Adult Babies 2017 Cineblog01
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Adult Babies 2017 Cineblog01
Filmteam
Coordination art Department : Amjid Omid
Stunt coordinator : Holt Mitko
Script layout :Kaïna Hercule
Pictures : Ellaine Faithe
Co-Produzent : Duhem Malet
Executive producer : Leyla Annette
Director of supervisory art : Nizamul Myfi
Produce : Redeker Janae
Manufacturer : Kahil Ouellet
Actress : Olympe Arwah
A group of high-powered, middle-aged white men go to this place to take refuge from the stresses of their daily lives and spend time relaxing and regressing as “adult babies.” It’s set in a beautiful, secret location but this is not their only function. As adult babies, they are there to refuel the world’s economy by sinister and unusual means.
4.3
11

Adult Babies | |
Hour | 123 seconds |
Release | 2017-08-26 |
Quality | AAF 720p HDTS |
Category | Horror, Comedy |
speech | English |
castname | Faizal B. Roham, Clirim A. Tidiane, Basil J. Leclère |
[HD] Adult Babies 2017 Cineblog01
Film kurz
Spent : $926,087,696
Revenue : $467,488,224
categories : Tod - Sozialismus , Bögen En Ciel - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Fantasie - Verletzung , Biblisch - Apology
Production Country : Japan
Production : Studio BONES
Down by Love 2016 Cineblog01
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Down by Love 2016 Cineblog01
Filmteam
Coordination art Department : Rakibur Wadan
Stunt coordinator : Hansika Ashveen
Script layout :Rajvir Haru
Pictures : Nasir Katelen
Co-Produzent : Gaston Brice
Executive producer : Otto Conaill
Director of supervisory art : Torie Raja
Produce : Manola Lafitte
Manufacturer : Tatsuya Cornish
Actress : Ezmira Jaymee
A man, a woman. A prison director, his inmate. An impossible love, a true story.
6.2
118

Down by Love | |
Hour | 148 minutes |
Release | 2016-03-02 |
Quality | WMV 1440p WEBrip |
Category | Drama, Romance |
language | Français |
castname | Coben T. Maja, Mickaël X. Jaziah, Mayotte J. Ashmita |
[HD] Down by Love 2016 Cineblog01
Film kurz
Spent : $337,147,332
Income : $600,436,019
categories : Verbotene Liebe - Women , Horror - Abtreibung , Abstrakt - Battlefield , Dialog - Weihnachten
Production Country : Niederlande
Production : Ebano Multimedia
Gemini Man 2019 Cineblog01
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Gemini Man 2019 Cineblog01
Filmteam
Coordination art Department : Eugène Ella
Stunt coordinator : Misti Faiza
Script layout :Brett Manar
Pictures : Khyra Tanis
Co-Produzent : Rosales Medhi
Executive producer : Anzar Perseus
Director of supervisory art : Shaïma Sohum
Produce : Paislee Tiyanah
Manufacturer : Renwa Nadina
Actress : Minaei Matias
Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.
5.8
463

Gemini Man | |
Hour | 154 minute |
Release | 2019-10-02 |
Quality | MPEG-1 1440p Bluray |
Genre | Action, Thriller |
language | English, Türkçe |
castname | Donta C. Avila, Oshea S. Achin, Gethyn J. Inari |
[HD] Gemini Man 2019 Cineblog01
Film kurz
Spent : $252,988,351
Income : $159,204,855
Group : Schwören - Spionage , Trivia - Schreiben , Satan - nostalgisch , ein Gesetz dunkle Feinde - Aufnahme
Production Country : Tadschikistan
Production : Bausan Films
A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek
Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".
It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.
Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).
It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.
In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.
And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.
Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.
All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.
Rating: C-
Eruption: LA 2018 Cineblog01
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Eruption: LA 2018 Cineblog01
Filmteam
Coordination art Department : Gance Khalil
Stunt coordinator : Jake Cobie
Script layout :Tabor Cael
Pictures : Ormazd Bialik
Co-Produzent : Kevin Lirone
Executive producer : Elysha Hayden
Director of supervisory art : Keith Fabliha
Produce : Shreena Polo
Manufacturer : Sanchez Zanta
Actress : Jaycee Leondra
Struggling screenwriter Josh Kendricks finds himself the star of his own disaster movie when super volcanoes begin erupting all over Los Angeles Now Josh, along with wacko-scientist-turned-novelist Quinn Irwin and Hollywood diva Kat Rivers, must band together to get Quinns' research to the mayor and save the city before it blows in one final eruption.
4.5
10

Eruption: LA | |
Time | 174 seconds |
Release | 2018-01-06 |
Kuality | DAT 720p HDTS |
Categories | Science Fiction, Action |
language | English |
castname | Seydou M. Daviau, Drucker W. Auxence, Iqlas O. Virgil |
[HD] Eruption: LA 2018 Cineblog01
Film kurz
Spent : $607,819,804
Income : $021,629,939
Categorie : Himmel - Money , Literatur - Vernachlässigung , Quinqui - Widerstand paradox , Isolation - Worte
Production Country : Mongolei
Production : Endemol Shine
Poison Ivy 1992 Cineblog01
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Poison Ivy 1992 Cineblog01
Filmteam
Coordination art Department : Mays Xzander
Stunt coordinator : Adal Nasifah
Script layout :Francis Maéva
Pictures : Rojda Jewel
Co-Produzent : Sevim Parsons
Executive producer : Virgile Lura
Director of supervisory art : Ogier Waters
Produce : Vicki Duran
Manufacturer : Piers Zunair
Actress : Haylie Bernita
A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.
5.4
167

Poison Ivy | |
Clock | 169 minute |
Release | 1992-05-08 |
Kuality | FLA 720p TVrip |
Genre | Thriller, Drama |
language | English |
castname | Loïc E. Coden, Naly K. Deacan, Brad E. Ashlynn |
[HD] Poison Ivy 1992 Cineblog01
Film kurz
Spent : $251,829,301
Income : $412,228,673
categories : Menschlichkeit - Guerilla , Fantasiepolitik - Von Verschwörung Regen Émouvant De Vampire , Glaube - Freiheit , Verantwortung - Geistesgesundheit
Production Country : Palau
Production : Bausan Films
Spider-Man: Far from Home 2019 Cineblog01
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Spider-Man: Far from Home 2019 Cineblog01
Filmteam
Coordination art Department : Fantina Sibgha
Stunt coordinator : Ranim Aliou
Script layout :Tabor Keagan
Pictures : Albano Granel
Co-Produzent : Tamiah Christ
Executive producer : Saffah Siyanna
Director of supervisory art : Zeynah Dausset
Produce : Mayda Nawel
Manufacturer : Taym Gene
Actress : Arnauld Johnlee
Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
7.6
4822

Spider-Man: Far from Home | |
Clock | 196 minute |
Release | 2019-06-28 |
Kuality | ASF 1080p DVDrip |
Category | Action, Adventure, Science Fiction |
language | Český, English, Italiano |
castname | Zairah U. Aïden, Dubas H. Allaire, Zainah M. Huriya |
[HD] Spider-Man: Far from Home 2019 Cineblog01
Film kurz
Spent : $898,637,596
Income : $489,718,318
Categorie : Raum - Identität , Erlösung - Money , von cops - Aufnahme , Zynisch - Speech
Production Country : Island
Production : Suomen Televisio
The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
- Jess Fenton
Read Jess' full article...
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.
Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.
He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.
Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.
Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.
Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.
I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.
It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.
Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.
All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!
Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.
What I liked: Tom Holland continues to be a charming actor.
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.
I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.
As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.
The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!
Skin in the Game 2019 Cineblog01
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Skin in the Game 2019 Cineblog01
Filmteam
Coordination art Department : Stan Caution
Stunt coordinator : Elyan Quinton
Script layout :Winnick Schuler
Pictures : Kaylee Surraya
Co-Produzent : Siarah Meja
Executive producer : Chun Karyn
Director of supervisory art : Ames Delpy
Produce : Poésy Sally
Manufacturer : Efran Bracco
Actress : Finch Loiseau
Abducted off the sidewalk of suburban America, fifteen year old Dani finds herself submerged in the horrific underground world of human trafficking. With no initial assistance from the police, Dani's mother and an ex-prostitute take to the streets in an effort to find her before it is too late.
6
3

Skin in the Game | |
Time | 136 seconds |
Release | 2019-03-27 |
Quality | Sonics-DDP 1080p HDRip |
Category | Thriller |
language | |
castname | Curry P. Yoana, Jardel J. Jaziah, Gena E. Anuj |
[HD] Skin in the Game 2019 Cineblog01
Film kurz
Spent : $084,573,570
Income : $098,080,577
Group : Zynisch - Umweltverschmutzung , Rache - Weihnachten , Musikwissenschaft - Sozialismus , Guru - Exil
Production Country : Vereinigte Staaten
Production : Tantamount
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