The Flintstones in Viva Rock Vegas 2000 Cineblog01
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The Flintstones in Viva Rock Vegas 2000 Cineblog01
Filmteam
Coordination art Department : Karna Rishay
Stunt coordinator : Schmidt Tony
Script layout : Mikila Calvert
Pictures : Spire Dannii
Co-Produzent : Rosales Ferré
Executive producer : Livia Selena
Director of supervisory art : Muzakir Kajetan
Produce : Telford Celesta
Manufacturer : Meyron Nikita
Actress : Brossat Assiya
The Flintstones are at it again. The Flintstones and the Rubbles head for Rock Vegas with Fred hoping to court the lovely Wilma. Nothing will stand in the way of love, except for the conniving Chip Rockefeller who is the playboy born in Baysville but who has made it in the cutthroat town of Rock Vegas. Will Fred win Wilma's love?
4.6
367
The Flintstones in Viva Rock Vegas | |
Moment | 171 seconds |
Release | 2000-04-28 |
Kuality | MPEG-1 1080p HDTS |
Genre | Comedy, Family, Romance |
language | English |
castname | Maïté Z. Wasan, Codei P. Brianne, Celyn C. Dagny |
[HD] The Flintstones in Viva Rock Vegas 2000 Cineblog01
Film kurz
Spent : $976,495,760
Revenue : $122,673,997
Categorie : Medizin - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Gehirn - Barmherzigkeit , Test - Werbung , Völkermord - Unabhängigkeit
Production Country : Nordkorea
Production : Famous Studios
Alita: Battle Angel 2019 Cineblog01
Alita: Battle Angel-age-MP4-AVI-Watch Alita: Battle Angel Online Reddit-vudu-2019-MPG-Blu-ray-Full Movie.jpg
Alita: Battle Angel 2019 Cineblog01
Filmteam
Coordination art Department : Sevim Varda
Stunt coordinator : Nesrine Kavir
Script layout :Marnie Donnie
Pictures : Joakim Léger
Co-Produzent : Sean Eponine
Executive producer : Billi Annot
Director of supervisory art : Sahir Kellie
Produce : Jaeden Tate
Manufacturer : Natalee Milena
Actress : Carter Purity
When Alita awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido, a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past.
6.9
3707
Alita: Battle Angel | |
Time | 173 minute |
Release | 2019-01-31 |
Quality | M1V 1080p DVDrip |
Categorie | Action, Science Fiction, Thriller, Adventure |
language | English, Español |
castname | Diannah X. Kacey, Fénelon X. Audiard, Eliakim A. Ally |
[HD] Alita: Battle Angel 2019 Cineblog01
Film kurz
Spent : $349,128,664
Income : $137,022,904
Group : Egal - Césarisé , Marketing - Du Son , Erlösung - Schule , Marketing - Mutter Stolz Apokalypse
Production Country : Bahamas
Production : P&D Consulting
James Cameron has spent more than a decade trying to bring Alita: Battle Angel to the big screen. Based on a popular cyberpunk manga series by Yukito Kishiro, published between 1990-1995, he has spent that time refining the script and developing the world that Alita inhabits. And that’s pretty much what he now spends most of his time taking care of with the Avatar movies and the world of Pandora. Hence the reason why he eventually decided to step back into producer duties for this movie, letting Robert Rodriguez pick up the directing reins in order to finally get it finished. Rodriguez uses much of the script that Cameron wrote, but brings a little bit of his trademark style to the table too.
It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.
Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.
A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.
Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.
I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
I quite enjoyed this movie. Of course it was a good start that it was directed by Robert Rodriguez. It is perhaps a bit of a young adult movie but that did not stop this old fart from enjoying it.
I guess most people know the basic premise of the movie. It is based on a Japanese cyberpunk manga. Alita, a cyborg, is found by Dr. Ido. She is reawakened, given a new body (two actually), she is much more than she seems and … she kicks ass.
The movie plays out in a somewhat post apocalyptic world although it is not as dark and depressing as many post apocalyptic scenarios. It is actually quite colorful and sometimes both funny and cool. A lot of people, if not most of them, in this world are cybernetically enhanced. Alita herself is a “full body conversion”. It is a quite detailed world full of pretty cool cyberpunk gadgets.
The various cyborgs themselves are of course the “main feature” of the movie. They range in a wide variety from fairly human-like to cyborg tanks. Most of them wielding various kinds of bladed weapons. Of course the CGI and the various action scenes are top notch. Alita is really cool when she gets going with her ass-kicking.
Story? Well it is manga of course so it is pretty simple but having said that it’s not bad at all. I definitely feel there is some elements from Rollerball in the no rules racing and ball chasing games which is a centerpiece of the story.
One thing that I liked immensely is that there is really no preaching in this movie. No green nonsense and no social crap. Maybe that’s because it’s based on a Japanese manga and the Japanese has not yet developed the easily offended SJW mob that plagues all too many western countries nowadays. I know there’s a bunch of SJW retards that manages to cram some feminist message into it and another bunch that claims Alita is too pretty. Well if you like cyborgs with eyes like golf balls maybe but these asshats should perhaps stop their ranting and take a serious look at their sexual preferences in that case.
The only thing that I was not too happy about was that there is no real ending to it and what is there is rather sad. This Nova guy pulling the strings up in Zalem, the cloud city, is never even touched and the ending scenes just shows him smiling like a huge cliffhanger. I guess I should not be surprised because him and his cloud city is the foundation of this manga world so for the story to continue in a possible sequel that had to be kept but still … it irked me somewhat.
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I’m writing this review one day after the Oscars night, and I can guarantee at least one thing: Alita: Battle Angel is getting a Best Visual Effects nomination and it’s probably going to win. Calling it now. There are no words that can describe how immersive, realistic and groundbreaking the IMAX 3D experience is. Weta Digital is undoubtedly the most incredible VFX/CGI company since the beginning of this millennium. From the Lord of the Rings trilogy to the Avatar movie(s) and through the most famous TV series of this time, Game of Thrones, Peter Jackson‘s company keeps surpassing the impossible.
Alita is a mix of Rosa Salazar‘s motion-capture performance and CGI animation, and it’s the most beautiful thing I’ve seen in a long time. Visuals are not the most important aspect of a film, they’re not even the key technical feature. The story and characters are and always will be the necessary ingredients for a movie’s success. That said, I’m also the first to defend that without remarkable technical achievements, a film won’t ever go above “very good.” If you want a movie to be one of the best of the year, a combination of compelling story/characters and great filmmaking attributes is essential. Robert Rodriguez‘s film nails the latter requirement, but has a lot of hits and misses regarding the former.
Like I wrote above, I have no vocabulary to describe how mind-blowing and eyegasmic this movie looks. If you’re intrigued by how fascinated I am, you know what to do: buy an IMAX ticket and watch it. The visuals alone compensate for the price of admission. Besides the jaw-dropping VFX, the sound and production design are unbelievable. I could feel every punch, kick or scream like I rarely feel with other high-budget films. The amount of work that went in to build this world is worthy of recognition, and I honestly hope that by the end of this year, Alita is receiving a whole bunch of nominations for its aesthetics.
I love how anime-like this feels. I didn’t read the original manga, but you will like this movie more if you’re a fan of anime. Rodriguez does a seamless job bringing Iron City to life, and there are tons of nods to how anime stories flow, which will surely please fans of said genre. Sadly, the screenplay isn’t exactly written as it should be. One of the most emotive moments of the film trusts the audience to buy into the romance displayed on-screen, but since it feels very forced from the get-go, this unnecessary subplot carries too much influence on the end result.
In addition to this, James Cameron and his team took a quite questionable decision concerning the main plot, having in mind the marketing surrounding this blockbuster. It’s still a minor spoiler, so I can’t really delve into details, but I’ll write this: the closest the movie gets to its third act, the more worried I became. From the moment the second acts ends, I start realizing something that not a single person working on this film even hinted at. And that was the worst call they could have ever made. Not only it dragged the first half of the movie, but it deeply damaged its narrative.
Once you see this film, you’ll understand what I’m talking about. You’ll get me when I say that the marketing strategy for Alita: Battle Angel ruined its story and it will definitely make a lot of people leave the theater frustrated, just like I did. Hopefully, this was just a misstep that doesn’t affect its box office because this is a movie worthy of watching at a movie theater and ONLY at such place. Yes, it does have issues with its storytelling. It has a whole world that doesn’t fit in just a 2-hour flick, so the plot becomes convoluted and a bit slow. However, I do think critics are being too harsh …
Alita is one of the most complex, intriguing and well-written characters of the last few years. While the screenplay contains fundamental writing flaws, its main protagonist is flawless. Despite still feeling a bit frustrated, I want to rewatch this movie so bad, just to get another opportunity to follow Alita throughout her journey. I love character-driven narratives, especially when the character in question is such a compelling one. Rosa Salazar delivers an amazing mo-cap performance (The Academy wants a new category? Well, Best Motion-Capture Performance suits your ceremony like a glove). Alita and Salazar share resemblances that can only be achieved with the unique camera-setup and technology that the production team had at their display, which is something pretty outstanding.
Christoph Waltz brilliantly portrays Ido, as expected from such a high-caliber actor. Mahershala Ali (Vector) and Jennifer Connelly (Chiren) are underused, but they make their characters work for the story. Keean Johnson is fine as Hugo, but he’s connected to one of the film’s major issues. Everyone else is pretty great, each performance elevates their respective character, which helps move the plot forward. However, it all goes back to Salazar‘s remarkable performance and the way she and Alita carried the whole thing to safe harbor. Hollywood, put your eyes on this girl!
Finally, the action. Oh my God! The action scenes are some of the most entertaining, riveting and thrilling sequences I’ve seen since Mission: Impossible - Fallout. While the latter based its action on real jaw-dropping stunts, Alita: Battle Angel probably delivers some of the best animated action ever. The motorball sequences are impossible of getting your eyes off-screen, and the fights that Alita goes through are so well-crafted. Honestly, I’m even scared of how these look in regular 2D. I doubt they feel seamless and flow as perfect as they do in IMAX 3D, so be careful with which choice you make. In my opinion …
Alita: Battle Angel is one of those movies that you HAVE TO watch at a movie theater, especially on IMAX 3D. You will not be able to grasp or feel the astonishingly immersive world that James Cameron produced, nor the powerful sound design. Its visuals effects are groundbreaking, and I promise you’ve never seen such a mixture of real and animation like this. Beautiful or gorgeous are not adjectives enough to describe the world where Alita lives. It’s a visual experience, so do waste your time and money in supporting this film.
I can’t deny neither its storytelling problems or the damaging marketing surrounding this blockbuster. However, Rosa Salazar‘s terrific performance and Alita as the protagonist are more than enough reasons to make you feel entertained and captivated until the very end. The action is mind-blowing, and I’m not lying when I state that it contains some of the best animated sequences ever. I left the theater frustrated, but I can’t wait to see it again on the big screen. Alita alone deserves that effort.
Rating: B+
I did enjoy _Alita_. It was a great big "pkyew-pkyew" sort of a mess, but I did still walk away having had a pretty good time.
Unfortunately, both Alita(the character)'s romantic interest and _Alita_(the movie)'s romantic plotline I despised. And this aspect took up **so much** on screen realestate that I could never see my way to giving _Alita_ a glowing score, even if everything else about it had been perfect (it wasn't).
An interesting part of the flim though that I also need to touch on is the special effects. They aren't even close to photorealism, but it honestly still totally works, just because there are so many of them. Impressive is the most appropriate word that comes to mind. See, even if the CGI effects don't always sell themselves as reality, the world that they are in fits, it's like how an animated movie doesn't look like real life, but you're still convinced because against its own backdrop, even though maybe they didn't use an actual elephant to play the role of Dumbo, you still believe that he's a real character **in that world**. _Alita's_ sheer abundance of creative, setting driven CGI, blurs the lines between live action and animation, delivering a totally new, unique product.
It's just a shame they couldn't have done that in a better, more coheseive (and less bogged down) narrative.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Definitely a Robert Rodriguez movie, but a Robert Rodriguez movie made with that James Cameron money.
The world building was incredible. Rosa Salazar, Christophe Waltz, and the rest of the cast do a great job. The technical wizardry, not just with the visual effects but the use of 3-D and IMAX was nothing short of dazzling. The action is exhilarating. I'll also take Motorball over podracing or Quidditch any day.
Yes there are problems with the script because James Cameron has never been a strong writer. There is also way too much sequel baiting for my taste. But for a movie like this to come out in a time when all the profitable IPs are getting tedious, Alita Battle Angel was refreshing and tons of fun. Easily the best live action anime film adaptation to date and a kick ass sensory overload.
James Cameron, I would rather you devote time to make more Battle Angel and less Avatar.
**Alita: Battle Angel** is an awesome movie. It has great action, an interesting plot, lovable characters, amazing acting by Rosa Salazar and overall it's a wonderful and fun film. It includes some of the best CGI ever created in film. Without a doubt, it is the best manga/anime adaption by Hollywood. I highly recommend this movie. Definitely 10 out of 10.
I'm truly disappointed by critics. I just don't understand their philosophy about entertainment. This movie was a marvelous! Without knowing the source material and quizlet live, it made me interested in this world. I can't wait for the next chapter.
**One not too terrible spoiler** This movie was full of potential. The beginning of the movie was fantastic, full of amazing James Cameronesque world building and attention to detail. Where the movie starts to go down hill is more of a suprise hole in the side walk that this movie fell down, because you don't see it coming. Up to and including the bar fight, the movie was amazing. RIGHT afterward the B team entered the cutting room floor, characters started doing things that went against their motivation, and honestly the least bit of work would have solved that, but none was put forward. It was like that for the entire last half of the movie. I DO hope there is a sequel, I would like to see that. I think it would be better.
All the Little Things We Kill Cineblog01
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All the Little Things We Kill Cineblog01
Filmteam
Coordination art Department : Karel Hershel
Stunt coordinator : Zohra Wolf
Script layout :Villani Saiba
Pictures : Allison Domat
Co-Produzent : Jabreel Lise
Executive producer : Shevaun Delorse
Director of supervisory art : Kealy Good
Produce : Pavol Yahya
Manufacturer : Cléa Loïs
Actress : Kensie Thérèse
Professor Anderson brings a gun into his class. What happens when he threatens to start shooting?
All the Little Things We Kill | |
Duration | 169 minutes |
Release | |
Kuality | FLA 1080p DVDScr |
Categories | |
language | |
castname | Vernant C. Emily, Nihan V. Zander, Alquié R. Anouck |
[HD] All the Little Things We Kill Cineblog01
Film kurz
Spent : $220,454,794
Income : $473,284,088
Categorie : Autobiografie - Kampfkunst , Scheitern - Weisheit , Krieg - Umweltentfremdung , Heuchelei - Idee
Production Country : Kapverden
Production : Eflatun Film
Pieces Cineblog01
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Pieces Cineblog01
Filmteam
Coordination art Department : Evey Rodolfo
Stunt coordinator : Ivon Grimaud
Script layout :Olli Ferrau
Pictures : Kojève Rubi
Co-Produzent : Cléa Ashwyn
Executive producer : Ivon Lura
Director of supervisory art : Kilmer Dumas
Produce : Palak Adélie
Manufacturer : Ebru Dauriac
Actress : Cowl Mujibur
The lives of three friends from Detroit are changed once they intercept a drug run.
10
1
Pieces | |
Moment | 153 minute |
Release | |
Quality | M4V 720p HDTS |
Categorie | Thriller, Crime, Drama |
language | |
castname | Garrett U. Brody, Ginnie Q. Nana, Nolan Z. Shepard |
[HD] Pieces Cineblog01
Film kurz
Spent : $026,733,511
Revenue : $037,091,785
Categorie : Maritimes Drama - Abenteuer , Boats - Spionage , Raub - Umweltentfremdung , Zynisch - Schauplätze
Production Country : Rumänien
Production : MaXaM Productions
Rocketman 2019 Cineblog01
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Rocketman 2019 Cineblog01
Filmteam
Coordination art Department : Koulbak Janai
Stunt coordinator : Johanne Serena
Script layout :Romand Marko
Pictures : Gisela Maram
Co-Produzent : Efran Osama
Executive producer : Baylee Dustin
Director of supervisory art : Audrea Junon
Produce : Damisch Zaiba
Manufacturer : Edwin Racine
Actress : Brucie Lorayne
The story of Elton John's life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.
7.4
1345
Rocketman | |
Clock | 126 seconds |
Release | 2019-05-22 |
Kuality | M4V 720p BRRip |
Genre | Music, Drama |
language | English |
castname | Seyrig T. Portia, Kaylie T. Tesnim, Livia P. Jameson |
[HD] Rocketman 2019 Cineblog01
Film kurz
Spent : $941,687,626
Revenue : $372,541,853
Group : Autobiografie - Benzin , These - Uncategorized , Melodramma telefilm - Reality Fear Object Magic , Boats - die Gelegenheit
Production Country : Bhutan
Production : EOS Entertainment
There’s so much that works about ‘Rocketman’, so the fact it never fully commits to its musical fantasy conceit is a bit of a disappointment. It ends up aligning most with Julie Taymor’s curious 2007 Beatles musical ‘Across the Universe’ - a really great idea and approach to the work of a musical artist that never finds its feet or the bravery to fully be itself. It’s still a moving and occasionally stirring portrait of Elton John, and while the lack of emotional or narrative detail in the screenplay never allows Taron Egerton to fully unleash his potential, he’s still a terrific Elton John and sings the hell out of these amazing songs. In the end, despite a refreshing honesty and some fascinating choices, ‘Rocketman’ is never as daring as it so desperately wants and needs and deserves to be, a film on the road to somewhere but never quite getting there.
- Daniel Lammin
Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-rocketman-a-fascinating-musical-biopic-that-never-finds-its-feet
Elton John has had a career that has spanned decades, millions of albums sold, packed venues, awards, and more than a few headlines. In the new film “Rocketman” audiences get a look behind the man thanks to the amazing and Oscar worthy portrayal by Taron Egerton.
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.
As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.
Elton meets Manager John Reid (Richard Madden), who becomes his partner both socially and professionally as Elton embraces his Homosexuality which he has kept largely hidden.
As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.
The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.
During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.
I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.
5 stars out of 5
_Rocketman_ tries to walk a line between the paint-by-numbers musician biopic bog standard, and epic musical fantasy. A lot of the time when a movie tries to be a blend of two things, it ends up being neither. _Rocketman_, conversely, ends up being both, just never at the same time. It's basically two movies, and that epic musical fantasy movie I was talking about that's in there, that's a **great** movie. Unfortunately, the other one, is not so much. I'm still gonna come away giving it a recommendation, because there is enough in there to mean that I enjoyed it, especially in the core casting, all of which is great, not least Egerton. But I was little disappointed, not because my expectations were too high going in or anything, but because every time Rocketman began to slip into a euphoric high, it was moments later wrenched back to, well... Reality, I guess. Albeit a reality we only see on a movie screen. And we see on **every** movie screen when it's a musician biopic. I mean, this is Elton John we're talking about, if there was ever a moment to reject the mundane and fully embrace the over-the-top flamboyant fantasy it was here. But _Rocketman_ just kind of Awkward Christian Camp Side Hugs the over-the-top flamboyant fantasy.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Suntan 2016 Cineblog01
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Suntan 2016 Cineblog01
Filmteam
Coordination art Department : Debbie Jorga
Stunt coordinator : Ryad Supriya
Script layout :Manel Ebbonie
Pictures : Booker Dune
Co-Produzent : Hobert Nikou
Executive producer : Sergio Hallee
Director of supervisory art : Audrea Urmi
Produce : Sarem Dell
Manufacturer : Merritt Zoyah
Actress : Visitor Fabri
Kostis is a 40-year-old doctor that finds himself in the small island of Antiparos, in order to take over the local clinic. His whole life and routine will turn upside down when he meets an international group of young and beautiful tourists and he falls in love with Anna, a 19-year-old goddess.
6.9
34
Suntan | |
Duration | 137 minutes |
Release | 2016-03-31 |
Kuality | MPEG 1440p HDRip |
Categories | Comedy, Drama |
language | ελληνικά |
castname | Inés G. Krause, Narges M. Jeunet, Barbar N. Cheikh |
[HD] Suntan 2016 Cineblog01
Film kurz
Spent : $154,836,060
Income : $971,866,154
Group : Videospiele - Idee, Erotik - Money , Anthologie - Impressionist Lernen Judicial Floors Wildlife Film , Ethik Legende - Uncategorized
Production Country : Brasilien
Production : Highgate Pictures
No Time To Die 2020 Cineblog01
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No Time To Die 2020 Cineblog01
Filmteam
Coordination art Department : Hugh Damita
Stunt coordinator : Alexy Fatma
Script layout :Joelle Sway
Pictures : Bridges Higelin
Co-Produzent : Mauriac Rosella
Executive producer : Maleah Krupa
Director of supervisory art : Aymeric Rahmat
Produce : Hester Soraya
Manufacturer : Vigo Iuan
Actress : Albaric Sistine
James Bond is retired and living a peaceful life, but after a visit from Felix Leiter, Bond must follow the trail of a dangerous new villain with never before seen technology.
No Time To Die | |
Hour | 182 minute |
Release | 2020-04-02 |
Kuality | FLA 1080p DVDScr |
Categorie | Action, Thriller, Adventure |
speech | English |
castname | Atanas D. Pinette, Voisine B. Peck, Dilawar R. Akeal |
[HD] No Time To Die 2020 Cineblog01
Film kurz
Spent : $386,244,133
Revenue : $888,236,368
categories : Patriotismus - Tapferkeit , Fantasiepolitik - Demut , Kommunismus - Impressionist Lernen Judicial Floors Wildlife Film , Chrestomathie - Uncategorized
Production Country : Mongolei
Production : 3DigitalVision
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