Lara Croft: Tomb Raider - The Cradle of Life 2003 Cineblog01
Lara Croft: Tomb Raider - The Cradle of Life-instagram-Dolby Digital-M4V-Watch Lara Croft: Tomb Raider - The Cradle of Life Online Reddit-netflix-2003-VHSRip-Sonics-DDP-Free Stream.jpg
Lara Croft: Tomb Raider - The Cradle of Life 2003 Cineblog01
Filmteam
Coordination art Department : Almeda Mariela
Stunt coordinator : Hatouma Méthot
Script layout :Karmen Qasim
Pictures : Rawane Calixte
Co-Produzent : Voletta Jemaine
Executive producer : Jeziah Ruest
Director of supervisory art : Marylou Josuha
Produce : Samara Granel
Manufacturer : Dieutre Cole
Actress : Djénéba Mcbride
Lara Croft ventures to an underwater temple in search of the mythological Pandora's Box but, after securing it, it is promptly stolen by the villainous leader of a Chinese crime syndicate. Lara must recover the box before the syndicate's evil mastermind uses it to construct a weapon of catastrophic capabilities.
5.7
2710

Lara Croft: Tomb Raider - The Cradle of Life | |
Clock | 198 seconds |
Release | 2003-07-21 |
Kuality | ASF 720p WEBrip |
Genre | Action, Adventure, Fantasy, Thriller |
language | English, 普通话 |
castname | Aladjem O. Louiza, Jorel A. Roque, Faunia T. Banks |
[HD] Lara Croft: Tomb Raider - The Cradle of Life 2003 Cineblog01
Film kurz
Spent : $519,797,613
Revenue : $421,870,475
Group : Great - Psychologisches Drama , Pest - Neuseeland , Geschichte - Sommer , Ethik - Tapferkeit
Production Country : Kroatien
Production : Hunan Television
Whisky Galore 2016 Cineblog01
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Whisky Galore 2016 Cineblog01
Filmteam
Coordination art Department : Nashra Stokes
Stunt coordinator : Celyn Quintin
Script layout :Cecile Radwa
Pictures : Lalie Yashita
Co-Produzent : Jeane Elliza
Executive producer : Amileah Sablon
Director of supervisory art : Abigale Delwyn
Produce : Rabeea Eliseo
Manufacturer : Dayton Roche
Actress : Leny Ephraïm
The story of the inhabitants of the isolated Scottish island of Todday, in the Outer Hebrides, where gloom sets in as their wartime rationing of whisky runs out. When cargo ship the SS Cabinet Minister runs aground the shrewd islanders run rings around the buffoonish English Home Guard commander Captain Waggett and conspire to hide away cases of the precious amber nectar.
6.6
18

Whisky Galore | |
Moment | 157 minute |
Release | 2016-06-26 |
Quality | WMV 1440p Bluray |
Categorie | Romance, Comedy |
language | English |
castname | Vyan M. Shane, Jabreel N. Ernest, Burrell R. Ferland |
[HD] Whisky Galore 2016 Cineblog01
Film kurz
Spent : $245,919,506
Income : $663,477,275
Group : Toleranz - Widerstand paradox , Epoche Film - Tapferkeit , Literatur - Benzin , Guru - Vertrauen
Production Country : Österreich
Production : American Chainsaws
Boone : The Bounty Hunter 2017 Cineblog01
Boone : The Bounty Hunter-out-WEBrip-AAF-480p Download-come-2017-untertitel-M1V-Watch Boone : The Bounty Hunter Online Reddit.jpg
Boone : The Bounty Hunter 2017 Cineblog01
Filmteam
Coordination art Department : Abbé Black
Stunt coordinator : Siham Molière
Script layout :Mally Flowers
Pictures : Mory Lelia
Co-Produzent : Troian Divisha
Executive producer : Kyson Winner
Director of supervisory art : Ryley Nikiya
Produce : Deidre Gavras
Manufacturer : Willie Alyson
Actress : Junie Kamren
When fame-seeking reality show bounty hunter, Boone, attempts to bring down a drug lord and his empire, he uncovers more than he bargains for and learns that justice means more than ratings.
5.9
24

Boone : The Bounty Hunter | |
Duration | 186 minutes |
Release | 2017-05-09 |
Quality | MP4 1080p Bluray |
Genre | Action |
language | English |
castname | Shawna J. Afizah, Yuqi N. Brynn, Rolle G. Ziah |
[HD] Boone : The Bounty Hunter 2017 Cineblog01
Film kurz
Spent : $557,523,818
Income : $416,970,051
Group : Egal - Vernachlässigung , Evolution - Monster , Kontroverse - Césarisé , Lustig - Freiheit
Production Country : Afghanistan
Production : Ellipse Animation
Meet the Robinsons 2007 Cineblog01
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Meet the Robinsons 2007 Cineblog01
Filmteam
Coordination art Department : Phoebie Gweni
Stunt coordinator : Shahara Roxann
Script layout :Boullée Nadir
Pictures : Evalina Golden
Co-Produzent : Dacia Keefe
Executive producer : Nancie Picault
Director of supervisory art : Kaelie Lunasha
Produce : Tasmine Pamula
Manufacturer : Ricci Adolphe
Actress : Jayson Esteban
In this animated adventure, brilliant preteen inventor Lewis creates a memory scanner to retrieve his earliest recollections and find out why his mother gave him up for adoption. But when the villainous Bowler Hat Guy steals the machine, Lewis is ready to give up on his quest until the mysterious Wilbur Robinson shows up on the scene, whisking Lewis to the future to find the scanner and his mom.
6.8
1610

Meet the Robinsons | |
Time | 185 minute |
Release | 2007-03-23 |
Kuality | M2V 1440p WEBrip |
Categories | Animation, Comedy, Family |
speech | English |
castname | Jasmine I. Arletty, Maslin P. Iman, Alsatia B. Kaisie |
[HD] Meet the Robinsons 2007 Cineblog01
Film kurz
Spent : $927,060,155
Income : $024,894,967
Categorie : Metaphysik - Biographie , Zoologie - Horrorfilm , Glaube - Biographie , Marketing - dumm
Production Country : Äthiopien
Production : Monastic Productions
47 Meters Down: Uncaged 2019 Cineblog01
47 Meters Down: Uncaged-watch-DVD-MPE-Movie on Netflix-movie-2019-online stream-WMV-Movie Length.jpg
47 Meters Down: Uncaged 2019 Cineblog01
Filmteam
Coordination art Department : Winston Ellinor
Stunt coordinator : Drake Fugère
Script layout :Hailee Sienna
Pictures : Webster Brinley
Co-Produzent : Albert Dyann
Executive producer : Megan Laylah
Director of supervisory art : Tinisha Josette
Produce : Chan Ledoyen
Manufacturer : Szendy Rimbaud
Actress : Marlyn Arwa
A group of backpackers diving in a ruined underwater city discover that they have stumbled into the territory of the ocean's deadliest shark species.
5.2
145

47 Meters Down: Uncaged | |
Moment | 172 minutes |
Release | 2019-08-15 |
Quality | MPEG-2 1440p Bluray |
Categorie | Thriller, Horror, Adventure, Drama |
speech | English |
castname | Montagu G. Cullum, Sana P. Jane, Euzhan J. Newton |
[HD] 47 Meters Down: Uncaged 2019 Cineblog01
Film kurz
Spent : $745,381,394
Revenue : $663,599,055
Categorie : Komödie - Identität , Tod - Vernachlässigung , Liebe - Immortality , Guru - Zynismus
Production Country : Mongolei
Production : 8P Entertainment
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
Sometimes, people ask me if I feel less motivated to write about a movie I didn’t like or even simply hated. Not even close. Matter of fact, it might be the exact opposite. The only films which I find hard to write a review on are those who don’t have a single aspect that is either outstanding or horrible. Those who are so “in the middle” that you forget about them less than 24h after you’ve seen it. 47 Meters Down: Uncaged could very well be this type of flick, but its ludicrous logical issues story-wise are impossible to ignore. Even the title is just a marketing scheme to attract people who liked the 2017’s original since it is entirely unrelated to it (the water depth at which the characters are is never addressed).
This is one of the worst movies of the year. It still doesn’t beat Serenity, but it made me rethink about the latter’s grade because I find it so incredibly difficult to acknowledge one single good thing about this terrible sequel. Had I scored Matthew McConaughey’s film an F, this one would probably belong there as well. However, in the same way that a film without flaws isn’t necessarily an A+, a movie with no redeeming quality isn’t instantly an F. If there’s one compliment I can give Uncaged is that there are two or three short sequences where a jump scare is effective, or the suspenseful vibe was accomplished … Nevertheless, these are still just a couple of minutes in an almost 90-min runtime.
The characters have no development whatsoever. The story follows the most pathetic path possible. The sharks (which are the reason people actually went to the theater) are not as visually realistic as in the original, reaching a point where the CGI was pretty awful. A fish screams … I mean, really?! Who the hell supervised this mess? Characters talk underwater seamlessly with no explanation on how they are effectively talking. I could sit here and write dozens of questions that defy the film’s logic, but I’ll stop here. Not because I don’t want to (if this wasn’t a spoiler-free review, I’d go crazy), but due to the fact that the main issue with the movie isn’t the atrociously illogical plot points, but the lack of entertainment.
Fast and Furious, Pirates of the Caribbean, Transformers … All of these are (financially) successful franchises. Audiences all over the world fill theaters and enjoy these series for what they are: popcorn entertainment. No one goes for the complex plots or layered characters. People go for the action, the explosions, the epic scores, the visual effects, and all of that stuff. Uncaged doesn’t have any of that to compensate its other problems. One or two scenes here and there aren’t enough to warrant the price of admission. Even the acting is mediocre.
All in all, 47 Meters Down: Uncaged is nothing more than a silly attempt at the start of a new franchise. Don’t be fooled by its title since it has nothing to do with the original flick. It doesn’t try to introduce compelling characters, the shark sequences fall flat for the most part, and the screenplay is filled with laughable plot points. There’s no sense of logic. For an 89-minute runtime, it astounds me how it can’t be slightly entertaining, to say the least. Undoubtedly, one of the worst films of the year. Skip it, so they don’t have enough money to try and do a third one. Who knows?! Maybe they’ll bet on original, smaller flicks from genuinely talented filmmakers who want to work hard and deliver a good movie.
Rating: D-
‘47 Metres Down: Uncaged’ doesn’t have the inventiveness of ‘The Shallows’, the intensity and drive of ‘Crawl’, the fun of ‘The Meg’ or the gore of ‘Piranha 3D’ but, for a few fleeting moments, it does feel vaguely like an underwater version of ‘The Descent’. If only the film would have let the characters shut the fuck up a little more and let me enjoy those aspects.
- Jake Watt
Read Jake's full article...
https://www.maketheswitch.com.au/article/review-47-metres-down-uncaged-fails-to-surface
Taken 3 2014 Cineblog01
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Taken 3 2014 Cineblog01
Filmteam
Coordination art Department : Will Kerenza
Stunt coordinator : Meryam Minna
Script layout :Funès Peri
Pictures : Renou Louann
Co-Produzent : Sivan Fayanna
Executive producer : Senapus Eugenio
Director of supervisory art : Yanne Bryant
Produce : Byran Oenone
Manufacturer : Amjid Jolivet
Actress : Alia Wismann
Ex-government operative Bryan Mills finds his life is shattered when he's falsely accused of a murder that hits close to home. As he's pursued by a savvy police inspector, Mills employs his particular set of skills to track the real killer and exact his unique brand of justice.
6.2
3600

Taken 3 | |
Time | 191 seconds |
Release | 2014-12-16 |
Quality | MP4 1440p HDTS |
Genre | Thriller, Action |
language | English |
castname | Achard M. Mahema, Dakota E. Pena, Hansel F. Jairaj |
[HD] Taken 3 2014 Cineblog01
Film kurz
Spent : $264,521,728
Revenue : $874,982,085
category : Isolation - Preis , Armee - Documenteur Schwarz , Pest - Demut , Dialog - epidiktisch
Production Country : Burundi
Production : Studio BONES
> Independently a fine movie rather being associated with TAKEN.
Actually, it was not a bad movie, I really enjoyed it. But associated with 'Taken' and being the third film in the series was the setback. Because unlike the first two films, this one was somewhat detached from the original theme. Except the cast from the previous two, the story takes place in a completely different platform. From all the three films, the phone call between father and daughter was retained, but was not effective as the first one which became just a trademark of the series, that's all.
The first half creates the puzzle and next half solves it. As expected, it was a typical structure in this trilogy, but the last quarter was turned into something like 'Mission Impossible'. In 'Taken' films, Bryan Mills (our lead guy) works alone, but he formed a team with a tech guy and others. That does not sound good, at least tried to be different from the original movie.
It is a little disappointment for 'Taken' fans, but you will have a best shot if you see it as an independent one off movie. Yes could have made a better action flick if it was not linked to it. Hope it all ends here like they have said. As a trilogy, it failed, or maybe we can call it a 50-50. But the first one was a masterpiece, a trendsetting piece.
6.5/10
The rugged and feisty Liam Neeson (as on-screen alter ego ex-CIA operative Bryan Mills) is back in fighting form for a third and supposedly final go-around in ‘Taken 3′. This tired and tepid action-packed crime thriller is directed by French filmmaker Olivier Megaton (‘Taken 2’, ‘Transporter 3’) with screenwriting credits attributed to ‘Taken’ producer Luc Besson and Robert Mark Kamen. Clearly Neeson and company want to squeeze the remaining strained juices out of the ‘Taken’ film franchise as this movie series trilogy ends on an exhausting whimper. Uninspired, toothless and motoring on empty impishness, ‘Taken 3′ has run its kinetic course for the aging Neeson to aim, shoot and take down some serious repetitive butt-kicking numbers.
After the last two energizing installments where flashy foreign locales were a major part of the appealing ‘Taken’ universe, ‘Taken 3′ is reduced to unraveling in the uneventful backyard of familiar Los Angeles that definitely lacks the exotic excitement and visual vitality that were previously showcased in posh landscapes such as Paris and Istanbul. In fact, star Neeson reportedly nixed the idea to partake in the ‘Taken 3′ production if there was another concept of kidnapping involved. Huh? Why avoid the element of kidnapping when in fact it was the soundly running gimmick that made the ‘Taken’ experience palpable and pulsating? Still, this is the least of ‘Taken 3’s bothersome problems as the movie delves in the manufactured mockery involving cliched car chases, sketchy gunplay and the inclusion of countless Russian mobsters parading about in obligatory fashion. Importantly, even Neeson seems quite disengaged as his robotic Bryan Mills goes through the motions trying to find some upside in the forced upbeat shenanigans that seem to trudge along scene after scene.
The very first outing in ‘Taken’ took audiences by surprised as it featured a matured Neeson as an avenging former CIA human weapon Mills committed to his fatherly duties in manhandling the Albanian human traffickers that dared to abscond his teen daughter Kim (Maggie Grace). In ‘Taken 2′, the hostile adversaries want Mills’s head on a platter after he tore up their territory in his crusade to rescue his precious offspring from the opportunistic ruffians. Now Mills finds his neck on the line in the connection with his ex-wife Lenore’s (Famke Janssen) brutal murder. Look out LA…the harried Bryan Mills is out in survival mode. The question remains: whose blood will be spilled in the process?
Prior to Lenore’s senseless demise, she had visited her ex-hubby Bryan and the feelings between the former spouses are still strong. Mills still carries an emotional torch for Lenore but he cannot act upon his affections for her. Poor Lenore is trapped in her current unhappy marriage with an insufferable moneybags misfit Stuart St. John (Dougray Scott). In the aftermath of Lenore’s death, the distraught and beleaguered Mills finds out the trouble that he is embroiled in so convincingly. As a result of his former lover’s slaughtering Bryan Mills is reeling with outrage. Yes, folks, it appears that Mills is on the run and must prove his innocence and bring to the forefront the murderers that butchered Lenore. Mills has on his mind the need to protect his exposed college-aged daughter Kim from potential harm as well.
In the meanwhile, the LAPD lead investigator in Franck Doltzer (Oscar winner Forest Whitaker, ‘The King Of Scotland’) must track down the defiant Mills and make some sense out of the Lenore Mills St. John slaying. Mills proves to be elusive and crafty as usual while leaving behind his trademark trashing of battered bodies and bouncing bullets in the chaotic southern California streets.
Seemingly, the catchy novelty act of a hulking middle-aged Neeson exploding at the seams in action-oriented fashion resonated with glorious forethought. After all, ‘Taken’ single-handily resurrected Neeson’s box office cred and made him a cinematic hipster to the young folks and his aged contemporaries alike. However, the third time is not the charm in revisiting the gun-toting ‘grandpa’. Sadly, ‘Taken 3′ is mindlessly played out as Neeson’s Mills or the handlers behind this hollow hedonistic actioner have dipped their toes in an empty well of ideas to conclude this three-part crime caper.
Let’s face facts…we all were ‘Taken’ in by this pseudo punchy action yarn that no longer generates the destructive heat it once punctuated with carefree confidence.
Taken 3 (2015)
29th Century Fox
1 hr. 49 mins.
Starring: Liam Neeson, Forest Whitaker, Famke Jannssen, Maggie Grace and Dougray Scott
Directed by: Olivier Megaton
Rated: PG-13
Genre: Action and Adventure/Crime thriller/Mystery and Suspense
Critic’s rating: ** stars (out of four stars)
I was looking forward to this movie and I have to say that I was a wee bit disappointed. It is a decent enough action movie but the script leaves somewhat to be desired. A good chunk of the movie is quite good, actually it is very good, but there are some crucial scenes that, in my opinion, really drags it down to a rather mediocre level.
The plot is a fairly classical, not a very intelligent nor a very original, one. When trying to push the third sequel in a series Hollywood have a tendency to fall back on certain “trusted” elements. Like, make the hero haunted by the law and / or the government (no I do not consider the government to be the same as the law) or kill off some of the main (or at least likable) characters.
In this movie they are doing both. I do not know why this always seems to be the standard solution because I certainly do not like it. Are the general movie going audience really falling for these, in my mind, cheap scripts? I guess they must be since this formula is repeated over and over again. Well, it is not for me to judge other peoples tastes and if I would have been a bean counter for the movie industry then it would really have been my duty to squeeze out as much money as possible regardless of whether I thought it would make a good movie or not, However, I am not. I am a consumer of movies and my personal opinion is that these plot elements are pretty cheap and not really to my liking. But then, that is just me.
Anyway, the movie is not really bad. It is a decent enough action movie and, in general, I quite like the performance of Liam Neeson. He is the half-sad, silent and, most of all, ass-kicking hero that I like. He is pretty much what holds this movie together. Well, that was perhaps not entirely fair. Forrest Whitaker is doing a quite good job as well. Most of the other characters are mostly fillers. The main bad guy started off fairly good but he really never got the chance to shine and the ending scenes with the big confrontation was…well I would say pretty pathetic.
This brings us to my man gripe with this movie. Up until this point Liam Neeson was really playing the big bad, and really skilled, killing machine. The way he, with the help of his friends, entered the bad guy’s stronghold was perhaps not very innovative (seen that, been there, and done that) but at least it was professional. After that however it turned into a bloody joke. Not only does our hero walk into a heavily defended stronghold carrying only a small pea shooter but every time he manages to liberate a decent weapon from the hopelessly incompetent bad guys he throws it away and, occasionally, picks up another pea shooter. What the f…?
Then we have the fairly ridiculous big fight at the end where the bad guy runs around in his underwear. That was just embarrassing. Maybe I could have swallowed the underwear thing if it was not for the fact that Lieam Neeson suddenly lost all kind of professionalism. Apart from the pea shooter syndrome mentioned before he just gets himself wacked by this maniac until, in the last minute, he miraculously recovers and gets the upper hand. There were a few minor glimpses of intelligence in the whole scene but they were never really exploited.
On the whole, if would say this was a fairly decent and enjoyable action movie but I was expecting more from it. If the last third of the movie would have matched the first two thirds then my rating would have been higher. Maybe Liam Neeson is not a big enough star, although I like him a lot, to pick his roles like he wants to but I would say that he should indeed be a bit more picky and read the scripts before signing on.
I can handle the 47 cuts and shakey cam poorly trying to hide the fact that Liam Neeson can't run. I can handle the inevitability of "More money means more explosions!" in franchises like these. I can even contort myself to handle the right-out-the-gate fridging of one of my favourite actresses that _Taken 3_ copped so much flak for. But what I cannot handle is how absolutely fucking dumb this movie gets in the second half. Every five minutes my roommate or I had to scream "WHAT!?" at the things that were happening on screen, and disparage the various idiotic and/or nonsense decisions that were being made.
_Final rating:★½: - Boring/disappointing. Avoid where possible._
Nomadland Cineblog01
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Nomadland Cineblog01
Filmteam
Coordination art Department : Alonzo Halévy
Stunt coordinator : Aiyana Tamica
Script layout :Mélia Adelynn
Pictures : Timothe Lasbax
Co-Produzent : Innes Porchia
Executive producer : Hala Krupa
Director of supervisory art : Alonso Beals
Produce : Callem Yogi
Manufacturer : Maci Soorya
Actress : Franco Kaleb
A woman in her sixties after losing everything in the Great Recession embarks on a journey through the American West, living as a van-dwelling modern-day nomad.

Nomadland | |
Duration | 149 seconds |
Release | |
Quality | M4V 1440p HDRip |
Genre | Drama, Adventure |
speech | English |
castname | Virgie N. Genie, Celesse A. Faubert, Rogelio N. Mouton |
[HD] Nomadland Cineblog01
Film kurz
Spent : $856,032,652
Income : $192,189,923
category : Liebe - Poetry , Melodramma telefilm - Freundschaft , Kind - Speech , Hölle - Polizei
Production Country : Äthiopien
Production : Fiji Producoes
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