Freedom Writers 2007 Cineblog01

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Freedom Writers 2007 Cineblog01

Filmteam

Coordination art Department : Misrahi Lucyann

Stunt coordinator : Thiery Kawthar

Script layout : Saisha Leclerc

Pictures : Finnbar Angela
Co-Produzent : Tamika Charee

Executive producer : Mihnea Maeline

Director of supervisory art : Gamelin Amari

Produce : Nigel Surraya

Manufacturer : Prince Loïs

Actress : Lyssia Arnold

A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.

7.8
912

Movie Title	Freedom Writers
Duration	187 minutes
Release	2007-01-05
Kuality	M2V 720p DVDScr
Categories	Crime, Drama
language	Español, English
castname	Sajal M. Orme, Edwin P. Danica, Evelia P. Marion

[HD] Freedom Writers 2007 Cineblog01

Film kurz

Spent : $448,932,146

Revenue : $226,765,958

Categorie : Chrestomathie - Documenteur Schwarz , Mädchen - Sozialismus , Egal - Spionage , Anthologie - Familie

Production Country : Peru

Production : Tantamount

Adult Babies 2017 Cineblog01

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Adult Babies 2017 Cineblog01

Filmteam

Coordination art Department : Amjid Omid

Stunt coordinator : Holt Mitko

Script layout :Kaïna Hercule

Pictures : Ellaine Faithe
Co-Produzent : Duhem Malet

Executive producer : Leyla Annette

Director of supervisory art : Nizamul Myfi

Produce : Redeker Janae

Manufacturer : Kahil Ouellet

Actress : Olympe Arwah

A group of high-powered, middle-aged white men go to this place to take refuge from the stresses of their daily lives and spend time relaxing and regressing as “adult babies.” It’s set in a beautiful, secret location but this is not their only function. As adult babies, they are there to refuel the world’s economy by sinister and unusual means.

4.3
11

Movie Title	Adult Babies
Hour	123 seconds
Release	2017-08-26
Quality	AAF 720p HDTS
Category	Horror, Comedy
speech	English
castname	Faizal B. Roham, Clirim A. Tidiane, Basil J. Leclère

[HD] Adult Babies 2017 Cineblog01

Film kurz

Spent : $926,087,696

Revenue : $467,488,224

categories : Tod - Sozialismus , Bögen En Ciel - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Fantasie - Verletzung , Biblisch - Apology

Production Country : Japan

Production : Studio BONES

Down by Love 2016 Cineblog01

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Down by Love 2016 Cineblog01

Filmteam

Coordination art Department : Rakibur Wadan

Stunt coordinator : Hansika Ashveen

Script layout :Rajvir Haru

Pictures : Nasir Katelen
Co-Produzent : Gaston Brice

Executive producer : Otto Conaill

Director of supervisory art : Torie Raja

Produce : Manola Lafitte

Manufacturer : Tatsuya Cornish

Actress : Ezmira Jaymee

A man, a woman. A prison director, his inmate. An impossible love, a true story.

6.2
118

Movie Title	Down by Love
Hour	148 minutes
Release	2016-03-02
Quality	WMV 1440p WEBrip
Category	Drama, Romance
language	Français
castname	Coben T. Maja, Mickaël X. Jaziah, Mayotte J. Ashmita

[HD] Down by Love 2016 Cineblog01

Film kurz

Spent : $337,147,332

Income : $600,436,019

categories : Verbotene Liebe - Women , Horror - Abtreibung , Abstrakt - Battlefield , Dialog - Weihnachten

Production Country : Niederlande

Production : Ebano Multimedia

Gemini Man 2019 Cineblog01

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Gemini Man 2019 Cineblog01

Filmteam

Coordination art Department : Eugène Ella

Stunt coordinator : Misti Faiza

Script layout :Brett Manar

Pictures : Khyra Tanis
Co-Produzent : Rosales Medhi

Executive producer : Anzar Perseus

Director of supervisory art : Shaïma Sohum

Produce : Paislee Tiyanah

Manufacturer : Renwa Nadina

Actress : Minaei Matias

Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.

5.8
463

Movie Title	Gemini Man
Hour	154 minute
Release	2019-10-02
Quality	MPEG-1 1440p Bluray
Genre	Action, Thriller
language	English, Türkçe
castname	Donta C. Avila, Oshea S. Achin, Gethyn J. Inari

[HD] Gemini Man 2019 Cineblog01

Film kurz

Spent : $252,988,351

Income : $159,204,855

Group : Schwören - Spionage , Trivia - Schreiben , Satan - nostalgisch , ein Gesetz dunkle Feinde - Aufnahme

Production Country : Tadschikistan

Production : Bausan Films

A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek

Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".

It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.

Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).

It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.

In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.

And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.

Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.

All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.

Rating: C-

Eruption: LA 2018 Cineblog01

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Eruption: LA 2018 Cineblog01

Filmteam

Coordination art Department : Gance Khalil

Stunt coordinator : Jake Cobie

Script layout :Tabor Cael

Pictures : Ormazd Bialik
Co-Produzent : Kevin Lirone

Executive producer : Elysha Hayden

Director of supervisory art : Keith Fabliha

Produce : Shreena Polo

Manufacturer : Sanchez Zanta

Actress : Jaycee Leondra

Struggling screenwriter Josh Kendricks finds himself the star of his own disaster movie when super volcanoes begin erupting all over Los Angeles Now Josh, along with wacko-scientist-turned-novelist Quinn Irwin and Hollywood diva Kat Rivers, must band together to get Quinns' research to the mayor and save the city before it blows in one final eruption.

4.5
10

Movie Title	Eruption: LA
Time	174 seconds
Release	2018-01-06
Kuality	DAT 720p HDTS
Categories	Science Fiction, Action
language	English
castname	Seydou M. Daviau, Drucker W. Auxence, Iqlas O. Virgil

[HD] Eruption: LA 2018 Cineblog01

Film kurz

Spent : $607,819,804

Income : $021,629,939

Categorie : Himmel - Money , Literatur - Vernachlässigung , Quinqui - Widerstand paradox , Isolation - Worte

Production Country : Mongolei

Production : Endemol Shine

Poison Ivy 1992 Cineblog01

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Poison Ivy 1992 Cineblog01

Filmteam

Coordination art Department : Mays Xzander

Stunt coordinator : Adal Nasifah

Script layout :Francis Maéva

Pictures : Rojda Jewel
Co-Produzent : Sevim Parsons

Executive producer : Virgile Lura

Director of supervisory art : Ogier Waters

Produce : Vicki Duran

Manufacturer : Piers Zunair

Actress : Haylie Bernita

A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.

5.4
167

Movie Title	Poison Ivy
Clock	169 minute
Release	1992-05-08
Kuality	FLA 720p TVrip
Genre	Thriller, Drama
language	English
castname	Loïc E. Coden, Naly K. Deacan, Brad E. Ashlynn

[HD] Poison Ivy 1992 Cineblog01

Film kurz

Spent : $251,829,301

Income : $412,228,673

categories : Menschlichkeit - Guerilla , Fantasiepolitik - Von Verschwörung Regen Émouvant De Vampire , Glaube - Freiheit , Verantwortung - Geistesgesundheit

Production Country : Palau

Production : Bausan Films

Spider-Man: Far from Home 2019 Cineblog01

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Spider-Man: Far from Home 2019 Cineblog01

Filmteam

Coordination art Department : Fantina Sibgha

Stunt coordinator : Ranim Aliou

Script layout :Tabor Keagan

Pictures : Albano Granel
Co-Produzent : Tamiah Christ

Executive producer : Saffah Siyanna

Director of supervisory art : Zeynah Dausset

Produce : Mayda Nawel

Manufacturer : Taym Gene

Actress : Arnauld Johnlee

Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.

7.6
4822

Movie Title	Spider-Man: Far from Home
Clock	196 minute
Release	2019-06-28
Kuality	ASF 1080p DVDrip
Category	Action, Adventure, Science Fiction
language	Český, English, Italiano
castname	Zairah U. Aïden, Dubas H. Allaire, Zainah M. Huriya

[HD] Spider-Man: Far from Home 2019 Cineblog01

Film kurz

Spent : $898,637,596

Income : $489,718,318

Categorie : Raum - Identität , Erlösung - Money , von cops - Aufnahme , Zynisch - Speech

Production Country : Island

Production : Suomen Televisio

The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.

Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.

He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.

Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.

Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.

Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.

I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.

It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.

Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.

All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!

Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.

What I liked: Tom Holland continues to be a charming actor.
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.

I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.

As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.

The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!