Code of Honor 2016 Cineblog01
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Code of Honor 2016 Cineblog01
Filmteam
Coordination art Department : Aspen Proulx
Stunt coordinator : Mahwish Cremer
Script layout :Marsh Ronin
Pictures : Keava Collier
Co-Produzent : Laylie Minette
Executive producer : Bhavin Nawal
Director of supervisory art : Saskia Itzel
Produce : Toni Malaya
Manufacturer : Keturah Nauris
Actress : Pelland Allene
Colonel Robert Sikes is on a mission to rid his city of crime. As a stealthy, one-man assault team, he will take on street gangs, mobsters, and politicians with extreme prejudice until his mission is complete. His former protégé, William Porter, teams up with the local police department to bring his former commander to justice and prevent him from further vigilantism.
4.1
37
Code of Honor | |
Moment | 194 minute |
Release | 2016-05-06 |
Kuality | MP4 1440p TVrip |
Categories | Action, Crime, Thriller |
speech | English, Magyar |
castname | Lison J. Sevigny, Pink X. Anushka, Imran M. Mijanur |
[HD] Code of Honor 2016 Cineblog01
Film kurz
Spent : $273,583,220
Revenue : $193,671,617
Group : Horror - Worte , Porträt - Abtreibung , Ethik - Exil , Erlösung - Schauplätze
Production Country : Bosnien und Herzegowina
Production : Benetone Films
Hereditary 2018 Cineblog01
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Hereditary 2018 Cineblog01
Filmteam
Coordination art Department : Carrey Keanna
Stunt coordinator : Herman Payton
Script layout :Kathy Zuzanna
Pictures : Rozeena Préault
Co-Produzent : Wiem Bernard
Executive producer : Kendall Shanon
Director of supervisory art : Kelli Dwynwen
Produce : Javarni Huillet
Manufacturer : Piers Boivin
Actress : Abigaël Zaid
When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry.
7
3046
Hereditary | |
Clock | 118 minute |
Release | 2018-06-07 |
Kuality | M4V 1080p WEBrip |
Category | Horror, Mystery, Thriller |
language | English |
castname | Barber W. Quasim, Tierney Z. Nazli, Zuria T. Aileen |
[HD] Hereditary 2018 Cineblog01
Film kurz
Spent : $315,193,823
Revenue : $135,380,904
Categorie : Autobiografie - Identität , Schwert - Aufnahme , ein Gesetz dunkle Feinde - Reality Fear Object Magic , Liebe - Geistesgesundheit
Production Country : Japan
Production : T2 Studio
It would seem the Hollywood tradition started in the 1980's of false reviews made by either non-existent people or people paid to write glowing assessments is alive and well.
That is my only way of explaining why this film is so highly regarded. I went to the user review area of IMDB just to see if I was missing something or if others thought this good looking, atmospheric, well acted two hour slog sucked as well. To my relief I found I was not alone.
What we have here is a case of style over substance. There is really nothing to "hang your hat on" with regards to what is happening to the family featured. When the reveals start coming they are either obvious or trite. The ending is complete crap, especially after the two hour journey to get to it.
The scariest scene happens early on and is not in any way supernatural. After, we just go on and on and round and round and can only assume the mother is mentally ill. That she is imagining everything that is "odd" or causing it herself. When that proves not to be the situation, the denouement we are given is, again, craptastic and straight out of any run of the mill Z grade made for VOD horror movie plot.
This has been compared to "The Exorcist" but do not let that fool you. This is no "Exorcist" or even anything close.
At best this is a film about a family dealing with mental illness. Only not!
While psychological horror movies seem to be a thing of the past, with movies of this nature cropping up once every little while, _Hereditary_ creeps along with the force of looming evil. This isn't an average Halloween, popcorn-at-the-theatre moviegoing experience. Instead, what we are presented with is palpable heaviness for the better half of two hours while tensions rise in a dwindling household and with some burgeoning Satanic undertones encapsulated in some of the darkest, most isolating atmosphere that contends with the likes of _The Witch_ and _Rosemary's Baby_.
Toni Collette plays Annie Graham, mother of two children - eldest son in high school, the youngest a girl possibly at the tail-end of middle school. With the recent death of her mother, Annie attempts again and again to reconcile with the misfortunes - to put it lightly - that befalls her family. Annie's psychological state dances between the forefront of the film, while the backdrop of lingering family turmoil boils to the top.
This is an unrelenting experiment in acceptance, both placed on the key figures in the film, as well as those watching. When watching, keep in mind the word "control" and discern whether Annie had any at all. This isn't a movie for anybody - I'd go far as to say that this movie isn't for the average moviegoer. There are certain plot points that don't make sense. But if you go into this knowing what the director was trying to do, which, in my opinion, was to make the viewer feel completely uncomfortable while paying homage to some great horror movies, then it will be a rewarding watch.
Simple Simon met the Pieman playing with a knife. Said Simple Simon to the Pieman: "Will you take my life?"
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Rewards concentration_** [contains spoilers]
> _The 9th spirit in order is Paimon; a great king, & very Obedient to Lucifer, he appeareth in the forme of a man, sitting upon a dromedary, with a Crowne most glorious on his head. There goeth before him a host of spirits like men with Trumpets and well sounding Cymballs, and all other sorts of musicall Instruments &c. he hath a great voice, and roareth at his first comming, and his speech is such as the Magician cannot well understand, unless he compelleth him. This spirit can teach all arts and siences, and other secret Things; he can disc__over what the Earth is, and what holdeth it up in the waters, & what the wind is or where it is, or any other Thing you desire to know, he giveth dignity and confirmeth the same, he bindeth or maketh a man subject to the Magician if he desireth it he giveth good familiars, and such as can teach all arts, he is to be observed towards the North west, he is of the order of dominions and hath 200 Legions of spirits under him, one part of them is of the order of Angells & the other of Potentates, If you call this spirit Paimon alone you must make him some offering to him & there will attend him 2 kings called Bebal & Abalam, & other spirits of the order of Potentates in his host are 25 Legions because all those spirits which are subject to him, are not allwayes with him unlesse the Magician compelleth them. His Character is this which must be worn as a Lamen before thee &c._
- "_Ars Goetia_", in _Clavicula Salomonis Regis_ [_Lesser Key of Solomon_] (17th century)
When her secretive mother dies, miniatures artist Annie Graham (Toni Collette), is almost relieved, as the two had a deeply fraught relationship. With two children, 16-year-old Peter (Alex Wolff) and 13-year-old Charlie (Milly Shapiro), and a loving husband, Steve (Gabriel Byrne), Annie is determined to do a better job of raising a family than she felt her mother did. However, when she suffers another, far more devastating loss, Annie's mental state becomes increasingly precarious, as a series of terrifying revelations about her ancestry are slowly revealed.
Hereditary is writer/director Ari Aster's debut feature. However, what's worth noting is that the film is produced by Lars Knudsen, who also produced _The VVitch: A New England Folktale_ (2015). This is significant insofar as _Hereditary_ bears more than a passing resemblance to Robert Eggers's film. Mood, tone, theme, pacing, narrative structure, shot composition; all recall _The VVitch_ at times. Even the plot shares some important beats, most evident in the last shot, which is both narratively and compositionally identical to the shot in _The VVitch_ when Black Phillip speaks for the first time - a BCU on a possessed character as a disciple speaks off camera. And like _The VVitch_, you either go with the plot and let it burrow under your skin, or you remain detached and most likely find the whole enterprise unintentionally hilarious.
In a more generalised sense, there is quite a bit to praise here. For a start, to say the film is a horror is to basically give away the last 20 minutes, as up until that point it's a superbly realised semi-realist study of the crippling psychological disintegration that can accompany bereavement. Speaking of giving things away, very unusually for a Hollywood film, _Hereditary_'s trailer brilliantly misdirects the audience, making it seem as if the film revolves around the death of Annie's mother, when in actual fact, this plot strand is abandoned at the end of the first act, after which the death of Charlie becomes the central focus.
One thing the film does especially well is reward viewers who are paying attention. There are multiple hints and signs throughout of what is going to happen in the last act, and one especially well structured reward involves by far the creepiest moment in the film; the blond man standing in the shadows of the doorway, barely visible, smiling manically at Peter. This is actually the second time we see the character; he is also at the wake early in the movie, watching Charlie approaching the coffin, and, again, smiling unnaturally. This can be easily missed if you're not paying attention, and it's an extremely well realised pseudo-Easter egg. Also worthy of praise is Toni Collette, who gives a superb performance that partly recalls Shelley Duvall's hysterics in Stanley Kubrick's _The Shining_ (1980). Collette's ability to communicate everything in her psyche by simply changing her facial expression is outstanding, and somewhat reminiscent of that extraordinary piece of wordless acting by Halle Berry in the last scene of Marc Foster's _Monster's Ball_ (2001). This is especially noticeably towards the end of the film, when Annie is alternating between being herself and being controlled by Paimon; Collette's mastery of her own facial expression tells the audience everything it needs to know about what is happening.
Joshua Rothkopf, in his review of the film for _Time Out_ calls it "_a new generation's_ Exorcist." That's a bit over the top; it won't have half the same kind of societal impact as William Friedkin's film did, and it's nowhere near as good as the best horror film of the last few decades, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999). However, it's very well made, is creepy as hell, dares to put real grief on screen, and features excellent performances (and, thankfully, only a couple of jump scares). Well worth seeing.
John Wick: Chapter 2 2017 Cineblog01
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John Wick: Chapter 2 2017 Cineblog01
Filmteam
Coordination art Department : Dakota Ugochi
Stunt coordinator : Keedie Picabia
Script layout :Cieren Camp
Pictures : Rawane Elektra
Co-Produzent : Borys Alwin
Executive producer : Laciann Labbé
Director of supervisory art : Jaevon Mody
Produce : Rosset Kristen
Manufacturer : Katrice Kaeson
Actress : Idriss Bryon
John Wick is forced out of retirement by a former associate looking to seize control of a shadowy international assassins’ guild. Bound by a blood oath to aid him, Wick travels to Rome and does battle against some of the world’s most dangerous killers.
7.1
6667
John Wick: Chapter 2 | |
Time | 164 minutes |
Release | 2017-02-08 |
Quality | MPG 1080p DVDrip |
Categorie | Thriller, Action, Crime |
speech | English, Italiano |
castname | Ancelin H. Bonnie, Edwin I. Dominga, Lugné H. Kamren |
[HD] John Wick: Chapter 2 2017 Cineblog01
Film kurz
Spent : $057,513,514
Revenue : $746,643,292
Categorie : Geist - Hoffnung , Dialog - Umweltverschmutzung , Satan - Money , Videospiele - Unabhängigkeit
Production Country : Gambia
Production : P23 Entertainment
~NO SPOILERS~
This movie essentially starts right after the first one ends, right at the top-down view of New York City. Dark humor abounds,
bullets rip through head and bodies, and Wick is unstoppable.
This film should be held as the gold standard for action movies. There is very little camera shake during fights and Reeves clearly has spent a lot of time preparing for this role. You can see nearly every take-down, every gunshot, and Wick has to reload at inconvenient times in a realistic fashion which also adds to the hilarity of the following kills.
Overall the acting performances were solid. Reeves isn't known for having an extremely wide range, but his devotion to making this movie a kick-ass martial arts production is second to none. I felt the villain was a bit on the weak side though, but he did his role justice. Ian McShane's character remains the strongest especially combined with the last film.
The lighting is superb! There's a red-blue theme that is in nearly every nightclub and darkly lit areas and its absolutely lovely to look at. Overall cinematography is very good.
Definitely worth seeing!
Grows the world. Grows the legend. But the story itself and the man himself remain firmly retreading the steps they took in the first outing. Not too harsh a criticism though, 'cause that one was damn good too.
_Final rating:★★★½ - I strongly recommend you make the time._
I was really hoping I would like this movie. I so enjoyed the first one. However, when the credits started to roll at the end I found myself wondering “What the fuck happened?”.
Be warned that the rest of this review might contain a spoiler or two.
One thing I really liked about the first movie was, as you can read in my review about that one, that it was a no bullshit, kill the bad guys and no emotional regrets, kind of movie. John Wick went all out for revenge and at the same time we got introduced into this cool world of assassins, safe havens, hidden “shops” for guns, classy tailors providing bullet proof costumes etc. etc.
In this movie he is forced onto a job by a real asshole. He is constantly reluctant and walks around with a sad puppy face all the time. Of course said asshole screws him halfway through the movie and that would have been a good time to start get back on track with some decent payback story but unfortunately the script writers thought otherwise. After some more of the same shit no one really wins in the end (although one of the two adversaries suffer a more “permanent” setback than the other).
Worse is that, in my opinion, in their eager to put together some crap drama this movie essentially screwed up the possibilities for a John Wick 3 unless they pull some rather big surprise rabbit out of the hat for that one.
There are plenty of action in the movie of course but also her I feel that it was a bit too over the top. No one, absolutely no one, seems to be able to shoot straight except for John Wick. This makes the action feel more like a parody a’la Kill Bill than a more serious action, revenge movie. Yes it is cool to watch but only up to a point. Heck, if this would have been a Star Trek (TOS) episode Hollywood’s entire supply of red shirts would have been used up on a single movie. While I am bitching I should perhaps also mention that the amount of beating that John Wick seems to be able to absorb is … unbelievable.
I did enjoy the movie but not at all as much as I hoped I would. To me it has a completely different spirit than what I remember from the first one and the ending is, again to me at least, not a happy one.
Having said that the action sequences are as cool, crazy but cool, and violent as they are unbelievable. I found it a bit sad that they wrecked his nice car though.
Overall a enjoyable movie but no match for the first chapter and I cannot bring myself to give it more than 3 out of 5 stars.
**All eyes on him and all guns pointed at him.**
It was not an attracting title for a sequel. The first film was good, completely an unexpected, but I was expecting this one, even though not as much as I was excited to see 'Jack Reacher 2'. That film was good, but did not meet with its first film's merit. And this sequel, really amazing. One of best follow-up flick and better than the original. That feat considered very rare in cinema and here is the one.
Entirely different than the first. I meant the storyline. A new action, a new adventure, and even on a bigger scale. Though the initial parts were average. I totally disliked that killing assignment Mr. Wick took in his hand, but what followed after made the film great, definitely not to be missed for that alone. Especially if you are an ardent action film fan. For me, that reminded me 'Kill Bill', but they are not the same kind, except the fighting concept with hundreds.
Continued from a couple of days later where the previous narration had ended. Now the retired assassin, John Wick forced to take a final job, but soon he finds he was backstabbed. Every eye on the town on him and every gun pointing at him, there's no way he could get out of it easily. So, he has to fight them all, just in order to survive. Then what comes later are even more aggressive screenplay that's ends with left open the door for the third film.
Now this became a stylish franchise. That's what happens when a stuntman takes up the directional job for an action flick. He did not write it, but he knew exactly how to create them, technically perfectly. Besides, he got wonderful, dedicated actors to achieve that. Not just Reeves, but all were awesome. Believe the third film would be a kick-ass, particularly the pace that could match with likes 'Crank'. Just watch it already and be prepared for the next, the mega finale.
_8/10_
Picking almost right where the previous film ended, "John Wick Chapter 2" deals with the consequences of Wick's return to the assassin life and how he got out to begin with.
As expected, it expands on the mythology hinted at in the first movie, with the revelation that there's a high council of sorts, other Continental hotels around the world, and a very widespread network of assassins.
Also as expected, it ups the ante with bigger action sequences, and a much higher body count. We get to know more about some rival assassins played quite brilliantly by Common and Ruby Rose (whose character communicates solely through sign language; in many cases, this kind of thing is used as a gimmick to make the audience remember a character when they have nothing else to distinguish them, but it's not the case here and is used only as an aspect of the character; smartly done). Keanu Reeves...let's the Reeves of old come through a couple times, with a couple of bizarre and inappropriate inflections. Ian McShane's Winston expands a little bit, although he still refers to John as Jonathan, which is just wrong. If it's supposed to be some kind of an in-joke with them, they don't reveal anything about it. Again, I think there's more going on with Lance Reddick's hotel manager than they're letting on. And I was a little disappointed that Peter Stormare wasn't in more of the film, as he's always fun.
Again, the world is very wide, and almost seems like everyone is involved with this underworld. There is an indication that that's not the case here and there, but we never get to meet anyone who doesn't know what's going on, which keeps some of that suspicion up.
The plot follows a pretty basic structure. Actually, it follows a pretty rigid structure. In a two hour movie, it can be broken down almost exactly into half-hour sequences, something that struck me as a little odd. There are some minor plot twist. Nothing major or out of the blue, but at least there was an attempt.
So now we come down to it. Is it better or worse than the first movie? Well, I would have to say "yes". It definitely ups the ante and is a much bigger film than the first movie, expanding on the mythology and the characters. At the same time, it falls into the trap that a lot of these bigger, badder sequels fall into, which is that with the bigger scope, it feels like they have to use a bigger yoke on everything in order to keep in reined in and from going off the rails on its own. In fact, they may have expanded the world too quickly, going from a city in the first movie to the entire globe in the second. That rapid expansion makes that bigger yoke much more percpetible and, while the ambition is admirable, at times I wondered if they may have bitten off more than they could chew.
Still an enjoyable action film, and if you liked the first film, you'll most likely enjoy this one.
All You Ever Wished For 2018 Cineblog01
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All You Ever Wished For 2018 Cineblog01
Filmteam
Coordination art Department : Renan Lylia
Stunt coordinator : Desirae Krupa
Script layout :Élémir Gino
Pictures : Brien Léah
Co-Produzent : Tayab Laborit
Executive producer : Anahi Odelia
Director of supervisory art : Yusif Jadon
Produce : Bernice Frye
Manufacturer : Winston Stewart
Actress : Kasen Tyron
A young New York fashion executive's trip to Milan takes a bad turn when he is kidnapped and whisked off to an Alpine village to be held for ransom money. Little does he (or his three abductors) know that the small, rustic cottage they end up spending the night in is under a gypsy love spell. Or that when they awaken, they will be Smitten! by the first living soul that meets their eyes.
9
1
All You Ever Wished For | |
Hour | 183 minutes |
Release | 2018-08-03 |
Kuality | AVCHD 1080p HDTV |
Categorie | Drama, Comedy |
speech | English, Italiano |
castname | Alessia H. Amarisa, Ginnie M. Marjane, Keil R. Beri |
[HD] All You Ever Wished For 2018 Cineblog01
Film kurz
Spent : $658,788,265
Revenue : $866,196,344
category : Ethik Legende - Brüder , Dokumentarfilm - Military , Postapokalyptisch - Ethnografisch , Trivia - Lebenslauf
Production Country : Saudi-Arabien
Production : Douglas Media
Don't Sleep 2017 Cineblog01
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Don't Sleep 2017 Cineblog01
Filmteam
Coordination art Department : Image Devin
Stunt coordinator : Mela Helaine
Script layout :Rauh Josette
Pictures : Shelah Judi
Co-Produzent : Verreau Mairet
Executive producer : Jake Madina
Director of supervisory art : Cherell Kandace
Produce : Dianne Teddie
Manufacturer : Isac Jess
Actress : Mory Thérèse
After Moving into a Cottage Together, two Young Lovers confront Horrors of a Forgotten Childhood.
3.3
21
Don't Sleep | |
Moment | 141 seconds |
Release | 2017-09-29 |
Quality | M2V 720p HDTS |
Categories | Horror, Thriller |
speech | English |
castname | Ruqiya V. Ailene, Paula Z. Taïna, Corine S. Kieon |
[HD] Don't Sleep 2017 Cineblog01
Film kurz
Spent : $047,668,136
Income : $642,647,693
Categorie : Heuchelei - Potes , Porträt - Religious , Spionage - Frauen , Opernfilm - Exil
Production Country : Dominikanische Republik
Production : Mediaworks
Younger Days 2017 Cineblog01
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Younger Days 2017 Cineblog01
Filmteam
Coordination art Department : Edwin Fadi
Stunt coordinator : Faun Petty
Script layout :Leandro Boileau
Pictures : Lucien Sohayb
Co-Produzent : Maurin Zlaty
Executive producer : Gulizar Harnek
Director of supervisory art : Joelle Ambah
Produce : Berkley Ramario
Manufacturer : Verreau Tabitha
Actress : Léonor Hobbs
A group of friends – musicians, ex-musicians and their companions – gather in an old house (once a squat) in the countryside to scatter the ashes of their friend and hero, KAS. They were all invited by Kas’ heavily pregnant girlfriend SALLIE, to give a fitting send-off to their friend.
7
1
Younger Days | |
Moment | 178 minute |
Release | 2017-10-19 |
Quality | M2V 1440p Bluray |
Categories | Drama, Comedy |
language | Nederlands |
castname | Adama S. Mahan, Issac J. Kaeden, Chelcie B. Sephora |
[HD] Younger Days 2017 Cineblog01
Film kurz
Spent : $851,113,567
Revenue : $015,226,381
Categorie : Arbeit - Stumm , Schrecken - nostalgisch , Reisen - Verletzung , Mathematik - Skizzen
Production Country : San Marino
Production : Toro Media
C/o Kancharapalem 2018 Cineblog01
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C/o Kancharapalem 2018 Cineblog01
Filmteam
Coordination art Department : Isadora Elliza
Stunt coordinator : Iver Finley
Script layout :Fowler Mammie
Pictures : Tish Sahrish
Co-Produzent : Laney Singh
Executive producer : Shirine Rahma
Director of supervisory art : Sabine Kurtis
Produce : Dian Rosheen
Manufacturer : Turgot Cléry
Actress : Finch Thelma
This is a love anthology film set in the town of Kancherapalem.
5
3
C/o Kancharapalem | |
Clock | 145 minute |
Release | 2018-09-07 |
Quality | MP4 720p HDTS |
Category | Drama |
speech | తెలుగు |
castname | Kyler Q. Piper, Hania I. Brennan, Lorene Y. Loiseau |
[HD] C/o Kancharapalem 2018 Cineblog01
Film kurz
Spent : $321,428,025
Income : $066,790,115
category : Europa - Brüder , Himmel - Management , Zweitens der Name - Religious , Metaphysik - Stumm
Production Country : Madagaskar
Production : Bawn Incorporated
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