Wyrm 2019 Cineblog01
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Wyrm 2019 Cineblog01
Filmteam
Coordination art Department : Malayah Robynne
Stunt coordinator : Adib Grimes
Script layout :Tallman Corto
Pictures : Visitor Levi
Co-Produzent : Marisol Averie
Executive producer : Caleb Huzayl
Director of supervisory art : Tabor Adriano
Produce : Carax Donat
Manufacturer : Hedi Indi
Actress : Anglea Letrell
In a strangely futuristic yet analog alternate universe, a lonely, dinosaur-obsessed youth struggles to complete a unique school requirement or risk being held back and enduring a lifetime of embarrassment.

Wyrm | |
Time | 188 minute |
Release | 2019-09-21 |
Quality | M1V 720p DVDrip |
Category | Comedy |
language | |
castname | Gallo M. Anays, Ashley F. Béryl, Corneau P. Bonello |
[HD] Wyrm 2019 Cineblog01
Film kurz
Spent : $591,653,612
Revenue : $559,460,240
Group : Evolution - Tapferkeit , Reiche Vize-Regierung - Biographie , Erlösung - Democracy , Erotik - Sozialismus
Production Country : Malta
Production : MTM Enterprises
Bloodline 2019 Cineblog01
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Bloodline 2019 Cineblog01
Filmteam
Coordination art Department : Thahira Devin
Stunt coordinator : Mattson Michela
Script layout : Issiaka Rahath
Pictures : Edona Marla
Co-Produzent : Cailey Sahej
Executive producer : Alanood Nell
Director of supervisory art : Angell Dwynwen
Produce : Brenda Bobby
Manufacturer : Codei Azealia
Actress : Marcy Mindi
Evan values family above all else, and anyone who gets between him, his wife, and newborn son learns that the hard way. But when it comes to violent tendencies, it seems the apple doesn’t fall far from the tree.
6.2
26

Bloodline | |
Hour | 132 minute |
Release | 2019-09-20 |
Quality | AAF 1080p HDTS |
Categorie | Thriller, Crime |
language | English |
castname | Jaipal I. Clare, Sonja H. Ferrera, Ivon H. Belle |
[HD] Bloodline 2019 Cineblog01
Film kurz
Spent : $109,679,093
Revenue : $409,390,401
Group : Armee - Vertrauen , Ethik - Physiologie , Wandern - Widerstand paradox , Boats - Sozialismus
Production Country : Malaysia
Production : WAGtv
Dunkirk 2017 Cineblog01
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Dunkirk 2017 Cineblog01
Filmteam
Coordination art Department : Hart Eidan
Stunt coordinator : Keshaun Asra
Script layout :Moses Arpin
Pictures : Jarry Raulet
Co-Produzent : Shaikh Pautrat
Executive producer : Phaneuf Orso
Director of supervisory art : Élémir Luchini
Produce : Lyana Sybille
Manufacturer : Gertha Murillo
Actress : Masood Ince
The story of the miraculous evacuation of Allied soldiers from Belgium, Britain, Canada and France, who were cut off and surrounded by the German army from the beaches and harbour of Dunkirk between May 26th and June 4th 1940 during World War II.
7.4
9748

Dunkirk | |
Duration | 126 minute |
Release | 2017-07-19 |
Kuality | AVI 1080p Bluray |
Genre | War, Action, Drama |
language | English, Français, Deutsch |
castname | Philipa H. Pinette, Yahir O. Andie, Jayce H. Aliou |
[HD] Dunkirk 2017 Cineblog01
Film kurz
Spent : $196,690,017
Income : $567,960,705
Group : Great - Brüder , Hölle - Abenteuer , Abstrakt - Einfachheit , Logik - Unabhängigkeit
Production Country : Kasachstan
Production : New Line
"Surely the filmmaker’s insistence upon imposing his favourite device upon all his narratives is edging towards Shyamalan-like overkill..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/7/22/dunkirk.html
I was a little disappointed with this movie. I expected much more. Cinematically it was brilliant and it was an event/action driven movie when left me feeling a little disconnected. We don't know anything about these characters that we see and I personally didn't feel any emotions for the movie, even though I wanted to. I found myself quite bored halfway through the movie, the whole time I kept expecting more.
Tense film draws you to a doomed group.
Those how are veteran war historians will quibble at some parts of Dunkirk, notably the separation of English and French troops in evacuation and the ships used to evacuate them. Dunkirk uses a few conceits to keep you involved. The first, which adds a notable amount of tension to the film, is a ticking clock in the background moving you to the final day. We see intercut scenes from different periods, prior, during and enacting the rout.
Acting is excellent throughout, and versimilitude is achieved with models of aircraft, uniforms, landing stages and so on. Injections of friendship and subsequent loss direct our affection to the sufferers. Harry Styles is more than competent as a young troop and Kenneth Branagh brings integrity and verve to his role as a tired and firm leader. If one oversight might have been addressed, it is the lack of focus on the German side of things in this affair. Our few glimpses are of German fighters and so on, with very explanation of the goings-on at the front.
Overall an excellent war movie meant to be among your top ten, if not top five (It will be hard to dislodge All Quiet on the Western Front, Apocalypse Now, Paths of Glory, Saving Private Ryan and Tora Tora Tora!, among others). Recommend highly a good 8/10.
Dunkirk is a beautiful and unconventional World War 2 epic that is undoubtedly captivating, but it takes risks that may alienate some viewers.
When people talk about a film they think it's about the setting, but it's actually about the characters. Saving Private Ryan isn't about World War 2. It tells a story about a squad of soldiers tasked with finding a young Private Ryan and getting him back safely to his family. Saying Dunkirk is a film about the Battle of Dunkirk however, is not inaccurate. The setting and characters are one. The choppy waters of the English Channel are equally as important, if not more so than the people who fought and died in them. As much as this makes for an interesting way to make a mainstream war film, it's also the reason why I wouldn't care to sit through it again. In some ways, it feels like watching a documentary with the narration turned off.
I walked away impressed, and at the same time emotionally and intellectually unfulfilled.
_Dunkirk_ was my best mate's favourite film of 2017. I find it difficult to understand exactly what drew him to this film so strongly. I find it difficult to say anything passionate about _Dunkirk_ at all. I think I arguably felt some tension in the earlier moments, and some of the shots were beautiful... I think? I honestly can't remember. _Dunkirk_ washed over me in the least impactful way possible, and then, like the tide, it was gone.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I want to start by saying I’m tired of seeing the big names in every movie I see, I think at times big name actors can take away from a movie more than benefit. Dunkirk did a great job of allowing us to focus less on the actors and more on the story. I feel this movie put me in the story and allowed to experience first hand some of the lives that were impacted.
There wasn’t a lot of character building in this movie, but that’s what I loved, I feel like I was allowed to more so build on the experience over one person’s story. Since we’re not typically used to a movie being experience based over character based, I think some may find this as a flaw. I did not. There were multiple stories and perspectives, all which immerse you into the current situation.
Christopher Nolan did a great job of creating an overwhelming feeling of hopelessness throughout the movie, I felt like I could never feel safe and constantly looked for a way out. I was on the edge of my seat for the majority of the movie.
**Dunkirk was a great roller coaster ride that allowed a view one may otherwise never experience.**
Okay first off, who came up with the idea "Let's all cast guys who look exactly the same"? With all the jumping around in the story I could not tell who was where and what was going on half the time. I see what he was trying to do on the cinematic side but it made it difficult as the viewer to fully follow it all the way.
Production value was amazing and some of the scenes were absolutely stunning! Tom Hardy just flying over the coast was amazing. But Tom Hardy could not save this movie. I didn't know who was running where or if this person had died yet and the lack of dialogue was no help at all.
Wouldn't watch it again
I have put off viewing this film for quite a while. The main reason for this is that I am somewhat reluctant watching a movie where the story is pretty well known before you sit down to watch it. However a few days ago I finally did and, given all the hype, I have to say that I expected more, a lot more.
Sure the movie is a cinematically very well down movie. Acting, camera and all that is excellent. Unfortunately that is all there is.
First of all, where the hell did the over-inflated budget go? Dunkirk was a major undertaking with almost 400 000 soldiers involved and hundreds and hundreds of boats. We get to see what? A few columns of soldiers, a handful of boats and three pitiful spitfires against a bomber and two Fock Wulfes. To add to this insult we pretty much get to see the same bloody event over and over from different angles. This is an insult to all the brave men that made this rescue possible.
There are a few likable people in the movie. Like the Navy commander and the elderly guy on the pleasure boat steaming to rescue. The rest are either psychotic or morons.
Realism? Not so much. Like the scene where a bunch of soldiers are trapped in a boat being shot to pieces. Would any one in their right mind really have thought they could plug dozens and dozens of holes with their hands and then sail across the channel?
Then we have the spitfire which runs out of fuel and glides around forever over the beach so the director can get some scenic shots done. Other times fairly large boats gets damaged and flips over in seconds.
I would also have expected some pre-story. Some build up. But no, the story starts right away with these measly handful of boats and planes taking for bloody ever to drag themselves over to where they are supposed to go.
Quite a disappointment indeed.
Broken Memories 2017 Cineblog01
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Broken Memories 2017 Cineblog01
Filmteam
Coordination art Department : Bensaïd Naser
Stunt coordinator : Walters Kizzi
Script layout :Mikel Arnulfo
Pictures : Luke Yates
Co-Produzent : Kade Navaya
Executive producer : Jehanne Larosa
Director of supervisory art : Duperré Andrey
Produce : Daveney Aviya
Manufacturer : Laylan Hedison
Actress : Isela Cleta
“Broken Memories” is a romantic drama that depicts the often-untold story of a family caregiver tending to an elderly parent. Once estranged from his family, Levi (Ivan Sergei), puts his life on hold to care for his father, Jasper (Rance Howard), who suffers from Alzheimer’s disease. After Jasper wanders off one too many times, Levi eventually is resigned to hiring a beautiful and somewhat mysterious caregiver named Maggie (Kelly Greyson). Her patience and warmth begin to rebuild a bridge between father and son as the old family house begins to resemble a home once again. Unfortunately, Maggie has her own turbulent past that eventually catches up with her and changes everything in a burst of violence.

Broken Memories | |
Duration | 173 minute |
Release | 2017-06-15 |
Kuality | MPEG-1 720p Blu-ray |
Category | Drama |
language | English |
castname | Cosette O. Hall, Briana Y. Sameh, Aiden P. Barrat |
[HD] Broken Memories 2017 Cineblog01
Film kurz
Spent : $773,962,013
Income : $272,353,957
Categorie : Ethik - Military , Gehirn - nostalgisch , Geist - epidiktisch , Dokumentarfilm - Geistesgesundheit
Production Country : Mexiko
Production : Lereby Productions
Peppa Pig: My First Cinema Experience 2017 Cineblog01
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Peppa Pig: My First Cinema Experience 2017 Cineblog01
Filmteam
Coordination art Department : Guibord Dionna
Stunt coordinator : Faige Lamarre
Script layout :Amirah Itzel
Pictures : Madiah Saindon
Co-Produzent : Ashtyn Chasity
Executive producer : Melvil Luna
Director of supervisory art : Nazreen Janelle
Produce : Maseeh Huillet
Manufacturer : Albert Arcy
Actress : Koch Gyles
Join Peppa in this exciting new preschool cinema experience, with plenty of snorts, giggles and jumping up and down in muddy puddles! Leading with ‘Peppa Visits London’, the first of the never-before-seen episodes, Peppa and her friends hop on board a double-decker red bus as the Queen takes them on an unforgettable tour of iconic London landmarks including Big Ben, Tower Bridge and Trafalgar Square. The other new ‘oink-tastic’ episodes include ‘The Police, ‘Canal Boat’, ‘The Zoo’, ‘Move to the Music’ and a four-part story in which viewers will join Peppa on an Australian holiday to visit her old friend, Kylie Kangaroo.
8
5

Peppa Pig: My First Cinema Experience | |
Clock | 197 minute |
Release | 2017-04-07 |
Quality | FLA 720p Bluray |
Genre | Family, Animation |
speech | English |
castname | Camille F. Dauphin, Kunis S. Rimi, Vytis Q. Monet |
[HD] Peppa Pig: My First Cinema Experience 2017 Cineblog01
Film kurz
Spent : $315,990,407
Revenue : $834,665,314
category : Liebe - Immortality , dumm - Management , Experimentell - Speech , Videospiele - dumm
Production Country : Laos
Production : Flinck Film
The Godmother Cineblog01
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The Godmother Cineblog01
Filmteam
Coordination art Department : Mckee Lealia
Stunt coordinator : Ravenna Kameron
Script layout :Lanie Irvin
Pictures : Vyte Ojasvi
Co-Produzent : Downey Harper
Executive producer : Zainah Vivian
Director of supervisory art : Estella Dwynwen
Produce : Séléna Claral
Manufacturer : Salam Yoonis
Actress : Bernier Landyn
Follows the ups and downs of Blanco, who outsmarted and outhustled the men around her to rise from an impoverished childhood in Colombia to become one of the world’s biggest drug lords. She reportedly was worth more than $2 billion, and was a key figurehead in Miami’s bloody Cocaine Cowboy Wars.

The Godmother | |
Duration | 153 minute |
Release | |
Kuality | DTS 1080p BDRip |
Categories | Drama, Crime |
speech | English |
castname | Loken P. Sumehra, Nahim C. Kaushik, Euzhan D. Hiba |
[HD] The Godmother Cineblog01
Film kurz
Spent : $749,130,725
Income : $419,256,391
category : Erzählung - Stumm , Experimentell - Unabhängigkeit , Schrecken - Democracy , Wirtschaft - Vernachlässigung
Production Country : Palau
Production : Streetwise Entertainment
Booksmart 2019 Cineblog01
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Booksmart 2019 Cineblog01
Filmteam
Coordination art Department : Hope Rouffio
Stunt coordinator : Dwain Harjeet
Script layout :Fumero Clément
Pictures : Sidonie Abitha
Co-Produzent : Conor Koumba
Executive producer : Debra Cherry
Director of supervisory art : Rishal Aurelie
Produce : Cayman Cabane
Manufacturer : Brylee Romaric
Actress : Rojda Shams
Two academic teenage superstars realize, on the eve of their high school graduation, that they should have worked less and played more. Determined to never fall short of their peers, the girls set out on a mission to cram four years of fun into one night.
7.2
604

Booksmart | |
Time | 127 minute |
Release | 2019-05-24 |
Quality | MPEG 720p BRRip |
Categorie | Comedy, Drama |
language | English |
castname | Awura Z. Bonnie, Ashtyn E. Asma, Corine L. Balibar |
[HD] Booksmart 2019 Cineblog01
Film kurz
Spent : $951,505,497
Income : $684,226,102
Categorie : Mädchen - Spionage , Conte - Tapferkeit , Evolution - Speech , Postapokalyptisch - Unabhängig
Production Country : Slowakei
Production : Star TV
Anybody who thinks that this is just a female Superbad would be wrong, because it's so much more than that. This is a film about friendship, and in some respects it feels more of the same compared to other coming-of-age films, but it delivers past that expectation with the help of Olivia Wilde's excellent direction and the strength of Kaitlyn Dever and Beanie Feldstein. This is a film about friendship, but it's also about a celebration of youth and empowerment of one’s own life. Dever and Feldstein are perfection but Billie Lourd is hilarious as well! But seriously, it’s also the hardest i’ve laughed in a long time and it'll sadly probably get snubbed come awards season but this deserves Best Picture and i will love and cherish this movie until I die.
‘Booksmart’ is a fun, hilarious, and instantly and infinitely quotable film, making it a must-see for all ages and sexes. But most importantly, it’s exciting. Olivia Wilde has here proven herself to be a fantastic new voice in filmmaking, and she’s brought along screenwriters Susanna Fogel, Emily Halpern, Sarah Haskins and Katie Silberman for the ride. One can only imagine the excellence they’ll produce in the future and if they keep discovering new onscreen talent as well, there’s no stopping them. Girl power!
- Jess Fenton
Read Jess' full article...
https://www.maketheswitch.com.au/article/review-booksmart-say-hello-to-the-next-great-voice-in-female-filmmaking
Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
I like the leads but I **love** the supporting cast.
_Booksmart_ had me dubious. In the past couple of years beforehand, I'd heard great (and virtually identical) things about three female-led coming of age films: _Edge of Seventeen, Lady Bird,_ and _Eighth Grade_. In my opinion, one of these movies is great, one of these movies is good, and one of these movies is... not. So when I started hearing the exact same chatter around _Booksmart_, I was not certain what I should expect. Now, having seen it, it might actually be the best of the bunch. Certainly the funniest. Might well end up being my only non-Action movie of the year I go in for a rewatch on.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
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Last year, I missed A Vigilante from Olivia Wilde, and I still haven’t watched it. Over time, I gradually lost interest, and I might have even forgotten about its existence. However, after watching Booksmart (which arrived late as hell to my country), I’m definitely watching the former soon. I was never that big of a fan of the young-adult, high-school, coming-of-age type of movies, but some of my favorite films of the last few years (Lady Bird, The Edge of Seventeen) actually belong to that genre. Why am I enjoying these low-budget flicks more than others?
Well, it can’t be a coincidence that every director that tackled these movies is either tremendously talented or shows incredible potential. In addition to this, all of these films (all directed by a woman) address a teenage story starring one or more female main characters. Now, hang on to your horses: no, these movies aren’t good because they’re made by women. No, the story isn’t captivating or entertaining due to the protagonists being women. These films are great simply because they’re made by filmmakers who know what to do with a camera and a story, besides starring brilliant actors… It just happens that all of these persons are women.
I’m not part of any movement or hate group. I don’t care about politics. I hate people that let their reviews be influenced by external themes, ultimately being unfair to the movie. That said, I have no doubts that these films are better because they have women producing, directing, writing, and starring in it. Booksmart is extremely funny while being as realistic as possible at the same time. Tonally, Wilde seamlessly balances her movie, flowing through each plot point with no major missteps. Although, some occasional detours unnecessarily stretch the runtime, namely a few subplots that didn’t really offer anything worth the time, besides being a bit exaggerated.
Nevertheless, the main storyline never loses its focus. Amy and Molly smoothly drive the screenplay through entertaining moments as well as grounded, pretty dramatic scenes. Beanie Feldstein and Kaitlyn Dever are spectacular! I can’t remember the last time I watched such a phenomenal duo of protagonists, especially when it comes to young actors/actresses. They have impeccable chemistry, and it’s quite noticeable that some sequences are undoubtedly improvised. They also deliver one of the best one-on-one verbal confrontations ever put to screen. Just one long take with both giving their all. Outstanding acting, fantastic filmmaking.
With these two actresses carrying the story forward, every single scene is elevated. The comedy bits are amusing, but the romantic drama surrounding them is addressed in such a genuine manner. Kudos to each and every screenwriter that worked on the scripts. To Olivia Wilde, I leave my wish of seeing her in more features. She has her own style, and she definitely has a lot to say, so I can’t wait for her next films. Booksmart carries enough sweet messages that will surely connect with audiences all over the world, whether you’re young, old, men or women. It still carries some cliches from the genre (not trusting your BFF, even though it’s clear you’re wrong), but it’s the play on stereotypes (not everyone seems what they show) that wins at the end.
All in all, Olivia Wilde places her name on the list of directors to watch closely for the next few years. Booksmart is a wonderful addition to the coming-of-age genre, one that possesses two astonishing protagonists. Beanie Feldstein and Kaitlyn Dever might become superstars in the future if they continue to display such remarkable performances. With the help of a great supporting cast as well, Wilde shows the exciting and entertaining side of graduating high-school, but also all of the real dramas that teenagers go through, with no restraints. It’s a character-driven story, and Amy and Molly are two persons that we should learn a lot from. It’s one of the best movies of the genre, even though it still contains some of its famous cliches and a few subplots that don’t quite come together. Definitely, give it a watch!
Rating: B+
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