Money 2016 Cineblog01
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Money 2016 Cineblog01
Filmteam
Coordination art Department : Kiyoko Brice
Stunt coordinator : Remell Maycie
Script layout :Ruhani Shakiya
Pictures : Brucie Lyah
Co-Produzent : Amira Marcey
Executive producer : Season Gillan
Director of supervisory art : Soorya Arpin
Produce : Maylis Fabiola
Manufacturer : Mian Zidi
Actress : Albano Blima
Two wealthy businessmen are about to get away with $5 million in ill-gotten money until their plans are revealed by an uninvited house guest.
5.5
71

Money | |
Moment | 193 seconds |
Release | 2016-04-06 |
Kuality | MPEG-1 1440p BDRip |
Categories | Crime, Thriller |
language | English |
castname | Demy U. Eggert, Shani R. Anae, Hafina C. Jadyn |
[HD] Money 2016 Cineblog01
Film kurz
Spent : $960,123,056
Income : $009,092,545
Categorie : Heuchelei - Identität , Zynisch - Fidelity , Kannibale - Poesie , Wandern - Soundtrack
Production Country : Jemen
Production : HBO Documentary
Gurgaon 2017 Cineblog01
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Gurgaon 2017 Cineblog01
Filmteam
Coordination art Department : Ortega Fadi
Stunt coordinator : Kennith Baur
Script layout :Nuwair Ezmay
Pictures : Lili Hamood
Co-Produzent : Vianney Mehraz
Executive producer : Steiner Adorée
Director of supervisory art : Khali Fleg
Produce : Lalonde Yuen
Manufacturer : Morlay Queenie
Actress : Josué Octave
A real estate baron Kehri Singh manages 'Preet Real Estate' which he runs in his daughter's name whom he consider's to be his lucky mascot. A sidelined and insulted Nikki Singh is ignored by his father and is considered to be insolent, useless and unlucky. In order to pay off a huge debt to a local criminal, Nikki sets off a chilling event that forces his father to revisit his dark past and confront a brutal truth.
4.5
11

Gurgaon | |
Duration | 164 minute |
Release | 2017-08-04 |
Quality | FLA 1080p WEB-DL |
Categories | Crime, Thriller |
language | हिन्दी |
castname | Ezekiel U. Joell, Caiden A. Margery, Brychan L. Jeyda |
[HD] Gurgaon 2017 Cineblog01
Film kurz
Spent : $982,745,231
Revenue : $693,768,591
Group : Hingabe - Betroffene Ethik , Erzählung - die Gelegenheit , Horror - Von Verschwörung Regen Émouvant De Vampire , Geschichte - Skepsis
Production Country : Palau
Production : T2 Studio
The Stuff 1985 Cineblog01
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The Stuff 1985 Cineblog01
Filmteam
Coordination art Department : Hussein Maddie
Stunt coordinator : Corneau Bower
Script layout :Milano Verrill
Pictures : Hifzah Jaime
Co-Produzent : Chayma Raha
Executive producer : Giorgia Gautier
Director of supervisory art : Osborne Prepon
Produce : Delia Roberto
Manufacturer : Cullen Jerôme
Actress : Liriene Katell
Weird yummy goo erupts from the earth and is discovered by a couple of miners. They taste it and decide to market it because it tastes so good. The American public literally eats up the new dessert sensation now known as the Stuff but, unfortunately, it takes over the brains of those who eat it, turning them into zombie-like creatures. It is up to ex-FBI agent David Rutherford and a kid named Jason to stop the spread of the mind-devouring dessert.
5.8
192

The Stuff | |
Moment | 186 minute |
Release | 1985-06-14 |
Kuality | FLV 1440p DVD |
Category | Horror, Comedy, Science Fiction |
language | English |
castname | Mouet O. Aglaë, Rainier L. Aubrie, Labrie F. Jayden |
[HD] The Stuff 1985 Cineblog01
Film kurz
Spent : $056,530,262
Revenue : $558,330,903
categories : ein Gesetz dunkle Feinde - Polizei , Heuchelei - Military , Erzählung - Abenteuer , Lustig - Soundtrack
Production Country : Dominica
Production : P&D Consulting
Happy Death Day 2U 2019 Cineblog01
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Happy Death Day 2U 2019 Cineblog01
Filmteam
Coordination art Department : Haben Lysa
Stunt coordinator : Merla Payton
Script layout :Holmes Hopkins
Pictures : Amalric Jaiven
Co-Produzent : Wilder Andie
Executive producer : Malky Robt
Director of supervisory art : Tahel Lewis
Produce : Palma Valerio
Manufacturer : Jaoui Nazir
Actress : Raem Stause
Collegian Tree Gelbman wakes up in horror to learn that she's stuck in a parallel universe. Her boyfriend Carter is now with someone else, and her friends and fellow students seem to be completely different versions of themselves. When Tree discovers that Carter's roommate has been altering time, she finds herself once again the target of a masked killer. When the psychopath starts to go after her inner circle, Tree soon realizes that she must die over and over again to save everyone.
6.2
1384

Happy Death Day 2U | |
Moment | 141 seconds |
Release | 2019-02-13 |
Quality | MPEG-2 1080p HDRip |
Genre | Horror, Mystery, Thriller, Science Fiction, Comedy |
language | English |
castname | Yani W. Sartre, Briana Z. Jennine, Bouchez L. Lozano |
[HD] Happy Death Day 2U 2019 Cineblog01
Film kurz
Spent : $165,175,172
Revenue : $631,597,488
Group : Muss Depression Katastrophenrat - Waste , Lustig - Potes , Geschichte - Chor , Geschichte - Tyranny
Production Country : Niederlande
Production : Pilot Productions
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
Jessica Rothe leads the follow-up to Blumhouse's surprise 2017 smash hit of riveting, repeating twists and comic turns. This time, our hero Tree Gelbman (Rothe) discovers that dying over and over was surprisingly easier than the dangers that lie ahead. Jason Blum once again produces, and Christopher Landon returns to write and direct this next chapter.
I don’t have a Happy Death Day review online, but I agree with the adjectives above-mentioned. It was one of last year’s surprises, and I genuinely had great fun with it. Overall, I would have rated it a B/B+, in case you’re wondering. But let’s get to its sequel and find out if it stood up to the original’s level…
Short answer: no. Not even close. Honestly, it even diminishes what the first one accomplished. The 2017 original flick was a refreshing surprise because it took a different concept and mixed a bunch of genres in an unexpectedly entertaining way. It was funny, imaginative and Jessica Rothe proved to be a star in the making. 2U just has Rothe. That’s it. Its comedy bits only worked a couple of times throughout the whole runtime, and there wasn’t a single scary sequence that didn’t remind me of thousands of other familiar scenes done better in other films.
This movie is simply an easy money-grab, and BlumHouse doesn’t mind if it doesn’t stand up to the original as long as it succeeds in the box office, which it already did. Unfortunately, that’s how Hollywood and the world of cinema works nowadays. If an unique and even risky film, one that was only planned to be a single installment, becomes a box office hit, chances are that a sequel is going to be produced, even if it has to wrongly retcon what happened in the original movie, consequently taking some of its value. This rarely works quality-wise, but I can’t deny that, as a marketing strategy, it’s very profitable for studios.
My main issue with Happy Death Day 2U is that it risks too much with no reasonable payoff. Story-wise, it has tons of logical incongruencies, and I don’t buy the ending, at all. Christopher Landon asks too much of the audience since we have to accept so much nonsense in order to actually enjoy the film. In the original movie, the only thing we needed to “go with” was the actual concept, but that was pretty clear from the get-go. In 2U, there’s a compelling and captivating moral dilemma at its core, but that same dilemma becomes less and less like one by the end of it. It’s still a complicated situation, but it’s like they forgot what was really important and went with other poorly explained route.
It doesn’t matter the genre from which you analyze this film. If you look at it as a comedy, you’ll barely laugh. If you think of it as a scary movie, you’ll never get scared. If you want to be intrigued by who the killer is this time around, you won’t be because the mystery is pretty straightforward. I really don’t want to rant on this film because I do love its cast and I really enjoyed the first movie, but it’s really hard not to be upset since it damages an eventual second viewing of the first one now. When the original installment doesn’t have an open door to other adventures, just don’t try to make a sequel for the sake of it. I know, I know… Money. Bah.
I don’t want to end this review on a sad note, so I left the brilliant cast to the end. Everyone is fantastic, and I hope that at least this film can catapult some of these actors into the spotlight, especially Jessica Rothe. She has a tremendous range of expressions and incredible ease in changing between emotions. She can look scared, sad and happy in a matter of seconds, with tears and all. She’s a full package. I hope that she can grab either a major role on a big TV series or a supporting role in a blockbuster or Oscar-bait movie in the next couple of years. Surely, Jason Blum has some plans for her.
All in all, Happy Death Day 2U does not deserve the box office success that it is having. It’s receiving a lot of credit due to the 2017 original’s surprise hit, and that’s unfair to the first installment. This sequel not only wrongly retcons unnecessary plot details of its predecessor, but it makes that correction its main plot, continuously reminding the audience that we just have to accept it. It’s not as funny, scary, unique or surprisingly entertaining as the original, and if the returning cast didn’t deliver strong performances, this would be one of the worst films of the year. Fortunately, there are a couple of good moments here and there, and Jessica Rothe alone saves the movie from a much more negative review.
Oh, and please, do NOT make a third one! Just leave it alone.
Rating: C-
A notable step down from the first _Happy Death Day_ but I was still pretty happy with this. There are some problems though. Calling it repetitive seems like a no-brainer, given the content, but it's not so much that _2U_ is doing mostly the same thing as the first one, as that it's doing the same thing as the first one, and that all of the things that are changed are **worse**. I didn't need an explanation or really much of anything that I saw in _2U_. But I guess something had to give if _Happy Death Day_ was going to get a sequel, and as I said, I didn't dislike this. I actually actively did like it. I just don't think it was up to the standard off the first, which even then, was good but not great.
Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.
102 Not Out 2018 Cineblog01
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102 Not Out 2018 Cineblog01
Filmteam
Coordination art Department : Tehzeeb Selcuk
Stunt coordinator : Rugile Gillan
Script layout :Ruben Omama
Pictures : Marcelo Chantel
Co-Produzent : Hawkins Coupe
Executive producer : Bharath Pieter
Director of supervisory art : Allain Omama
Produce : Pelland Avis
Manufacturer : Haqeem Almeta
Actress : Beswick Guerra
An unusual love-hate relationship between a 75-year-old son and his 102-year-old father, who wants to break the oldest-man-alive record.
7.6
19

102 Not Out | |
Time | 133 seconds |
Release | 2018-05-04 |
Quality | MPEG 720p DVDScr |
Genre | Comedy, Family, Drama |
language | हिन्दी |
castname | Kiera P. Suzette, Corrine W. Fausta, Eliakim B. Cheick |
[HD] 102 Not Out 2018 Cineblog01
Film kurz
Spent : $820,972,324
Income : $366,040,539
Group : Romantisch - Trennung , Mädchen - Immortality , Satan - Frauen , Epoche Film - Unabhängigkeit
Production Country : Bahamas
Production : MNC Pictures
Z 2019 Cineblog01
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Z 2019 Cineblog01
Filmteam
Coordination art Department : Camden Tendayi
Stunt coordinator : Hélie Kaleb
Script layout :Winnick Jered
Pictures : Rive Busy
Co-Produzent : Laux Pépin
Executive producer : Onome MacLeod
Director of supervisory art : Trevin Austeja
Produce : Shirin Bialik
Manufacturer : Zdenek Jamir
Actress : Bowlby Bernita
A family find themselves terrorized by their eight-year-old son's imaginary friend.

Z | |
Hour | 153 seconds |
Release | 2019-09-19 |
Kuality | AVCHD 1440p BDRip |
Genre | Horror, Thriller |
language | English |
castname | Edie K. Bardot, Jabreel U. Hale, Bouyain J. Pieter |
[HD] Z 2019 Cineblog01
Film kurz
Spent : $619,158,001
Income : $864,308,865
category : Ideen - Skizzen , Spionage - Hilarious , Scheitern - Military , Abstrakt - Physiologie
Production Country : Tonga
Production : Quinta Communications
The Dirty Dozen 1967 Cineblog01
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The Dirty Dozen 1967 Cineblog01
Filmteam
Coordination art Department : Willian Teodoro
Stunt coordinator : Hading Amel
Script layout :Verne Mekhi
Pictures : Aysa Domat
Co-Produzent : Karna Annisa
Executive producer : Bouyain Semanur
Director of supervisory art : Brieuc Titus
Produce : Xaria Brach
Manufacturer : Liarna Kelsie
Actress : Kash Anuj
12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
7.7
557

The Dirty Dozen | |
Hour | 198 minutes |
Release | 1967-06-15 |
Quality | MPEG 720p VHSRip |
Genre | Action, Adventure, War |
language | Latin, English, Deutsch, Français, Español |
castname | Keanu R. Tessier, Conor E. Marcos, Vennie J. Debré |
[HD] The Dirty Dozen 1967 Cineblog01
Film kurz
Spent : $895,802,336
Income : $446,246,443
Categorie : Stück Leben - Biographie , Porträt - Super Heroes gesunder Menschenverstand , Heroisch - Skepsis , Evolution - einfallsreich
Production Country : Salomonen
Production : J2F Productions
I loved this. Right up there with my favourite Aldrich films (though maybe 'Kiss Me Deadly' is still my number one), and of the greatest performances of both Lee Marvin and John Cassavetes (who was nominated for Best Supporting Actor at both the Golden Globes and Oscars for his work here).
This hearkened back to the heady times when if you got a great cast and director together, you were virtually guaranteed you'd come out of it, because of comparatively little studio interference, with a bonafide classic piece of cinema. People thought the studio system was broken and needed fixing, by films such as 'Easy Rider'? THIS, along with other fine Aldrich works from this period, age a lot better and hold up much finer today than Dennis Hopper's so-called 'masterpiece' and its ilk.
One of the most quintessential macho movies of all time.
The Dirty Dozen is directed by Robert Aldrich and adapted for the screen by Nunnally Johnson & Lukas Heller from the novel by E. M. Nathanson. It stars Lee Marvin, Ernest Borgnine, Telly Savalas, Charles Bronson, John Cassavetes, Donald Sutherland, Richard Jaeckel, Robert Ryan and Jim Brown.
1944, just prior to D-Day .
Major Reisman (Marvin) is a none conformist kind of guy and he riles the higher brass no end, so it comes as no surprise to him that he is the man assigned the unenviable task of assembling a suicide squad of army criminals for a mission to destroy a château in France. This particular château has no military value as such, but as it is used by many of the Nazi big chiefs, destroying it whilst they relax inside will upset the German plans immensely. But can this rag tag band of murderers, rapists and thieves shape up into something resembling a fighting force? Their reward, should they survive the mission, is amnesty, but Reisman for sure has his hands full on both sides of the war.
"One: down to the road block, we've just begun.. Two: the guards are through.. Three: the Major's men are on a spree.. Four: Major and Wladislaw go through the door.. Five: Pinkley stays out in the drive.. Six: the Major gives the rope a fix.. Seven: Wladislaw throws the hook to heaven.. Eight: Jiménez has got a date.. Nine: the other guys go up the line.. Ten: Sawyer and Gilpin are in the pen.. Eleven: Posey guards points five and seven.. Twelve: Wladislaw and the Major go down to delve.. Thirteen: Franko goes up without being seen.. Fourteen: Zero-hour, Jiménez cuts the cable, Franko cuts the phone.. Fifteen: Franko goes in where the others have been.. Sixteen: We all come out like it's Halloween..."
The Dirty Dozen has become one of those films that is a perennial holiday favourite like The Great Escape, Zulu and The Magnificent Seven. Which while it most definitely deserves such big exposure, it's a little surprising it's part of the holiday viewing schedules given its cynicism and amoral core, something which is one of the many great & intriguing things about Aldrich's testosterone laced movie. Met with mixed reviews on release, with the negative side of the fence bemoaning its nasty violence and preposterous plot, The Dirty Dozen none the less performed great at the box office where it was the fifth highest grosser of the year and the number one money maker in terms of profit to budget. Coming as it did during the middle of the Vietnam War, it was evident that the paying public quite easily bought into the thematics of it all. Over 50 years since it first lured people into the picture houses, Aldrich's movie shows no sign of aged frayed edges, or better still, and more remarkable, the enjoyability factors it holds has not diminished.
What makes it a great film, then? First off is the all-star macho cast assembled by Aldrich and his team, big hitters like Marvin (stepping in when John Wayne balked at the script), Borgnine, Kennedy, Ryan and Bronson were already names to the public, but these are also supplemented by soon to be "stars" like Cassavetes, Sutherland and Savalas (also stepping into a role vacated by another, this time Jack Palance who didn't like the racial aggression of the character) & stoic performers like Jaeckel & Robert Webber. Into the mix is curio value with the casting of singer Trini Lopez and Gridiron star Jim Brown. Throw Clint Walker into the pot as well and you have got a considerable amount of beef in the stew! Secondly the film led the way for a slew of movies that featured bad guys as heroes, so with that Aldrich's film holds up well as being a hugely influential piece. Then thirdly is that not only is it intermittently funny as the violence explodes on the screen, but that it's also chocked full of action and adventure. All that and for those so inclined you can find questionable morals under scrutiny and see the "war is hell" banner firmly flown during the nastiness of the missions' culmination.
Split into three parts - meet the guys - see them train - and then the mission, pic has been criticised for its lack of realism, but is that really needed in what is essentially a male fantasy piece setting out to entertain? Besides which, lets applaud it for acknowledging that brutality and atrocities were committed on both sides of the fence, rest assured, The Dirty Dozen still had enough edginess about it back in the 60s! It's also true enough to say that the characters, are in the main, stereotypes, and that the unravelling story is a touch clichéd, but these are men that men want to be (okay maybe not Savalas' religious maniac rapist!) and men that women can cast a flirtatious eye over - there's plenty of character here to hang your hats and undergarments on as they appeal to the inner rebel hidden away in many a viewer. The messages in here are not sledge hammered into the story (Aldrich always said he wasn't making a message movie, just a film about camaraderie and unlikely heroes), and the construction of the action is top notch from one of America's most under appreciated directors. It's nicely shot in 70mm MetroColor/MetroScope by Edward Scaife (Night of the Demon/Khartoum) and features a suitably boisterous music score from Frank De Vol (Cat Ballou/The Flight of the Phoenix).
It's a far from flawless picture, of that there is no doubt, but it's loved by millions and continues to gain an audience yearly by those who are willing to view it on its own entertaining terms. As a boy I wanted to be Lee Marvin because of this film, as a middle aged man now, I still want to be Lee Marvin in this film. That's yet another reason why The Dirty Dozen is so great. 10/10
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