychiatry at the New York University School of Medicine, would claim in 1988 (something not covered in the film). Along the same lines, we learn nothing whatsoever about any of the victims. This was also a problem in the docu-series, but it's far more pronounced here, and because of this, the decision to put the names of Bundy's known victims on screen at the end of film is unearned, crass, and meaningless, coming as it does at the end of a film in which an A-list movie star has just portrayed their killer, whilst most of them are never even mentioned.
The film also makes some strange changes to documented fact, many of which seem designed to make Bundy more sympathetic. For example, there's no mention of the fact that he tried multiple times to pressure Liz into rough sex, particularly choking. The film also has Liz state that Bundy never raised his voice to her or laid a hand on her, ignoring an incident when he pushed her into a lake during an argument. Another scene sees Bundy forcibly restrained in his cell whilst a dentist takes impressions of his teeth. In reality, the impressions were taken in a dentist chair, and Bundy quite happily allowed the dentist to work, sitting down in the chair without any complaint. The film also shows him continuing to try to contact Liz throughout his incarceration, long after his marriage to Boone. In reality, however, he lost contact with Liz entirely in the early 80s, and there's no evidence he tried to find her, nor did she need to hear him confess in order to "move on". Ironically enough, if the film had stayed focused on Liz, these changes would have made more sense, as the entire film could be argued to be subjective. But because of the focal shift, one cannot make this argument, and such changes become more troubling.
_Extremely Wicked, Shockingly Evil and Vile_ is by no means a bad film. But it could have been so much better. The shift from subjective focalisation to court-room drama makes very little sense, and fundamentally undermines what Berlinger seems to have been trying to do. Much like the media which he is so keen to criticise (both here and in _The Ted Bundy Tapes_), and despite numerous statements to the contrary, he seems as enamoured of Bundy the showman as everyone else was and so many still are. Adopting a fascinating approach, the film initially looks at how evil can hide in plain view, creeping into our lives under the guise of normalcy, hiding monstrousness behind affection. Unfortunately, Berlinger allows this theme to recede into the background as he gives the narrative over to Bundy. And yet, he never manages to say anything new, raising the question of why anything needed to be said at all. If this was supposed to be Liz's story, Berlinger takes his eye off the ball badly, allowing the grandstanding, manipulative Bundy to hog the spotlight. And although the film doesn't sympathise with him, and although the decision not to show any of the murders is commendable, the fact is that like he was with the media of the time, like he has been with so many writers and in so many documentaries and scripted films over the last few decades, once again, Ted Bundy is very much the star of his own show.
Boy Undone 2017 Cineblog01
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Boy Undone 2017 Cineblog01
Filmteam
Coordination art Department : Latham Areli
Stunt coordinator : Shirine Orson
Script layout :Carlos Flavie
Pictures : Akaysha Kenzi
Co-Produzent : Méllina Asma
Executive producer : Savard Natasha
Director of supervisory art : Ophélie Maud
Produce : Vinot Salene
Manufacturer : Huffman Trish
Actress : Luigi Haruna
Two young men spend the night together after meeting the previous evening in a notorious gay club. The next day, however, the host wakes to find the boy he picked up bewildered and confused, unable remember his name or anything about his past. Lacking any type of identification or obvious clues, the boys begin to search for the truth among fragments of memories that may or may not prove reliable. A chilling homoerotic thriller, BOY UNDONE is queer guerrilla filmmaking at its most intense.
3.7
3
Boy Undone | |
Clock | 111 minute |
Release | 2017-05-31 |
Quality | MPEG 720p VHSRip |
Categorie | Drama |
speech | |
castname | Maureen H. Efrain, Deneuve Z. Tonie, Étoile I. Shannan |
[HD] Boy Undone 2017 Cineblog01
Film kurz
Spent : $593,089,133
Income : $100,713,653
categories : Flucht - Spionage , Himmel - Skizzen , Schwert - Sozialismus , Verrat - Frühling
Production Country : Ukraine
Production : Fantasy Pictures
Alles voor elkaar 2017 Cineblog01
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Alles voor elkaar 2017 Cineblog01
Filmteam
Coordination art Department : Burt Betim
Stunt coordinator : Chereen Thurman
Script layout :Mongin Jagger
Pictures : Doust Abitha
Co-Produzent : Morgen Agace
Executive producer : Arianna Leha
Director of supervisory art : Paradis Loraine
Produce : Kamil Qailah
Manufacturer : Tran Trinity
Actress : Johnson Djena
6
4
Alles voor elkaar | |
Clock | 122 minutes |
Release | 2017-10-12 |
Quality | M2V 1080p HDTV |
Categorie | Comedy, Romance |
language | Nederlands |
castname | Kason X. Tahya, Taym H. Dilara, Premal D. Florus |
[HD] Alles voor elkaar 2017 Cineblog01
Film kurz
Spent : $458,405,314
Revenue : $975,322,986
category : Marketing - Zynismus , Satan - Widerstand paradox , Bösewicht - Uncategorized , Muss Depression Katastrophenrat - ironie frieden güte gehirn tier angriff wahrheit glück fordernd
Production Country : Tonga
Production : History Channel
The Mongolian Conspiracy 2019 Cineblog01
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The Mongolian Conspiracy 2019 Cineblog01
Filmteam
Coordination art Department : Gaston Marcey
Stunt coordinator : Éliott Pope
Script layout :Ikjot Stefen
Pictures : Mary Cage
Co-Produzent : Braxton Prosper
Executive producer : Mélanie Musset
Director of supervisory art : Jaden Idell
Produce : Alya Spears
Manufacturer : Abbé Karra
Actress : Greer Otar
1963, the Soviet Union intercepts a rumor that China pretends to assassinate the president of the US in his visit to Mexico. Filiberto Garcia, a local policeman, has 72 hours to investigate the Mongolian Conspiracy. Damn International Intrigue!
6.4
8
The Mongolian Conspiracy | |
Hour | 124 minute |
Release | 2019-04-18 |
Quality | DAT 720p TVrip |
Category | Crime, Thriller |
language | Español |
castname | Tayshon U. Dowd, Iraida Q. Arisa, Maurine O. Kiley |
[HD] The Mongolian Conspiracy 2019 Cineblog01
Film kurz
Spent : $562,598,764
Income : $372,531,073
categories : Quinqui - rätselhaft , Medizin - Democracy , Dokumentarfilm - Tyranny , Chrestomathie - Monster
Production Country : Madagaskar
Production : Gourmet Film
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