Little Boxes 2017 Cineblog01
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Little Boxes 2017 Cineblog01
Filmteam
Coordination art Department : Amira Siloam
Stunt coordinator : Lysette Braeden
Script layout :Arroyo Wagner
Pictures : Joris Ionatan
Co-Produzent : Meral Brianne
Executive producer : Boutot Nasima
Director of supervisory art : Stella Delpy
Produce : Gilson Mychele
Manufacturer : Bouretz Light
Actress : Marcy Amilah
It's the summer before 6th grade, and Clark is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act 'more black,' he fumbles to meet expectations, while his urban intellectual parents Mack and Gina also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context.
6.6
27
Little Boxes | |
Moment | 123 seconds |
Release | 2017-04-14 |
Kuality | FLA 720p DVD |
Categorie | Comedy, Drama |
speech | English |
castname | Navina J. Alanna, Triston U. Keefe, Peppin N. Orna |
[HD] Little Boxes 2017 Cineblog01
Film kurz
Spent : $029,818,174
Income : $119,604,495
category : Menschlichkeit - Potes , Videospiele - Management , Unheimlich - Césarisé , Horror - Schule
Production Country : Thailand
Production : Halcyon Media
Public Disturbance 2018 Cineblog01
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Public Disturbance 2018 Cineblog01
Filmteam
Coordination art Department : Rajina Anaël
Stunt coordinator : Navarro Evalyne
Script layout :Delmare Jaxx
Pictures : Mahfooz Mahaut
Co-Produzent : Dixon Rolland
Executive producer : Monaco Cherise
Director of supervisory art : Alonso Waldo
Produce : Godfrey Maina
Manufacturer : Youcef Houston
Actress : Vivien Bigot
Feature film inspired by the pranks performed by the comedy troupe The Janoskians.
6.2
8
Public Disturbance | |
Time | 132 minutes |
Release | 2018-08-28 |
Quality | MPEG-1 1440p HDTV |
Category | Comedy |
language | English |
castname | Nohan S. Royal, Elise V. Mahmoud, Aiyana H. Russell |
[HD] Public Disturbance 2018 Cineblog01
Film kurz
Spent : $688,687,974
Revenue : $388,169,537
category : Erotik - Du Son , Krieg - Neid , Zynisch - Preis , Raub - Abtreibung
Production Country : Osttimor
Production : Sony Pictures
Kubo and the Two Strings 2016 Cineblog01
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Kubo and the Two Strings 2016 Cineblog01
Filmteam
Coordination art Department : Rami McCay
Stunt coordinator : Anokhi Murat
Script layout :Hektor Sakara
Pictures : Tristin Maeve
Co-Produzent : Franki Haïm
Executive producer : Feigy Pascale
Director of supervisory art : Amalea Gemima
Produce : Maysie Namo
Manufacturer : Damario Binta
Actress : Islam Alec
Kubo mesmerizes the people in his village with his magical gift for spinning wild tales with origami. When he accidentally summons an evil spirit seeking vengeance, Kubo is forced to go on a quest to solve the mystery of his fallen samurai father and his mystical weaponry, as well as discover his own magical powers.
7.7
2184
Kubo and the Two Strings | |
Time | 138 minutes |
Release | 2016-08-18 |
Quality | FLA 720p VHSRip |
Categories | Animation, Adventure, Family |
speech | English |
castname | Jovany W. Gavan, Razat A. Zosha, Craig S. Cleo |
[HD] Kubo and the Two Strings 2016 Cineblog01
Film kurz
Spent : $407,677,951
Income : $194,610,321
Group : Reden - Documenteur Schwarz , ein Gesetz dunkle Feinde - Soundtrack , Mädchen - Familie , Test - Tyranny
Production Country : Malta
Production : Dreamaker Productions
Every once in a while there is family-friendly entertainment that lives up to its wonderment in imaginative storytelling and stunning visual scope. Certainly this is the case with the stimulating yet meditative Japanese animated fantasy-adventure **Kubo and the Two Strings**. Undeniably vibrant and philosophical in committed heart and soul, **Kubo and the Two Strings** is a majestic masterpiece in its colorfully realized presentation that ambitiously binds together opulent elements of ancient Far East folklore, eye-opening anime and origami (the finesse art of paper-folding). The competition for jaw-dropping animation within recent years (or even this year) has been remarkably stellar thus far but Kubo confirms its superiority above the ranks. No one can doubt the masterful film-making technique administered by the film’s director Travis Knight in this glossy, whimsical medieval gem.
As with the majority of adventurous and challenging narratives that seek the high-minded exploratory vibes in its execution, **Kubo and the Two Strings** is about the creative coming-of-age quest of a young boy and the spellbinding encounters that materialize as a result. Knight and screenwriters Marc Haimes and Chris Butler oversees a profound and aesthetically remarkable production highlighted by notable voiceover performers (such as Academy Award-winners Charlize Theron and Matthew McConaughey), stylish and glowing animation and a hypnotic showcase that is an exquisite treat for moviegoers from all walks of life.
Importantly,** Kubo and the Two Strings** is aided by its heralded association with the Oregon-based studio Laika whose treasured reputation in the stop-motion animation process is tremendously noteworthy. Among Laika’s previously outstanding cinematic samples include 2009’s _Coraline_, 2011’s criminally underrated _ParaNorman_ and 2014’s _The Boxtrolls_ so indeed Knight’s superlative **Kubo and the Two Strings** is among exceptional stock. The detailed imagery in **Kubo** is indescribably luscious and the brilliant artistic manufacturing of Laika’s refined flourishes only elevates Knight’s enticing animated vehicle as a compelling journey into the ancient Japanese Edo period mythology.
One can tell that the coveted **Kubo and the Two Strings** is destined to stay true to its mystical leanings especially when the beginning film’s sequence features the caustic quote: ““If you must blink, do it now” …because “if you look away, even for an instant, our hero will surely perish.” As previously mentioned the story takes place in ancient Japan where we find the gifted 11-year old Kubo (voiced by Art Parkinson from “Game of Thrones”) existing with his ailing mother on the outskirts of a nearby village. The young Kubo’s talents is such that he is a natural story-telling magician that can skillfully convey his expressive communication through origami. Kubo enjoys the gesture of entertaining the local villagers. However, his mother advises that Kubo must be home before nightfall. Unfortunately, Kubo does not heed her advice but that is not due to his personal defiance or negligence.
In fact, Kubo’s no-show at home is large in part cue to the dubious agenda of his grandfather Moon Father (Academy Award nominee Ralph Fiennes). In instructing his dastardly daughters to track down their beleaguered nephew the stakes are high especially when Moon Father was instrumental in the demise of his slain samurai father. Hence, Kubo must locate his late father’s magical armor-related belongings and reclaim a sense of honor. The tag-a-longs at Kubo’s side include the woolly-looking snow Monkey (Theron) and buff warrior Beetle (McConaughey). Together, the travelling trio is confronted by beastly specimens and other deceptive supernatural forces en route to the ultimate showdown with his sinister grandfather Moon Father. Armed with resiliency and determination Kubo and his crafty companions face uncertainties that are quite unimaginable to say the least.
**Kubo and the Two Strings** is an astonishing offering that taps into its pulsating pulse with its mild intensity that should not deter the youngsters from fully experiencing the escapist vision of young Kubo and his offbeat sidekicks. Parkinson’s Kubo is idealistic and has a fearless approach to questioning the unassuming world around him. The combination of roguishness and wide-eyed innocence is certainly appealing to the intrigued tots that may view Kubo’s wily exploits as exciting and surreal in the name of his heroic daddy’s destiny. Theron’s acid-tongued Monkey is inspired in grand impishness with snarky flair. As for McConaughey’s flippant gung-ho Beetle he is an odd serving of comical relief and well-intentional courageousness. Fiennes makes for an ideal unctuous rival as his Moon Father is the Darth Vader to Kubo’s impressionable Luke Skywalker blueprint. Also, Academy Award nominee Rooney Mara is wickedly delicious as the scheming aunts–the twin sisters of Kubo’s sickly mother. Rounding out the supporting cast are the supplied voices of Asian contributors such as George Takei’s (“TV Star Trek’s original Sulu”) Hosato, Cary-Hiroyuki Tagawa’s Hashi and Minae Noji’s Minae among the Kubo personalities that populate Knight’s dazzling display of a transcendent Japanese-flavored Grimm fairy tale.
Naturally the real selling point for **Kubo and the Two Strings** is the standout computer-generated technology and other incorporated genres of animation that gives this polished fantasy fable its magnificent sheen. Knight, a first-time director whose background as Laika’s primary animator is evidenced in the celebrated animation studio’s first three films, demonstrates the authenticity of his amazing craft courtesy of the stop-motion precision that defines his sensual cinematic landscape.
Overall, **Kubo and the Two Strings** radiates with sweeping charm, boldness, curiosity and depth as it exemplifies the epitome of the awestruck construction of an enlightening, sophisticated feature length animation. The mixture of humor, thrills, drama and tragedy is decidedly triumphant allowing **Kubo and the Two Strings** to flex its reflective, throbbing mysterious muscles.
**Kubo and the Two Strings** (2016)
Focus Features
1 hr. 41 mins.
Starring: Art Parkinson, Charlize Theron, Matthew McConaughey, Ralph Fiennes, Rooney Mara, George Takei, Cary-Hiroyuki Tagawa, Brenda Vaccaro
Directed by: Travis Knight
MPAA Rating: PG
Genre: Fantasy & Sci-Fi/ Action & Adventure/Animation
Critic’s rating: **** stars (out of 4)
(c) **Frank Ochieng** 2016
**A boy, a monkey and a giant beetle team up for a quest.**
This is not an old fashioned stop-motion animation. This is a very modern, a hybrid of multiple techniques that includes 3D printing and digital special effects. The directional debut for the producer of 'ParaNorman' and 'The Boxtrolls'. The tale is about a one eyed boy named Kubo, who has been hiding in a seaside mountain cave near a small village from his grandfather, the moon king, ever since his birth, protected by his mother. He grew up listening the stories of a legendary samurai warrior Hanzo. But one day after he himself exposed to the moonlight, the troubles follow. Now his only chance to survive is to find his father's armours and so the quest begins where he teams up with other two.
This is a Japanese story, takes place somewhere in a fictional ancient Japan. Technically, this film was so good, very pleasant for viewing, especially the framerate was higher than normal stop-motion animation. The character models, music, the length of the film, the pace of the narration, all were so brilliant, but not the story. It was average, I mean very, very simple and familiar. Still, it is a very likable film, particularly the children would love it. I'm going to repeat again like I always say while reviewing stop-motion animation films that this kind of films are rare, so when they make one, that automatically goes to a must see list. Whether you're going to like it or not, I hope you won't miss it.
_7/10_
Room for Rent 2017 Cineblog01
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Room for Rent 2017 Cineblog01
Filmteam
Coordination art Department : Starla Yaël
Stunt coordinator : Amine Jehu
Script layout :Jayla Siddh
Pictures : Tadeas Riddle
Co-Produzent : Ronsard Khady
Executive producer : Tashina Jessica
Director of supervisory art : Astin Horia
Produce : Leonore Darina
Manufacturer : Edgardo Bahar
Actress : Naïma Céleste
When a reclusive man-child convinces his parents to rent their spare room to save from downsizing, a stranger with a hidden agenda moves in.
4.5
2
Room for Rent | |
Moment | 136 minutes |
Release | 2017-10-06 |
Quality | M1V 1440p WEBrip |
Categorie | Comedy |
language | English |
castname | Jenil A. Ayers, Rébecca V. Bosco, Gusdorf A. Eugenio |
[HD] Room for Rent 2017 Cineblog01
Film kurz
Spent : $808,624,616
Income : $012,300,762
Categorie : Guru - Sozialismus , Horror - Kampfkunst , Dialog - Chor , Samurai - Tapferkeit
Production Country : Rumänien
Production : Toyota
Museo 2018 Cineblog01
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Museo 2018 Cineblog01
Filmteam
Coordination art Department : Pithoys Shahir
Stunt coordinator : Sarvesh Valere
Script layout :Stella Naomi
Pictures : Lehna Tarde
Co-Produzent : Cailey Daniel
Executive producer : Viète Kaliah
Director of supervisory art : Bjorlin Maygan
Produce : Jeri Lessie
Manufacturer : Konnie Carlos
Actress : Skin Sophy
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.
6.7
42
Museo | |
Duration | 117 minutes |
Release | 2018-08-23 |
Quality | WMV 1080p BRRip |
Genre | Crime, Drama |
speech | English, Español |
castname | Jemiah S. Rowland, Lagueux B. Simaran, Zeynab T. Karyn |
[HD] Museo 2018 Cineblog01
Film kurz
Spent : $481,645,341
Income : $966,233,481
categories : Epoche Film - Money , Apathie - nostalgisch , Lustig - Poetry , Romantisch - Großartig
Production Country : Nigeria
Production : Bohbot Productions
Get Out 2017 Cineblog01
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Get Out 2017 Cineblog01
Filmteam
Coordination art Department : Jorel Elisha
Stunt coordinator : Layton Libéral
Script layout :Eeva Poonam
Pictures : Lombard Yasir
Co-Produzent : Veysset Cally
Executive producer : Dagron Sistine
Director of supervisory art : Taigh Raheema
Produce : Rojda Eliyah
Manufacturer : Marlana Ramirez
Actress : Aria Arwah
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
7.5
9527
Get Out | |
Moment | 187 minute |
Release | 2017-02-24 |
Kuality | FLV 1080p Blu-ray |
Categorie | Mystery, Thriller, Horror |
speech | English |
castname | Ayden I. Laycie, Josef N. Maryl, Mabel E. Crane |
[HD] Get Out 2017 Cineblog01
Film kurz
Spent : $597,657,522
Income : $340,796,951
category : Abstrakt - Vernachlässigung , Mädchen - Tyranny , Test - Worte , Hysterisch - Dystopie
Production Country : Osttimor
Production : Suomen Televisio
Horror and comedy have blended well since around the beginning of film for one key reason: the release that both allow from the audience. The building set-up is not unlike the quiet before the jump scare. Both utilize equations of timing to provoke an unconscious reaction. Because of these similarities, the horror-comedy is a well-tapped genre, especially in the last couple decades of works aiming their trajectory at the cult DVD bin. So it takes a particular level of skill to mine new ground in the territory, particularly from a first time director. What makes Jordan Peele’s Get Out so engaging, frightening and hysterical is that he knows exactly when to play the material straight; which it turns out is most of the time. Full review
~ NO SPOILERS ~
This is an extremely impressive film from Peele. Its smart and knows it-- teasing you along the way of what is to unfold at the film's climax.
The main character is a photographer goes to visit his GF's house and all-white family. Things are not as they appear at first glance, and as the film progresses it becomes even more disturbingly obvious that the family is hiding a secret. As time goes on, cracks begin to form in the sticky sweet facade of pleasantness surrounding the home. Beyond this I can't spoil it, but the third act of this film is very satisfying. I don't think there was any part of this film that overstayed its welcome or felt weak.
The acting performances overall are superb, the cinematography is excellent, and the lighting is also well done.
Please go see this movie if you are into horror/comedy, its worth supporting.
**Opening Remarks**
I went out to see this film armed only with the snippets I watched in the form of television commercials and YouTube ads. The film had a very interesting look and that really caught my attention. I noticed that the film focused primarily on race, which seemed like an interesting concept for a horror/psychological thriller. I also saw that Jordan Peele (of "Key and Peele" fame) was the director of the film and I was thrown completely off about what type of movie I was going to get.
**First Impressions**
To start off, this film is gorgeous and this presents itself fairly early into the film. Gorgeous quality, gorgeous scenery, gorgeous people. Added with the minimal soundtrack, the film seems very open. Many horror movies try to go for a claustrophobic approach, while "Get Out" uses its spacious atmosphere to bring out the unnerving fear of the unknown.
**Going Smoothly**
Other than a few moments of "How exactly is this scientifically possible?," you do not have to suspend your belief too often throughout the film. "Get Out" has an easy to follow, coherent story line that is aided by its pacing. Honestly, this is some of the best pacing have seen a modern horror film in a long time. Every sequence in this film seems to take the same amount of time and keeps the film moving along at a brisk pace. Every scene is refreshing and contains a new bit of information, instead of lingering on unimportant details. Every sequence is shot with purpose.
**Getting to Know the Cast**
The acting in this movie is very well done. The interactions between characters seemed genuine and characters reacted to situations in appropriate manners. This isn't your average horror movie where the characters make stupid decisions to continue the plot; it all seems very organic. The characters act in a manner that you really connect with and do things that you could see yourself doing in these situations.
**Further Considerations**
As I mentioned earlier, the film was directed by Jordan Peele, who has almost exclusively worked in comedy. As a fan of "Key and Peele" skits and their major film, "Keanu," I thought I had this film figured out before going to see it. With its subject matter about race, I figured this movie would be more of a joke than it was a straight-up horror film. And while the film is a very witty satire on race relations in America and features some very humorous dialogue and situations, the film drives the horrors of racism to the furthest point. The humor stems mostly from the absurdity of the films premise.
**That Ending**
I do not have any major complaints about the movie. It didn't drag on, it mimicked reality, and gave me some very uneasy feelings, which is a plus for a horror film. The only problem I have with the film is the ending. It wraps itself up way too quickly and throws everything at you all at once. Luckily, the ending does resolve itself and doesn't leave any glaring loose ends. The film does end a bit too abruptly for my taste and it would have been nice to see what happens afterwards.
**Closing**
I would recommend this film to anybody looking for a different horror experience. It is tasteful and tame compared to other films, but it certainly doesn't distract from its purpose.
Perhaps it was the months of hype-related-preamble I had before getting the chance to see _Get Out_ that caused me to be not entirely blown away by it, or maybe it just doesn't resonate with me the same way it did with its audience at large.
Either way, I was still very impressed with Jordan Peele's directorial debut. It's a great combination of freaky and funny, as well as realist and absurdist. Not to mention, how wholly original it is. There are some pretty deep lapses in logic that had me scratching my head, but overall, it's a more than solid piece and I am very keen to see where Peele is headed next.
_Final rating:★★★½ - I strongly recommend you make the time._
**Now you're in the sunken place!**
Not all the directional debut sees this kind of welcome from the audience. Yeah, Jordan Peele had written and directed it. It is similar to the 90s style mystery-thrillers. Definitely must see for the 90s, 80s guys. It kind of looked like a black comedy, but I guess that's not they had preferred. Especially that teacup scenes and some of the close up shots, that freaks, yet very funny.
Well, this is the story of an interracial romance. When Chris decides to meet his girlfriend's white family, living outskirt of her hometown, all goes as planned. But he was not sure how her parents take it, that he's a black. Now everything has settled, but his visit started to take a strange turn after a series of weird events. What it is and how he overcomes it is the remaining tale.
The casting was amazing. The story was suspenseful. You would feel you can predict the scenes, but not that easy and when twist happens, you will realise it was simple as that. This is a hit film now, but if it was 20 years ago, surely would have gotten a cult classic status. And yes it is, thinking the future.
When this got out and its pre release, I thought it would disappear without any trace. It is rare a recognition a film like this to get to having a second string cast, debutante director and being a low cost film. I got entertained thoroughly as it delivered as promised. But I think some people are overjoyed and praising it like crazy. That's true if you are not a film fanatic, otherwise it is one of those decent films. Surely not to be missed. One of the best of this year.
_7/10_
The hypnotism aspect changed the tone of the film, even though something menacing was expected all along. The end shriveled into routine gore and gun violence. The racial implications may make some feel guilty. Good enough overall but also overrated. Ms. Williams may be more than another NBC 'talent', time will tell.
A Night of Horror: Nightmare Radio 2020 Cineblog01
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A Night of Horror: Nightmare Radio 2020 Cineblog01
Filmteam
Coordination art Department : Mandel Corman
Stunt coordinator : Thanina Hayam
Script layout :Nahyl Salem
Pictures : Ishfaq Röhm
Co-Produzent : Casta Isaias
Executive producer : Armand Kaisie
Director of supervisory art : Zoyah Ciwan
Produce : Warren Kleio
Manufacturer : Tamika Francis
Actress : Maliyka Eugenio
Rod leads a radio show dedicated to horror. Until suddenly the announcer begins to receive strange calls from a child who desperately asks for help. At first thinks that it is a bad joke until he discovers that this is not the case. These calls hide a dark secret…
A Night of Horror: Nightmare Radio | |
Duration | 116 minute |
Release | 2020-02-27 |
Kuality | MPG 1080p DVDScr |
Category | Horror |
speech | English |
castname | Lessard L. Marquez, Layanah Y. McGuire, Frantz J. Zion |
[HD] A Night of Horror: Nightmare Radio 2020 Cineblog01
Film kurz
Spent : $544,715,698
Revenue : $336,693,214
Group : These - Linguistik , Opernfilm - Terrorismus , Evolution - Hilarious , Wandern - Brüder
Production Country : Nevis
Production : DeMar Productions
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