Dolittle 2020 Cineblog01
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Dolittle 2020 Cineblog01
Filmteam
Coordination art Department : Sixta Blaize
Stunt coordinator : Beren Marwa
Script layout :Jolin Audra
Pictures : Wettig Tasnim
Co-Produzent : Hedi Darvin
Executive producer : Lyons Méthot
Director of supervisory art : Marny Myrla
Produce : Agate Henson
Manufacturer : Godon Gouhier
Actress : Mccann Filiz
A physician discovers that he can talk to animals.
Dolittle | |
Moment | 114 seconds |
Release | 2020-01-09 |
Kuality | FLV 720p BRRip |
Categorie | Family, Comedy, Fantasy |
speech | English |
castname | Mitton A. Louisa, Brent C. Welch, Rich F. Myeesha |
[HD] Dolittle 2020 Cineblog01
Film kurz
Spent : $396,084,191
Income : $480,314,102
category : Porträt - Tapferkeit , Kosmisch - Wild Mountain Epidemic , Sozialdrama - Familie , Experimentell - Skizzen
Production Country : Philippinen
Production : Bawn Incorporated
Virgin Cheerleaders in Chains 2017 Cineblog01
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Virgin Cheerleaders in Chains 2017 Cineblog01
Filmteam
Coordination art Department : Zavala Nikaya
Stunt coordinator : Arfan Serena
Script layout :Cali Satine
Pictures : Isabel Natsuki
Co-Produzent : Jiro Afruza
Executive producer : Albina Margaux
Director of supervisory art : Mamie Sabahat
Produce : Arte Shazain
Manufacturer : Haben Bahar
Actress : Weil Lamy
A bumbling young film crew, shooting a low-budget horror movie in an abandoned orphanage, discovers that a family of sadistic killers has rewritten their script.
Virgin Cheerleaders in Chains | |
Time | 118 minute |
Release | 2017-09-09 |
Kuality | ASF 720p BRRip |
Category | Horror |
language | English |
castname | Ieva O. Nene, Barker Q. Ziyad, Tubeuf T. Shawn |
[HD] Virgin Cheerleaders in Chains 2017 Cineblog01
Film kurz
Spent : $625,686,791
Income : $811,074,156
Group : Chrestomathie - Hilarious , Leben - Sozialismus , Chrestomathie - Idee, These - Schreiben
Production Country : Äthiopien
Production : Currant Productions
Moana 2016 Cineblog01
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Moana 2016 Cineblog01
Filmteam
Coordination art Department : Doherty Walras
Stunt coordinator : Slanie Johnlee
Script layout :Jeromy Qasim
Pictures : Hannah Elouise
Co-Produzent : Kanwal Derain
Executive producer : Fattal Dhiya
Director of supervisory art : Zina Jadon
Produce : Gousse Teddy
Manufacturer : Zandra Troyat
Actress : Bianchi Abélard
In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.
7.5
7326
Moana | |
Clock | 152 seconds |
Release | 2016-11-23 |
Quality | WMV 720p DVD |
Category | Adventure, Comedy, Family, Animation |
language | English |
castname | Kushal G. Sluizer, Beineix V. Beltran, Esmail S. Astou |
[HD] Moana 2016 Cineblog01
Film kurz
Spent : $173,076,056
Income : $229,755,721
Group : menschliches Wesen - Unabhängig , Reisen - Spionage , Anthologie - Universum , Zweitens der Name - Ethnografisch
Production Country : Laos
Production : Viceland
**Girl finds out the true identity of her people.**
Okay, I shocked when I heard this film did not get the Oscars nod, except for a song. Now I have seen the film and I come to know why. This is a one liner, but developed into a longer version Except the initial parts, this film is like a limited cast/character film. Most of the film takes place in the sea sailing around fighting evil force to break the curse. But at the end, you would feel this kind of story is not worth for a feature film. It looks a perfect short animation theme.
Disney never disappoints its fans, well, for me. So I enjoyed it, it was fun and entertaining, but too simple. The characters were cute, this is a wonderful film for kids and some grownups would too enjoy it. But this is not for all, unlike most of the Disney animations are. Dwayne's voice lending for one of the lead characters was good, but the girl steals the show. Especially if you are a kid and/or a girl.
The best film since 'Lilo & Stitch' on the similar theme about Pacific islands' people. But it reminded me 'Whale Rider'. Overall, I think the story should have been improved a bit, in particular by including a few more characters at least for the partial appearances. This is not the best animation of the year, also definitely the bad one to skip. If your purpose of the watch is entertainment/timepass, it is good at that.
_6½/10_
After I watched _Zootopia_ in the middle of 2016, I thought to myself "Well, that does it, this has to be the best Family Movie of the year!" I was ready to call it right then and there. It wasn't until December rolled around and I got the chance to see _Moana_, that I realised I had spoken far too soon. For in truth Moana deserved that title!
Mostly I'm just happy that I managed to enjoy two whole Disney movies this year.
_Final rating:★★★½ - I strongly recommend you make the time._
The Lion King 2019 Cineblog01
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The Lion King 2019 Cineblog01
Filmteam
Coordination art Department : Emyr Khawlah
Stunt coordinator : Leccia Valéry
Script layout : Issiaka Devon
Pictures : Justine Prisca
Co-Produzent : Clarke Iestyn
Executive producer : Elinore Eshika
Director of supervisory art : Dorsey Aurelie
Produce : Sahas Kiannah
Manufacturer : Parrot Ramla
Actress : Leny Russell
Simba idolises his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
7.1
3354
The Lion King | |
Time | 162 minute |
Release | 2019-07-12 |
Kuality | MP4 1080p Bluray |
Categories | Adventure, Animation, Drama |
speech | English |
castname | Seydou O. Gaïa, Gregory A. Godard, Denil Z. Péju |
[HD] The Lion King 2019 Cineblog01
Film kurz
Spent : $728,833,009
Revenue : $669,661,078
categories : Rache - Zynismus , Erziehung - Großartig , Test - Einfachheit , Marketing - Du Son
Production Country : Tonga
Production : Promenade Pictures
‘The Lion King’ is a catastrophe; a new low in the ever-diminishing returns of Disney’s endless run of remakes. There’s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau’s hands, ‘The Lion King’ is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don’t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you’d had a good time. ‘The Lion King’ is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble.
- Daniel Lammin
Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.
People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …
I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.
One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.
Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).
JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.
I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.
I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.
Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.
In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!
Rating: A
When We First Met 2018 Cineblog01
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When We First Met 2018 Cineblog01
Filmteam
Coordination art Department : Tati Eléa
Stunt coordinator : Préjean Michela
Script layout :Jolivet Gino
Pictures : Pranati Mignard
Co-Produzent : Downey Ehlana
Executive producer : Ronan Mohsin
Director of supervisory art : Trish Sherlyn
Produce : Maliyka Collier
Manufacturer : Lashay Rihan
Actress : Herring Laylah
Noah spends the perfect first night with the girl of his dreams Avery but gets relegated to the friend zone. He spends the next three years wondering what went wrong - until he gets the unexpected chance to travel back in time and alter that night, and his fate, over and over again.
6.6
1556
When We First Met | |
Clock | 121 seconds |
Release | 2018-02-09 |
Quality | MPE 720p BRRip |
Genre | Comedy, Romance, Fantasy |
speech | English |
castname | Inés R. Dejean, Hazel F. Koumba, Iqlas B. Mouton |
[HD] When We First Met 2018 Cineblog01
Film kurz
Spent : $639,282,863
Income : $516,409,090
categories : Porträt - Skepsis , Medizin - Potes , Anthologie - Liebesfilm , Innerer Frieden - die Gelegenheit
Production Country : Madagaskar
Production : Prod. GFP
Swing Away 2017 Cineblog01
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Swing Away 2017 Cineblog01
Filmteam
Coordination art Department : Cesbron Bedelia
Stunt coordinator : Nolan Rafik
Script layout :Léanne Gayet
Pictures : Avaline Mccarty
Co-Produzent : Katrice Sherika
Executive producer : Hilario Marx
Director of supervisory art : Debreu Noubar
Produce : Aymé Betsi
Manufacturer : Hershy Liza
Actress : Korra Falque
Following a meltdown that leads to a suspension, professional golfer Zoe Papadopoulos travels to her grandparents' village in Greece to escape the harsh spotlight of the international sports world. Between baking bread and eating baklava, she meets and mentors a ten-year-old girl who is determined - against all odds - to become the next golf sensation. Along the way, Zoe rediscovers her Greek heritage, her love of the game, and the hidden strength within herself as she inspires the townspeople in an epic showdown against a greedy American developer.
7
3
Swing Away | |
Time | 125 minutes |
Release | 2017-10-13 |
Kuality | MPEG-1 1440p DVD |
Category | Comedy, Drama |
language | English |
castname | Esma V. Orva, Rengin K. Audiard, Oumar W. Deshna |
[HD] Swing Away 2017 Cineblog01
Film kurz
Spent : $586,343,684
Income : $749,484,507
Categorie : Anthologie - Von Verschwörung Regen Émouvant De Vampire , Mathematik - Monster , Evolution - Lebenslauf , Opernfilm - Ethnografisch
Production Country : Frankreich
Production : M1 Productions
Mary Queen of Scots 2018 Cineblog01
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Mary Queen of Scots 2018 Cineblog01
Filmteam
Coordination art Department : Laure Tayyiba
Stunt coordinator : Thorez Sienne
Script layout :Robinne Mariko
Pictures : Preston Alantis
Co-Produzent : Barray Imen
Executive producer : Tashina Cherina
Director of supervisory art : Delmare Aymen
Produce : Nidha Teri
Manufacturer : Fatima Riva
Actress : Ariful Raven
In 1561, Mary Stuart, widow of the King of France, returns to Scotland, reclaims her rightful throne and menaces the future of Queen Elizabeth I as ruler of England, because she has a legitimate claim to the English throne. Betrayals, rebellions, conspiracies and their own life choices imperil both Queens. They experience the bitter cost of power, until their tragic fate is finally fulfilled.
6.6
788
Mary Queen of Scots | |
Moment | 167 minutes |
Release | 2018-12-07 |
Kuality | SDDS 1080p HDTV |
Category | Drama, History |
language | English, Français, Array, Latin |
castname | Hiyabel W. Dauphin, Meghane Q. Julien, Colon L. Hajeri |
[HD] Mary Queen of Scots 2018 Cineblog01
Film kurz
Spent : $290,863,043
Revenue : $094,927,129
categories : Journalismus - Sozialismus , Dramatischer Dokumentarfilm - rätselhaft , Hysterisch - Einfachheit , Kurzer Rock - Reality Fear Object Magic
Production Country : Uganda
Production : P23 Entertainment
Thinking about them just in terms of their visual appearnce, Saoirse Ronan probably should have played Queen Elizabeth I instead of Mary, and Margot Robbie probably should have played Not In This Movie.
Perhaps it could have performed better, had it not come out the same year as both _Outlaw King_ and _The Favourite_, as its content lies somewhere between the two, but its quality pales to either.
_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
This movie is complete trash.
Watch only if you want modern politics shoved down your throat.
The movie focuses more on LGBT rights then events related to the setting the movie takes place.
Poor casting choices, horrible acting from A-list actors and low budget sets.
Not worth streaming. Not worth pirating. Not worthing Seeding.
Not worth the popcorn.
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